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Is ICE the New Gestapo?
Led by the White House and Donald Trump, the fascist movement has been saying “shalom” to Mahmoud Khalil. This perverse use of Hebrew in the assault on the rights of everyone in America, in this attack on anti-Zionist organizing, in this gross violation and demeaning treatment of a Palestinian man just because he chose to stand up for his people and organize against genocide, is repugnant and should be universally condemned.

When I first saw this vile use of the Hebrew language my stomach turned, repulsed and furious. Shalom means peace. It is used to say hello and goodbye (and right now fascists intended it as a goodbye to Mahmoud) but first it meant peace. Hebrew speakers use it for hello and goodbye because they want to wish each other peace upon greeting one another and upon parting ways. To see Christo-fascists bastardize the language of the Jewish people, to see them use our language to enact their authoritarian regime, to see them use it to support ICE while the fascist agency acts more and more like the Gestapo that came after our people is maddening beyond words.
We know, of course, that Trump and his minions and various other fascists are deliberately invoking Hebrew in the case of Mahmoud Khalil in order to appeal to Zionists and further fuse their evil project with the apartheid colonial project in Israel. They think that people will not rally to the cause of a Palestinian man, an anti-Zionist organizer.
But we are already proving them wrong. Thousands of people around the country have already held rallies demanding Mahmoud’s freedom, and well over 2 million people have already signed a petition demanding he be released immediately – in just 48 hours. Even Democrats in Congress are demanding his release, taking an interest in the case of a Palestinian organizer in an unexpected way.
People know the stakes here. Millions want Mahmoud to be free because his kidnapping is wrong, his eight months pregnant wife needs her husband at home, and no one should be subjected to this brutal and terrifying state violence. And at the same time we know that a line has been crossed. The abduction of a man just because he holds political views that the regime disagrees with is a classic authoritarian move. The fact that he’s a green card holder also distinguishes this from other horrendous policies and attacks from the Trump regime. In the middle of countless lines being crossed, this one stands out for its blatant illegality and unapologetic fascism.
And the regime, thus far, is not backing down. Marco Rubio, the Secretary of State, openly declared his intent to revoke green cards in violation of the law. Specifically he said, “We will be revoking the visas and/or green cards of Hamas supporters in America so they can be deported.” This a violation of the first amendment, which applies not only to US citizens but to everyone in this country, and a dangerous escalation against anyone who holds political views that deviate from the beliefs of the regime, including their Zionism.
But, at the same time, all is not lost. A federal judge has temporarily blocked Mahmoud’s deportation. Another hearing is scheduled for Wednesday in federal court. So keep the pressure up. The initial ruling came right as hundreds and hundreds of people protested for Mahmoud’s freedom outside the federal buildings (including the ICE offices) in lower Manhattan. We can’t know the impact of each rally, each petition, each action taken to halt this travesty, but we know that the Democrats taking up this case would be immensely unlikely if they didn’t see the massive outcry coming from every corner of the United States. So we must continue to act and increase the pressure and halt business as usual for Mahmoud.
The fascist regime will try to divide us. Their disgusting weaponization of Hebrew is just the beginning. They want to expand their powers to kidnap and deport dissidents, and they’re starting with a case that they incorrectly thought they could easily get away with. They want Jews and Palestinians divided, they want cis and trans people divided, they want straight and queer, black and white, migrants and permanent residents fighting each other so that they can exploit these divisions and expand their authoritarian regime. We can’t let that happen.
This moment demands solidarity of us with a deadly urgency. We must respond to the call, rally for Mahmoud, and do everything in our power to bring him home to our family. And then we must do the same for everyone who has been abducted by the state. The mechanisms and purpose of ICE and imprisonment and family separation are inherently harmful, inherently lend themselves to the purpose of fascists. We must tear down these tools and build networks and systems of solidarity in their place. And we must do it now.
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{
"article":
{
"title" : "Is ICE the New Gestapo?",
"author" : "J.P. Hill",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/free-mahmoud-khalil",
"date" : "2025-03-11 10:24:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover_Mahmoud.jpg",
"excerpt" : "Led by the White House and Donald Trump, the fascist movement has been saying “shalom” to Mahmoud Khalil. This perverse use of Hebrew in the assault on the rights of everyone in America, in this attack on anti-Zionist organizing, in this gross violation and demeaning treatment of a Palestinian man just because he chose to stand up for his people and organize against genocide, is repugnant and should be universally condemned.",
"content" : "Led by the White House and Donald Trump, the fascist movement has been saying “shalom” to Mahmoud Khalil. This perverse use of Hebrew in the assault on the rights of everyone in America, in this attack on anti-Zionist organizing, in this gross violation and demeaning treatment of a Palestinian man just because he chose to stand up for his people and organize against genocide, is repugnant and should be universally condemned.When I first saw this vile use of the Hebrew language my stomach turned, repulsed and furious. Shalom means peace. It is used to say hello and goodbye (and right now fascists intended it as a goodbye to Mahmoud) but first it meant peace. Hebrew speakers use it for hello and goodbye because they want to wish each other peace upon greeting one another and upon parting ways. To see Christo-fascists bastardize the language of the Jewish people, to see them use our language to enact their authoritarian regime, to see them use it to support ICE while the fascist agency acts more and more like the Gestapo that came after our people is maddening beyond words.We know, of course, that Trump and his minions and various other fascists are deliberately invoking Hebrew in the case of Mahmoud Khalil in order to appeal to Zionists and further fuse their evil project with the apartheid colonial project in Israel. They think that people will not rally to the cause of a Palestinian man, an anti-Zionist organizer.But we are already proving them wrong. Thousands of people around the country have already held rallies demanding Mahmoud’s freedom, and well over 2 million people have already signed a petition demanding he be released immediately – in just 48 hours. Even Democrats in Congress are demanding his release, taking an interest in the case of a Palestinian organizer in an unexpected way.People know the stakes here. Millions want Mahmoud to be free because his kidnapping is wrong, his eight months pregnant wife needs her husband at home, and no one should be subjected to this brutal and terrifying state violence. And at the same time we know that a line has been crossed. The abduction of a man just because he holds political views that the regime disagrees with is a classic authoritarian move. The fact that he’s a green card holder also distinguishes this from other horrendous policies and attacks from the Trump regime. In the middle of countless lines being crossed, this one stands out for its blatant illegality and unapologetic fascism.And the regime, thus far, is not backing down. Marco Rubio, the Secretary of State, openly declared his intent to revoke green cards in violation of the law. Specifically he said, “We will be revoking the visas and/or green cards of Hamas supporters in America so they can be deported.” This a violation of the first amendment, which applies not only to US citizens but to everyone in this country, and a dangerous escalation against anyone who holds political views that deviate from the beliefs of the regime, including their Zionism.But, at the same time, all is not lost. A federal judge has temporarily blocked Mahmoud’s deportation. Another hearing is scheduled for Wednesday in federal court. So keep the pressure up. The initial ruling came right as hundreds and hundreds of people protested for Mahmoud’s freedom outside the federal buildings (including the ICE offices) in lower Manhattan. We can’t know the impact of each rally, each petition, each action taken to halt this travesty, but we know that the Democrats taking up this case would be immensely unlikely if they didn’t see the massive outcry coming from every corner of the United States. So we must continue to act and increase the pressure and halt business as usual for Mahmoud.The fascist regime will try to divide us. Their disgusting weaponization of Hebrew is just the beginning. They want to expand their powers to kidnap and deport dissidents, and they’re starting with a case that they incorrectly thought they could easily get away with. They want Jews and Palestinians divided, they want cis and trans people divided, they want straight and queer, black and white, migrants and permanent residents fighting each other so that they can exploit these divisions and expand their authoritarian regime. We can’t let that happen.This moment demands solidarity of us with a deadly urgency. We must respond to the call, rally for Mahmoud, and do everything in our power to bring him home to our family. And then we must do the same for everyone who has been abducted by the state. The mechanisms and purpose of ICE and imprisonment and family separation are inherently harmful, inherently lend themselves to the purpose of fascists. We must tear down these tools and build networks and systems of solidarity in their place. And we must do it now."
}
,
"relatedposts": [
{
"title" : "Black Liberation Views on Palestine",
"author" : "EIP Editors",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/black-liberation-on-palestine",
"date" : "2025-10-17 09:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/mandela-keffiyeh.jpg",
"excerpt" : "",
"content" : "In understanding global politics, it is important to look at Black liberation struggles as one important source of moral perspective. So, when looking at Palestine, we look to Black leaders to see how they perceived the Palestinian struggle in relation to theirs, from the 1960’s to today.Why must we understand where the injustice lies? Because, as Desmond Tutu famously said, “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”{% for person in site.data.quotes-black-liberation-palestine %}{{ person.name }}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
}
,
{
"title" : "First Anniversary Celebration of EIP",
"author" : "EIP Editors",
"category" : "events",
"url" : "https://everythingispolitical.com/readings/1st-anniversary-of-eip",
"date" : "2025-10-14 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/WSA_EIP_Launch_Cover.jpg",
"excerpt" : "Celebrating One Year of Independent Publishing",
"content" : "Celebrating One Year of Independent PublishingJoin Everything is Political on November 21st for the launch of our End-of-Year Special Edition Magazine.This members-only evening will feature a benefit dinner, cocktails, and live performances in celebration of a year of independent media, critical voices, and collective resistance.The EventNovember 21, 2025, 7-11pmLower Manhattan, New YorkLaunching our End-of-Year Special Edition MagazineSpecial appearances and performancesFood & Drink includedTickets are extremely limited, reserve yours now!Become an annual print member: get x back issues of EIP, receive the End-of-Year Special Edition Magazine, and come to the Anniversary Celebration.$470Already a member? Sign in to get your special offer. Buy Ticket $150 Just $50 ! and get the End-of-Year Special Edition Magazine Buy ticket $150 and get the End-of-Year Special Edition Magazine "
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,
{
"title" : "Miu Miu Transforms the Apron From Trad Wife to Boss Lady: The sexiest thing in Paris was a work garment",
"author" : "Khaoula Ghanem",
"category" : "",
"url" : "https://everythingispolitical.com/readings/miu-miu-transforms-the-apron-from-trad-wife-to-boss-lady",
"date" : "2025-10-14 13:05:00 -0400",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_MiuMiu_Apron.jpg",
"excerpt" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.",
"content" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.From the opening look—German actress Sandra Hüller in a utilitarian deep-blue apron layered over a barn jacket and neat blue shirting—the thesis was loud: the “cover” becomes the thing itself. As silhouettes marched on, aprons multiplied and mutated—industrial drill cotton with front pockets, raw canvas, taffeta and cloqué silk, lace-edged versions that flirted with lingerie, even black leather and crystal-studded incarnations that reframed function as ornament. What the apron traditionally shields (clothes, bodies, “the good dress”) was inverted; the protection became the prized surface. Prada herself spelled it out: “The apron is my favorite piece of clothing… it symbolizes women, from factories through to serving to the home.”Miu Miu Spring 2026 Ready-to-Wear. SuppliedThis inversion matters historically. The apron’s earliest fashion-adjacent life was industrial. It served as a barrier against grease, heat, stain. It was a token of paid and unpaid care. Miu Miu tapped that lineage directly (canvas, work belts, D-ring hardware), then sliced it against domestic codes (florals, ruffles, crochet), and finally pushed into nightlife with bejeweled and leather bibs. The garment’s migration across materials made its social migrations visible. It is a kitchen apron, yes, but also one for labs, hospitals, and factories; the set and styling insisted on that plurality.What makes the apron such a loaded emblem is not just what it covers, but what it reveals about who has always been working. Before industrialization formalized labor into factory shifts and wages, women were already performing invisible labour, the kind that doesn’t exist on payrolls but sits at the foundation of every functioning society. They were cooking, cleaning, raising children, nursing the ill. These tasks were foundational to every economy and yet absent from every ledger. Even when women entered the industrial workforce, from textile plants to wartime assembly lines, their domestic responsibilities did not disappear, they doubled. In that context, the apron here is a quiet manifesto for the strength that goes unrecorded, unthanked, and yet keeps civilization running.The algorithmic rise of the “tradwife,” the influencer economy that packages domesticity as soft power, is the contemporary cultural shadow here. Miu Miu’s apron refuses that rehearsal. In fact, it’s intentionally awkward—oversized, undone, worn over bikinis or with sturdy shoes—so the viewer can’t flatten it into Pinterest-ready nostalgia. Critics noted the collection as a reclamation, a rebuttal to the flattening forces of the feed: the apron as a uniform for endurance rather than submission. The show notes framed it simply as “a consideration of the work of women,” a reminder that the invisible economies of effort—paid, unpaid, emotional—still structure daily life.If that sounds unusually explicit for a luxury runway, consider the designer. Prada trained as a mime at Milan’s Piccolo Teatro, earned a PhD in political science, joined the Italian Communist Party, and was active in the women’s rights movement in 1970s Milan. Those facts are not trivia; they are the grammar of her clothes. Decades of “ugly chic” were, essentially, a slow campaign against easy consumption and default beauty. In 2026, the apron becomes the newest dialect. An emblem drawn from leftist feminist history, recoded into a product that still has to sell. That tension—belief versus business—is the Miuccia paradox, and it’s precisely why these aprons read as statements, not trends.The runway narrative traced a journey from function to fetish. Early looks were squarely utilitarian—thick cottons, pocketed bibs—before migrating toward fragility and sparkle. Lace aprons laid transparently over swimmers; crystal-studded aprons slipped across cocktail territory; leather apron-dresses stiffened posture into armor. The sequencing proposed the same silhouette can encode labor, intimacy, and spectacle depending on fabrication. If most brands smuggle “workwear” in as set dressing, Miu Miu forced it onto the body as the central garment and an unmissable reminder that the feminine is often asked to be both shield and display at once.It’s instructive to read this collection against the house’s last mega-viral object: the micro-mini of Spring 2022, a pleated, raw-hem wafer that colonized timelines and magazine covers. That skirt’s thesis was exposure—hip bones and hemlines as post-lockdown spectacle, Y2K nostalgia framed as liberation-lite. The apron, ironically, covers. Where the micro-mini trafficked in the optics of freedom (and the speed of virality), the apron asks about the conditions that make freedom possible: who launders, who cooks, who cares? To move from “look at me” to “who is working here?” is a pivot from optics to ethics, without abandoning desire. (The aprons are, after all, deeply covetable.) In a platform economy that still rewards the shortest hemline with the biggest click-through, this is a sophisticated counter-program.Yet the designer is not romanticizing toil. There’s wit in the ruffles and perversity in the crystals; neither negate labor, they metabolize it. The most striking image is the apron treated as couture-adjacent. Traditionally, an apron protects the precious thing beneath; here, the apron is the precious thing. You could call that hypocrisy—luxurizing the uniform of workers. Or, strategy, insisting that the symbols of care and effort deserve visibility and investment.Of course, none of this exists in a vacuum. The “tradwife” script thrives because it is aesthetically legible and commercially scalable. It packages gender ideology as moodboard. Miu Miu counters with garments whose legibility flickers. The collection’s best looks ask viewers to reconcile tenderness with toughness, convenience with care, which is exactly the mental choreography demanded of women in every context from office to home to online.If you wanted a season-defining “It” item, you’ll still find it. The apron is poised to proliferate across fast-fashion and luxury alike. But the deeper success is structural: Miu Miu re-centered labor as an aesthetic category. That’s rarer than a viral skirt. It’s a reminder that clothes don’t merely decorate life, they describe and negotiate it. In making the apron the subject rather than the prop, Prada turned a garment of service into a platform for agency. It’s precisely the kind of cultural recursion you’d expect from a designer shaped by feminist politics, who never stopped treating fashion as an instrument of thought as much as style.The last image to hold onto is deceptively simple: a woman in an apron, neither fetishized nor infantilized, striding, hands free. Not a costume for nostalgia, not a meme for the feed, but a working uniform reframed, respected, and suddenly, undeniably beautiful. That is Miu Miu’s provocation for Spring 2026: the work behind the work, made visible at last."
}
]
}