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To Grieve Together Is to Heal Together
Rituals of Care In Minneapolis

Signs of resistance and community solidarity are found on every block, in every neighborhood. This is a sign a few houses down from Renee Good’s memorial. Photo Credit: Joi Lee
Over the last three months, the Twin Cities of Minneapolis and St. Paul, Minn. have lived under siege. On December 4, 2025, the Department of Homeland Security announced the start of Operation Metro Surge as part of Trump’s crackdown on immigration. Around 3,000 immigration agents flooded into the region, turning Minneapolis into the epicenter for what would become the largest immigration enforcement operation in United States history.
Neighbors watched other neighbors being abducted. The shrill sound of whistles—the warning sign that ICE was nearby—became the all-too-familiar soundtrack to the city. Streets, and the businesses that lined them, once bustling, became quiet, threatening the many diverse communities that form the cultural backbone of the Twin Cities: Somali, Hmong, Latine, among others.
And then, on January 7, Renee Good, an everyday Minnesotan who was watching out for her neighbors, a legal observer, was shot and killed. Seventeen days later, Alex Pretti, an ICU Nurse, met the same fate at the hands of ICE officers.
What followed made international headlines: civilians clashing with federal agents as flash bangs, tear gas, and rubber bullets filled the streets of Minneapolis. Images of confrontation traveled far beyond the city, flattening a much more complicated reality unfolding on the ground—as the news cycle has done repeatedly to Minneapolis over the years with the murders of Jamar Clarke in 2014, Philando Castile in 2016, and George Floyd in 2020 at the hands of police brutality.
As tensions threatened to spiral further, the Trump administration announced a series of changes: replacing ICE commander Greg Bovino with so-called “border czar” Tom Homan, and on February 12, announcing that the operation in Minneapolis would come to an end. But in Minneapolis, many residents say the shift has been more cosmetic than substantive. Raids continue, surveillance lingers, and entire communities remain on edge.
The fear has not lifted. It has settled.
In this fragile uncertainty of what happens next, the Minneapolis community has turned to care. Across the city, people are gathering not just to strategize or protest, but to also grieve together: to light candles, pray, sing, and move their bodies in unison. Memorials for Good and Pretti have become meeting grounds. Healing circles, ceremonies, and music-filled vigils have emerged as lifelines for a community nowhere near recovered, yet refusing to unravel.

Posters of Renee Good and Alex Pretti adorn the city, plastered on empty walls, hung up on store windows. Photo Credit: Joi Lee
A legacy of trauma—and healing
In Minneapolis, trauma does not arrive without memory. Neither does healing.
I met Leslie Redmond, an organizer and former president of Minneapolis NAACP, at a healing circle she convened the day after Pretti’s murder. Nestled in a small community cafe, tables were pushed aside and chairs brought into the circle. Wafts of warm home-made chili floated in from the vegan kitchen, and cups of piping hot lemon ginger tea—nourishing for the soul, we were assured—were handed out.
As folks trickled into their seats, nervous chatter gave way to quiet realization that everyone was holding a pain that needed to be shared. Looking around the faces in the room, many etched with stress and exhaustion, Redmond reminded us, “Before we can build, we must heal.”
Redmond is no stranger to collective trauma inflicted by the hands of law enforcement. She had lived through the police killings of Jamar Clarke, Philando Castile, and George Floyd, as well as the uprisings that followed.
“Back then, I wasn’t actively healing. My back went out. My hair was falling out. We were in the fight phase. And then I realized, we need to move to the healing phase.”
By the end of 2020, Redmond decided to create a community healing team for collective mourning. When Good was killed, that infrastructure, built slowly and deliberately, was ready to spring into action.
“Healing is fundamental,” Redmond said, before quoting Audre Lorde’s seminal words from A Burst of Light: “Self-care is not self-indulgence. Self-care is self-preservation, which is an act of political warfare.”
These days, Remond facilitates weekly healing circles. For many, the healing circles have become a place to reset. To find solace in knowing that what Minnesotans are going through is real, and not imagined. To find validation in their pain, yet also resolution in how to move forward. At one of the meetings, a 13-year-old quietly confessed to the group, “I feel like I’ve lost my peace.” At another, a Somali elder shared, “We’ve been living in fear. But looking around, how beautiful to remember why I decided to call this place my home.”
Different cultures, shared medicine in memorial
The memorials of Pretti and Good, built at the sites where they were killed, have become living spaces of ceremony and connection. The rituals of healing are as diverse as the communities that Pretti and Good gave their lives to protect. At a vigil for Pretti organized by his fellow nurses, I met members of the Hmong community, an ethnic group that originates from Southeast Asia and largely came over as refugees to Minneapolis in the mid-1970’s. The Twin Cities are home to the largest concentration of Hmong people in the U.S.
One person held a sign reading, “A Hmong shaman for healers & humanity!” Another read, “A Hmong Christian for healers & humanity!”
A woman who asked me to call her Yaya explained why she was there. “As a healer from the Hmong community, as a shaman, I came to support them, healer to healer,” she said. “Because we do so much healing, but we forget to heal ourselves. Today is about healing the healers.”
The group offered both prayers and blessed strings. People approached quietly, asking for care. Some requested Christian prayer, others a shamanic blessing. Kiki, the Christian, clasped their hands tightly, offering a prayer and a hug. Yaya took each person’s right hand, looping a thin string around the wrist and tying it gently in place, murmuring a prayer so soft it barely rose above the street noise.
Many accepted both.
Ceremony as resistance
Indigenous communities also organized ceremonies honoring Good and Pretti.
Among them was a Jingle Dress Dance ceremony, rooted in Ojibwe healing traditions, meant to restore health and balance to those who need it. Over 30 members of the Minneapolis Native community came together at both memorials to perform their sacred dance, adorned in vibrant dresses. Metal cones are woven in intricate patterns around the dress, such that a slight movement creates a rhythmic sound.
“The dress came to our people when there was a time of sickness. And so that’s what we do. We show up when there’s people suffering,” Downwind said, one of the organizers of the ceremony.

Jingle Dress Dancers gather at Renee Good memorial’s site to perform a healing ceremony. Photo Credit: Joi Lee
The sound of metal cones sewn onto the dresses echoed through the cold air—each step a prayer, each movement an offering—was met with quiet attentiveness by the audience.
When the dance finished at Good’s memorial, the crowd moved to Pretti’s, a journey that in itself felt like a pilgrimage, connecting the deaths of two Minnesotans with the lives of all those who remained, continuing their legacy.
For many in attendance, the presence of Native dancers felt both sacred and a reminder that this land holds older traditions of survival. That healing did not begin, nor will it end, with this moment.
Music and the permission to feel
Music has also become a vessel for collective healing. Groups like Brass Solidarity,a band that was founded in response to the murder of George Floyd, have organized performances at the memorials, bringing instruments into spaces thick with grief.

In the cold, unforgiving nights of Minneapolis, hundreds gather by Alex Pretti’s memorial site to listen to the musical tribute given by Brass Solidarity. Photo Credit: Joi Lee
One evening at Pretti’s memorial, hundreds of people stood shoulder to shoulder, bodies seeking warmth and rhythm. Brass instruments rang out, fingers braving subzero temperatures to play. Anthony Afful, a musician with Brass Solidarity, described the role of music in these spaces. “Part of what we’re doing,” he said, “is helping people remember that they’re human.”

Music, he explained, creates room for the full range of emotion. “This is a dark time. There has to be space for grief, for rage, and also for joy—to exist together.”
I spoke to another musician, Tufawon, who is Native-Boricua. For him, it is not just experiencing music but also its creative expression that helps unlock emotional processing. He’s currently holding a music workshop for Native youth, many of whom have been deeply impacted by ICE raids despite being the Indigenous peoples of this land.
“As colonized people, we’re impacted by historical trauma,” Tufawon explained. “We carry it through our genes. And now there’s a collective trauma that the entire city, the entire state, really, is holding. We don’t take the time to process what we experience. Music is a mindfulness practice. So I use music to bring healing into the moment, so they can find some level of balance and not crash so hard when it’s all over.”

Tufawon is a local Minneapolis artist, both Native and Puerto Rican, who uses music as an educational and community tool to heal and lift up the Native youth community. Photo Credit: Joi Lee
Healing circles, ceremonies, music, and prayer: many of these are rituals with a rich, long history. They have navigated many cultures in the past and will continue to do so in the future.
They have passed through countless cultures and generations, carrying meaning far beyond any single moment.
But in a time where Minneapolis is being ripped apart—when the very definition of who belongs, of what it means to be an “American,” is under violent scrutiny—these rituals of care have reaffirmed something that cannot be detained, erased, or deported. That the very fabric of this place has been woven together by so many cultures, by so many peoples. And that it will be healed by them, together.
Minneapolis is no stranger to rebuilding. It is a city, a sacred land, that is practiced in rising from devastation, again and again.
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{
"article":
{
"title" : "To Grieve Together Is to Heal Together: Rituals of Care In Minneapolis",
"author" : "Joi Lee",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/healing-rituals-minneapolis",
"date" : "2026-02-20 08:48:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Lee_Minn_Image1-.jpg",
"excerpt" : "",
"content" : "Signs of resistance and community solidarity are found on every block, in every neighborhood. This is a sign a few houses down from Renee Good’s memorial. Photo Credit: Joi LeeOver the last three months, the Twin Cities of Minneapolis and St. Paul, Minn. have lived under siege. On December 4, 2025, the Department of Homeland Security announced the start of Operation Metro Surge as part of Trump’s crackdown on immigration. Around 3,000 immigration agents flooded into the region, turning Minneapolis into the epicenter for what would become the largest immigration enforcement operation in United States history.Neighbors watched other neighbors being abducted. The shrill sound of whistles—the warning sign that ICE was nearby—became the all-too-familiar soundtrack to the city. Streets, and the businesses that lined them, once bustling, became quiet, threatening the many diverse communities that form the cultural backbone of the Twin Cities: Somali, Hmong, Latine, among others.And then, on January 7, Renee Good, an everyday Minnesotan who was watching out for her neighbors, a legal observer, was shot and killed. Seventeen days later, Alex Pretti, an ICU Nurse, met the same fate at the hands of ICE officers.What followed made international headlines: civilians clashing with federal agents as flash bangs, tear gas, and rubber bullets filled the streets of Minneapolis. Images of confrontation traveled far beyond the city, flattening a much more complicated reality unfolding on the ground—as the news cycle has done repeatedly to Minneapolis over the years with the murders of Jamar Clarke in 2014, Philando Castile in 2016, and George Floyd in 2020 at the hands of police brutality.As tensions threatened to spiral further, the Trump administration announced a series of changes: replacing ICE commander Greg Bovino with so-called “border czar” Tom Homan, and on February 12, announcing that the operation in Minneapolis would come to an end. But in Minneapolis, many residents say the shift has been more cosmetic than substantive. Raids continue, surveillance lingers, and entire communities remain on edge.The fear has not lifted. It has settled.In this fragile uncertainty of what happens next, the Minneapolis community has turned to care. Across the city, people are gathering not just to strategize or protest, but to also grieve together: to light candles, pray, sing, and move their bodies in unison. Memorials for Good and Pretti have become meeting grounds. Healing circles, ceremonies, and music-filled vigils have emerged as lifelines for a community nowhere near recovered, yet refusing to unravel.Posters of Renee Good and Alex Pretti adorn the city, plastered on empty walls, hung up on store windows. Photo Credit: Joi LeeA legacy of trauma—and healingIn Minneapolis, trauma does not arrive without memory. Neither does healing.I met Leslie Redmond, an organizer and former president of Minneapolis NAACP, at a healing circle she convened the day after Pretti’s murder. Nestled in a small community cafe, tables were pushed aside and chairs brought into the circle. Wafts of warm home-made chili floated in from the vegan kitchen, and cups of piping hot lemon ginger tea—nourishing for the soul, we were assured—were handed out.As folks trickled into their seats, nervous chatter gave way to quiet realization that everyone was holding a pain that needed to be shared. Looking around the faces in the room, many etched with stress and exhaustion, Redmond reminded us, “Before we can build, we must heal.”Redmond is no stranger to collective trauma inflicted by the hands of law enforcement. She had lived through the police killings of Jamar Clarke, Philando Castile, and George Floyd, as well as the uprisings that followed.“Back then, I wasn’t actively healing. My back went out. My hair was falling out. We were in the fight phase. And then I realized, we need to move to the healing phase.”By the end of 2020, Redmond decided to create a community healing team for collective mourning. When Good was killed, that infrastructure, built slowly and deliberately, was ready to spring into action.“Healing is fundamental,” Redmond said, before quoting Audre Lorde’s seminal words from A Burst of Light: “Self-care is not self-indulgence. Self-care is self-preservation, which is an act of political warfare.”These days, Remond facilitates weekly healing circles. For many, the healing circles have become a place to reset. To find solace in knowing that what Minnesotans are going through is real, and not imagined. To find validation in their pain, yet also resolution in how to move forward. At one of the meetings, a 13-year-old quietly confessed to the group, “I feel like I’ve lost my peace.” At another, a Somali elder shared, “We’ve been living in fear. But looking around, how beautiful to remember why I decided to call this place my home.”Different cultures, shared medicine in memorialThe memorials of Pretti and Good, built at the sites where they were killed, have become living spaces of ceremony and connection. The rituals of healing are as diverse as the communities that Pretti and Good gave their lives to protect. At a vigil for Pretti organized by his fellow nurses, I met members of the Hmong community, an ethnic group that originates from Southeast Asia and largely came over as refugees to Minneapolis in the mid-1970’s. The Twin Cities are home to the largest concentration of Hmong people in the U.S.One person held a sign reading, “A Hmong shaman for healers & humanity!” Another read, “A Hmong Christian for healers & humanity!”A woman who asked me to call her Yaya explained why she was there. “As a healer from the Hmong community, as a shaman, I came to support them, healer to healer,” she said. “Because we do so much healing, but we forget to heal ourselves. Today is about healing the healers.”The group offered both prayers and blessed strings. People approached quietly, asking for care. Some requested Christian prayer, others a shamanic blessing. Kiki, the Christian, clasped their hands tightly, offering a prayer and a hug. Yaya took each person’s right hand, looping a thin string around the wrist and tying it gently in place, murmuring a prayer so soft it barely rose above the street noise.Many accepted both.Ceremony as resistanceIndigenous communities also organized ceremonies honoring Good and Pretti.Among them was a Jingle Dress Dance ceremony, rooted in Ojibwe healing traditions, meant to restore health and balance to those who need it. Over 30 members of the Minneapolis Native community came together at both memorials to perform their sacred dance, adorned in vibrant dresses. Metal cones are woven in intricate patterns around the dress, such that a slight movement creates a rhythmic sound.“The dress came to our people when there was a time of sickness. And so that’s what we do. We show up when there’s people suffering,” Downwind said, one of the organizers of the ceremony.Jingle Dress Dancers gather at Renee Good memorial’s site to perform a healing ceremony. Photo Credit: Joi LeeThe sound of metal cones sewn onto the dresses echoed through the cold air—each step a prayer, each movement an offering—was met with quiet attentiveness by the audience.When the dance finished at Good’s memorial, the crowd moved to Pretti’s, a journey that in itself felt like a pilgrimage, connecting the deaths of two Minnesotans with the lives of all those who remained, continuing their legacy.For many in attendance, the presence of Native dancers felt both sacred and a reminder that this land holds older traditions of survival. That healing did not begin, nor will it end, with this moment.Music and the permission to feelMusic has also become a vessel for collective healing. Groups like Brass Solidarity,a band that was founded in response to the murder of George Floyd, have organized performances at the memorials, bringing instruments into spaces thick with grief.In the cold, unforgiving nights of Minneapolis, hundreds gather by Alex Pretti’s memorial site to listen to the musical tribute given by Brass Solidarity. Photo Credit: Joi LeeOne evening at Pretti’s memorial, hundreds of people stood shoulder to shoulder, bodies seeking warmth and rhythm. Brass instruments rang out, fingers braving subzero temperatures to play. Anthony Afful, a musician with Brass Solidarity, described the role of music in these spaces. “Part of what we’re doing,” he said, “is helping people remember that they’re human.”Music, he explained, creates room for the full range of emotion. “This is a dark time. There has to be space for grief, for rage, and also for joy—to exist together.”I spoke to another musician, Tufawon, who is Native-Boricua. For him, it is not just experiencing music but also its creative expression that helps unlock emotional processing. He’s currently holding a music workshop for Native youth, many of whom have been deeply impacted by ICE raids despite being the Indigenous peoples of this land.“As colonized people, we’re impacted by historical trauma,” Tufawon explained. “We carry it through our genes. And now there’s a collective trauma that the entire city, the entire state, really, is holding. We don’t take the time to process what we experience. Music is a mindfulness practice. So I use music to bring healing into the moment, so they can find some level of balance and not crash so hard when it’s all over.”Tufawon is a local Minneapolis artist, both Native and Puerto Rican, who uses music as an educational and community tool to heal and lift up the Native youth community. Photo Credit: Joi LeeHealing circles, ceremonies, music, and prayer: many of these are rituals with a rich, long history. They have navigated many cultures in the past and will continue to do so in the future.They have passed through countless cultures and generations, carrying meaning far beyond any single moment.But in a time where Minneapolis is being ripped apart—when the very definition of who belongs, of what it means to be an “American,” is under violent scrutiny—these rituals of care have reaffirmed something that cannot be detained, erased, or deported. That the very fabric of this place has been woven together by so many cultures, by so many peoples. And that it will be healed by them, together.Minneapolis is no stranger to rebuilding. It is a city, a sacred land, that is practiced in rising from devastation, again and again."
}
,
"relatedposts": [
{
"title" : "Mark Zuckerberg Went to the Prada Show In Milan. It Wasn’t For Fashion",
"author" : "Louis Pisano",
"category" : "essay",
"url" : "https://everythingispolitical.com/readings/mark-zuckerberg-prada-meta-glasses",
"date" : "2026-03-06 09:07:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Pisano_Meta_glasses.jpeg",
"excerpt" : "When Mark Zuckerberg and Priscilla Chan took their seats in the front row at Prada’s Milan runway show on February 26, the photographs circulated quickly—the Meta CEO in his now-familiar uniform of expensive basics, watching models move down the runway in Miuccia Prada and Raf Simons’ latest vision of intellectual austerity.",
"content" : "When Mark Zuckerberg and Priscilla Chan took their seats in the front row at Prada’s Milan runway show on February 26, the photographs circulated quickly—the Meta CEO in his now-familiar uniform of expensive basics, watching models move down the runway in Miuccia Prada and Raf Simons’ latest vision of intellectual austerity.He was there because Meta is in active discussions with Prada to develop a line of branded AI smart glasses, a logical next step for a company whose Ray-Ban partnership has become one of the more surprising consumer electronics stories of the decade. Sales more than tripled in 2025, and on Meta’s January earnings call, Zuckerberg described them as “some of the fastest-growing consumer electronics in history.” The Oakley deal followed. Prada, if negotiations close, would be the latest luxury house recruited to solve a stubborn distribution problem: how to get people to wear a computer on their face without making them feel like they’re wearing a computer on their face. The answer, apparently, is to put it in a frame that costs as much as a car payment. The Meta Oakley Vanguards can be yours for the low cost of $549.Zuckerberg is not executing this pivot alone. Over the past year, tech’s richest men have staged a quiet, coordinated rebrand away from the founder-in-a-hoodie archetype toward something more deliberately cultured. Jeff Bezos has become a fixture in the fashion press, his aesthetic transformation carefully managed, his public image now signaling cultural seriousness alongside the financial kind. The underlying message from both men is consistent: that they are not the problem, but rather represent the future. And that the future can be beautiful and luxurious.This is what elite legitimacy looks like in our era of late-stage capitalism. When your industry faces sustained scrutiny across antitrust proceedings, data privacy legislation, and the slow erosion of public trust, you don’t just deploy lobbyists and communications teams. You acquire taste. You sit front row at shows with a century of cultural prestige behind them. You let the associations do work that no PR campaign could. Cultural capital operates differently from paid media; it feels earned, and its effects are harder to trace.Which is why the timing of Zuckerberg’s Milan appearance is worth examining more closely. At the same time that Zuckerberg was cementing a potential partnership with one of fashion’s most storied feminist houses, his company’s flagship wearable product was generating very different press coverage.In January 2026, BBC News investigated a pattern of male content creators using Ray-Ban Meta glasses to secretly film women during staged pickup encounters on the street, then uploading the footage to TikTok and Instagram as dating advice content. Dilara, a 21-year-old from London filmed on her lunch break, found her phone number visible in footage that had accumulated 1.3 million views, leading to a night of abusive calls and messages. Kim, a 56-year-old filmed on a beach in West Sussex, received thousands of inappropriate messages after her video reached 6.9 million views, and was still receiving them six months later. None of the women had seen any recording indicator. The BBC separately found YouTube tutorials demonstrating how to cover or disable the small LED light that Meta claims signals when the glasses are filming.The problem has spread internationally. In early 2026, a Russian vlogger traveled through Ghana and Kenya filming covert encounters with women using smart glasses (though it has not been confirmed that they were Meta-brand glasses) and posting footage to TikTok, YouTube, and a private Telegram channel where more explicit content was available by paid subscription. Some women were filmed in intimate situations without any knowledge that they were being recorded, let alone distributed to a global audience. Ghana’s Gender Minister confirmed that some victims were receiving psychological support, noting that exposure of this kind carries severe social consequences in conservative communities. Kenya’s Gender Minister called it a serious case of gender-based violence. Meta’s response, when asked for comment, was to point to the LED indicator light and its terms of service, a response that privacy advocates have consistently noted is equivalent to putting a “do not steal” sign on an unlocked car.Hundreds of similar accounts exist across TikTok alone, and the women who appear in them have had no recourse beyond reporting content that has already been viewed millions of times. These cases sit alongside The New York Times’ recent revelation of internal Meta plans for a feature called “Name Tag,” which would allow wearers to identify strangers in real-time by pulling data from Meta’s ecosystem of Instagram and Facebook profiles. Refuge and Women’s Aid told The Independent that this capability would pose a direct and serious risk to domestic abuse survivors, women who have rebuilt their lives at new addresses, hoping that distance and anonymity might be enough. Refuge reported a 62%rise in referrals to its technology-facilitated abuse specialist team in 2025, driven in part by wearable tech being used by abusers to monitor and control partners. Real-time facial recognition running on glasses indistinguishable from any other pair does not care about restraining orders.Into this landscape walks a potential Prada co-branded version of the same device. And there is something worth sitting with in the specific choice of Prada as Meta’s luxury target.Miuccia Prada has spent decades articulating, through her collections and in her public statements, a sustained engagement with feminist thought, grappling explicitly with how women are perceived, constrained, and resist the codes that govern their visibility in public and private life. The Prada woman, as a cultural figure, has never been decorative, according to Miuccia. She is thinking—and she is often acutely aware of being watched.Whether Miuccia Prada or the Prada Group’s leadership has genuinely reckoned with what women’s safety advocates have documented about the device they are being asked to co-brand is a question the company has not yet been asked loudly enough to their consumers. A Prada-branded pair of AI glasses would not simply be a licensing deal; it would be an aesthetic endorsement of the technology inside the frame, lending the cultural authority of a house that has built its identity around the intelligence and autonomy of women to Meta’s surveillance hardware.There is a term for what happens when corporations facing public scrutiny attach themselves to respected cultural institutions, when they fund museum wings, sponsor literary prizes, or plant themselves in the front rows of fashion weeks historically associated with progressive values. The association is meant to transfer accountability and even responsibility. The institution’s credibility flows toward the brand, and the brand’s controversies recede into the background noise of cultural life.Zuckerberg’s Milan appearance fits this pattern. A Prada partnership would give Meta’s smart glasses access to a female luxury consumer demographic they have struggled to reach, while simultaneously borrowing the feminist credibility of a house that has spent decades earning it, at the exact moment when critics, charities, and regulators are arguing most loudly that the product threatens women’s safety. The front row seat was not incidental to the pitch. It was the pitch.But the women who have had their faces filmed without consent, their phone numbers exposed to millions of strangers, their locations potentially traceable by the men who mean them harm, don’t get to sit front row or get a rebrand. What they get is a company whose products have been repeatedly documented and enabled their harassment, now aligning itself with a symbol of female empowerment, hoping the association does its work before the reckoning catches up.Miuccia Prada has built her career on the argument that what we put on our bodies makes an argument about the world. If she signs off on this, the argument she’ll be making won’t be the one she intended."
}
,
{
"title" : "Freezing Time with Matthew Johnson",
"author" : "Matthew Johnson",
"category" : "visual",
"url" : "https://everythingispolitical.com/readings/matthew-johnson",
"date" : "2026-03-05 21:00:00 -0500",
"img" : "https://everythingispolitical.com/uploads/MJxSF_Iran_1.jpg",
"excerpt" : "What we are witnessing is beyond what words, analysis, or hot takes can capture. It is an impossible tragedy.",
"content" : "What we are witnessing is beyond what words, analysis, or hot takes can capture. It is an impossible tragedy.Through his photographic series “Screen Time”, Johnson uses long-exposure techniques to capture moving TV broadcasts, creating images to hold the intensity of these atrocious moments. Praying for the bombs to stop.Israeli intercepter missilesBeirutTehranDisplacement from the SouthRiyadh embassey attack (unconfirmed)Iranian drone strike on high rise in BahrainDubaiIranian missile launch"
}
,
{
"title" : "How to unpack and resist a pedophilic beauty standard: In a post-Epstein file world",
"author" : "Emma Cieslik",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/how-to-unpack-and-resist-a-pedophilic-beauty-standard",
"date" : "2026-03-05 13:58:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Justice_Store_13594585535.jpg",
"excerpt" : "In January, the Department of Justice released a 3,000,000-document drop of Epstein files which mentioned among others Les Wexner, the billionaire behind Victoria’s Secret and Abercrombie & Fitch among other brands. Although Wexner was already labelled a co-conspirator with Epstein by the FBI, this newest file drop raises questions about how Wexner–and by connection Epstein–were connected to clothing marketed towards young girls. In the aftermath, a whole generation of women are deconstructing how a pedophile was actively part of the marketing that eroticized and idealized prepubescent girls’ bodies as the ideal.",
"content" : "In January, the Department of Justice released a 3,000,000-document drop of Epstein files which mentioned among others Les Wexner, the billionaire behind Victoria’s Secret and Abercrombie & Fitch among other brands. Although Wexner was already labelled a co-conspirator with Epstein by the FBI, this newest file drop raises questions about how Wexner–and by connection Epstein–were connected to clothing marketed towards young girls. In the aftermath, a whole generation of women are deconstructing how a pedophile was actively part of the marketing that eroticized and idealized prepubescent girls’ bodies as the ideal.It is a reckoning with how American girlhood was shaped by men like Wexner and Epstein that informed not only the clothing that was marketed and sold to us but also the body shame that came with it, along with purity culture enforced by the very Christian leaders whose writings Epstein sent to his own victims.Birthday letter to Jeffrey Epstein attributed to Donald Trump. The text is censored due to potential copyright concerns (authorship of this work is disputed), though the rest of the piece is composed of simple shape and thus falls into the public domain.Wexner was the creator of L Brands, the retail company behind Victoria’s Secret, Bath & Body Works, and Abercrombie & Fitch, and owned TOO, Inc., the parent company of Justice and other brands marketed directly towards young girls. This past Friday, Wexner participated in a deposition to House Democrats about revelations from this latest file drop, claiming that he was “duped by a world-class con man.”Wexner notes that Epstein became his financial advisor back in the 1980s and at one point, served as his power of attorney. In this same deposition, Wexner revealed that he cut ties with Epstein after he discovered that Epstein stole over $100 million from him.Wexner called the accusations that he was part of Epstein’s sex trafficking “outrageous untrue statements and hurtful rumor, innuendo, and speculation,” claiming that his relationship with Epstein was strictly business. He also denied Epstein victim Virginia Giuffre’s claim that he was one of the men that Epstein trafficked her to. Wexner similarly denied knowing Maria Farmer, who accused Epstein of sexually assaulting her in 1996. Farmer claimed that after she was assaulted, Wexner’s security staff kept her on the property until a parent could pick her up, but Wexner said that “I never met her, didn’t know she was here, didn’t know she was abused.”But House Democrats repeatedly questioned how Wexner could not have known that this sex trafficking was happening and that it was fueled by his own money. The Democrats cast doubt on his story, arguing that “there would be no Epstein Island, no plane, no money to traffic women and girls without the support of Les Wexner.”While Victoria’s Secret sexualization of infantilized women is not new–we have known for years that the modelling industry behind Victoria’s Secret not only targeted children but sold people an ideal of beauty conflated with girlhood, this new file drop reveals that this was intentional by Wexner and others that sold us a form of girlhood that enabled predators.It’s no mistake that President Trump, another person mentioned over 38,000 times in the Epstein files, also owned Miss Teen USA pageants. In fact, in the deposition, Wexner said the only time that Jeffrey Epstein and Donald Trump would have interacted would have been at a Victoria’s Secret fashion show. Both attended fashion shows.But this latest Epstein file release is a wide scale realization that Wexner wasn’t the only one grooming a generation–think of what came out about producer Dan Schneider (who was also named in the Epstein files) after the release of the 2024 docuseries Quiet on Set: The Dark Side of Kids TV. Schneider oversaw the rampant, calculated sexualization of young actors.As children who watched Schneider shows and wore Wexner’s clothes, we are reckoning with the ways that many of us were exploited as children within a system marketing sexualized girlhood to us. Artist Sam Rueter put words to many people’s emotions following the latest Epstein file drop: “women in America are in deep grieving. Not because we are surprised or overcome with disbelief … but because we have to reckon with the cruel proof of our entire lives being a commodified, fetishized version of girlhood: and we are meeting, all at once, the children we were and could not protect.”In the aftermath, how can you reckon with and reject pedophilic beauty standards in the aftermath of the Epstein file drop?1. Do not spend money or support brands that sexualize children or infantilized models.While at first glance, this includes for many of us Victoria’s Secret, Abercrombie & Fitch, and other brands owned by Wexner, this also includes brands that market sexualized clothing or content to children. This month, the babycare brand Frida Baby came under fire for using phrases suggesting sexual innuendo on their baby products. The packaging had the phrases “I get turned on quickly,” “How about a quickie,” and “This is the closest your husband’s gonna get to a threesome.” Other brands like Balenciaga and Fashion Nova have also come under fire, but a number of other brands and fashion corporations are to blame–according to a 2011 study, ⅓ of all children’s clothing for girls is sexualized; “tween” stores like Abercrombie Kids, the study finds, are most to blame.In a capitalist society, sadly our most powerful tool is choosing where we spend our money, so it’s important to boycott and call out brands that sexualize children and market infantilized models.2. Do not consume and boycott any media sensualizing or sexualizing children by avoiding AI, social media platforms, and other content.Sadly in the age of AI, a number of digital platforms have been shown to generate and share sexualized images of minors, and according to the National Center on Sexual Exploitation (NCOSE), a number of online platforms including Instagram, Roblox, GitHub, eBay, Discord, X, Reddit, Spotify, and Snapchat fail to protect children from sexual content, putting them at risk for grooming and sexual exploitation. Avoid AI for this reason (among many others, including environmental impact) but also if you can, boycott social media platforms and call your representatives to urge the government to require these platforms to take actionable steps to protect children.This also applies to what may be some of your favorite Classic movies, television shows, or music, but know that by watching the movie, show, or consuming the content, you not only give your consent but also support its continued existence on streaming platforms. This is also a timely reflection given what has come out in the past three years about children on Nickelodeon; what once seemed innocent, at most odd, is revealed to be intimately connected to abusive behavior and sexualizing children.This also goes for new content, like the new season of America’s Next Top Model.3. Do not dress up as sexy babies, or sexualized children.While the Spirit Halloween costume section was full of sexy babies in the early 2000s, I hope it’s clear that any costumes that sexualizes children or infantilized adults contribute to the perception that sexualizing children is acceptable or funny. This is a simple step that you and others can take next Halloween when choosing your costume, or when engaging in kink and BDSM cultures.And if you are buying clothing for your children or those of friends and family, do not buy them clothing that sexualizes them. This includes snarky sayings like “lady’s man” on a baby’s smock or “heartbreaker” on a baby’s bib. While some people may brush it off, especially if the child can’t read, studies have shown.) that children may begin to view their bodies as sexual objects and may be treated differently, including being targeted by sexual predators.4. Do not police other people’s bodies, period.This may be harder for people who were raised in systems where unshaved armpits or unplucked eyebrows are seen as unkempt (spoiler alert, this is connected to transphobic, racist beauty standards), but pedophilic beauty standards are built not only on a beauty standard that idealizes not just a hairless body but also a small, underdeveloped one. Commenting on other’s bodies, even if it’s not meant to criticize their appearance, can contribute to body image issues, and at the root of pedophilic beauty standards are the very eating disorders glorified in the early 2000s.This beauty ideal (perpetuated not only by companies like Victoria’s Secret but by magazines, music corporations, and media companies that glorified baby-ified women) not only aided and abetted the development of eating disorders but also severe body dysphoria that persists to this day. I distinctly remember friends of mine that experienced amenorrhea, or the absence of regular periods, because of eating disorders. Without vital nutrients, their periods stopped coming regularly, and with it, the development of their bodies—stunting their growth. Many of them remain small or underdeveloped because of childhood eating disorders.The same marketing and cultural influencers that encouraged us that skinniness was not acceptable but necessary also enabled young girls to stop getting their periods, the one thing that many cultures identify as their transition to womanhood. To be clear, a child getting a period does not make them an adult.5. Start with your own beauty routine.Do you dislike shaving or waxing your legs, armpits or other parts of your body? Do you dread expensive, medically unnecessary skincare routines and Botox meant to glorify perpetually young bodies? Good news–you don’t have to do these things.While our American beauty standards are rooted in the model of a young girl, they are not absolute and they only change when people pressure corporations that have marketed these standards to us in order to sell their products. If you can (for cultural and sensory reasons, not everyone is able to), take the first step and reject the urge to shave, wax, pluck, or inject.As someone with autism, I admit that shaving my legs and armpits is a sensory issue informed by pedophilic beauty standards, but it’s still a practice that helps me feel at home in my body. None of these suggestions are asking you to reject what makes you feel at home in your body. Some of the body care processes that pedophilic culture has coopted are ones that help to affirm our genders–practices that affirm who we are and how we feel at home in our bodies should never be challenged, but these steps encourage us to think about what has informed not only our view of what is an attractive woman (often modelled after young girls) but also what a woman is.6. Reject transphobic, racist beauty standards. Consume brands that showcase models of diverse body and beauty types.Because the urge to wax, shave, and pluck our hair is not only rooted in pedophilia, it’s also rooted in White supremacist transphobia that essentializes the beautiful body as inherently thin, White and visually binary. Pedophilic culture is sexist culture is purity culture is racist culture is transphobic culture. Gender essentialism is the bedrock of sexist beauty standards that seek to make adult women feel bad about our bodies. Fighting transphobia goes hand in hand with fighting gender essentialist beauty standards and by extension, pedophilic ones too!In a capitalist economy, much of our power is defined by money. Use that to your advantage! Along with not supporting brands that sexualize children and infantilize adults, seek out brands that showcase and celebrate adult bodies. Some great ones include WRAY, SmartGlamour, Lucy & Yak, and Modcloth that purposefully create clothing for and highlight models of diverse body types.7. Encourage and embody body neutrality.In this same vein, embody body neutrality by refusing to assign value judgement to your body and others’ bodies. Body positivity is great, but it still assigns a value judgement to bodies–for many fat people like me, celebrating our bodies much less feeling beautiful in them is rare because of thinness culture (especially in the age of Ozempic), but assigning our bodies value judgements still exacerbates the problem. Bodies are bodies that help us to stay alive. Need helpful starting steps? Check out Jessi Kneeland’s 2022 book Body Neutrality: A Revolution to Overcoming Body Image Issues.8. Finally, reject new-age purity culture.Although the Purity Culture Movement of the late 1990s and early 2000s is already facing a public reckoning, other Christian groups are trying to rebrand purity culture for the next generation. Back in 2022, I wrote about how modern social media influencers like Girl Defined are rebranding purity culture for a new generation, and I have even argued that modern anti-trans legislation is a new form of purity culture policing queer bodies. Take note of where purity culture continues to exist and call it out!And importantly, fight school districts, religious institutions, and public spaces that enforce sexist clothing rules like the ones we all remember from childhood. The fact that young girls were told that we would distract not just our male classmates but also teachers is deeply upsetting and shifts blame onto children and victims rather than adults and predators.This is a deeply upsetting reckoning but one that we have to undertake personally and communally. I hope that these recommendations are helpful first steps to move towards unpacking the very beauty standards and sexualization that groomed a whole generation of girls and women."
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