Illustrations by Yassa Almokhamad-Sarkisian
CÉLINE: Hi Prem! I just want to say that what we find particularly interesting in your reporting career are the ways in which you talk about climate, about Gaza, about so many different things. How do you see a subject like climate politics connect to the situation in Gaza?
PREM: A big part of my evolution was just trying to understand power dynamics, trying to understand incentive structures, motivations, broader systems of power and social management. And so I think with all these issues, of course, there are intersectional, material ways in which they all connect, whether it’s arguments regarding capitalism or production or military industrial complex and so on and so forth. But there’s also just this broader sense of the way in which many things seem to happen in a very undemocratic way, in a way that the more these things happen and the more intense scale at which they happen, the easier it is for them to continue happening, because people on an individual scale can only care about so much, can only manage so much, particularly when there’s so much they have to care about in their own personal lives and spheres. And the more these violent systemic issues escalate and intensify, the more overwhelming they are for an individual person, and the less bandwidth they have to care about them, leaving the government and the powers that be more leeway to escalate further. It’s a very cyclical, circular dynamic that understandably alienates people from each other. And so for me, a through-line between all this is that personal aspect of it, of trying to approach all these with a sense of generosity and empathy, in the same way that I can see myself as a subject in these things too.
AFEEF: We have been following your work for a while, but we really know you best from your interactions with the government, pushing Matt Miller into a corner. What does it feel like to face down the government nearly every day and try to hold them to account? Can you give us a bit of a peek behind the curtain?
PREM: I’m still a fairly young journalist; I’m fairly new to a lot of this, especially things like the government briefing rooms, and the way I approach it is just very earnestly. I’ve been trying my best to learn from the veterans in those rooms, because I think they’re all very talented and very good at what they do. But I think I’m just there to ask questions that many people have. There’s this veneer in Washington, for which stem certain assumptions about how things work, and therefore, there’s other questions to be asking that these veterans have been conditioned not to ask. There are a lot of basic tensions and contradictions in Washington, and not just about Gaza, and a lot of things that merit a more basic questioning. So I do this as much as I can in the Capitol briefing rooms. I’m just trying to ask questions that would be reasonable for any observer to be asking. That’s my goal. My general approach is just…if something seems a little confusing or weird or contradictory, or actively antithetical to purported government values, or purported government statements, those should be questioned.
AFEEF: Give us a bit of an understanding of the tension. Any anecdotes or memories that jump out?
PREM: One would just be that it’s been 273 days since the Israeli military killed Hind Rajab and her family members and the paramedics that were sent to save her. That has been a case that I’ve continually asked the government about. She’s just one amongst tens or hundreds of thousands of children who’ve been killed, and those paramedics are amongst hundreds who’ve been killed. Those are family members amongst the tens or hundreds of thousands who have been killed. But it sticks out because this specific case is so prominent. There is such an abundance of material evidence available—the horrifying emergency call, time stamps, locations, emergency workers and unit soldiers to interview and interrogate—that if it were a priority for the Israeli government, for the US government by proxy, that if it were a priority this would not take 273 days to get an accountability resolution. It’s very striking. This case is very emblematic and illustrative of how the US government has responded to how the Israeli government has operated, and how tall the stack is of alleged human rights violations.
CÉLINE: Totally. With all the evidence and all of the ways in which everything has been documented and verified, it seems that you’re always faced with the same sort of robotic answers by these people. What’s the best case scenario in that press room, and what’s the worst case scenario?
PREM: There has definitely been an understandable questioning by a lot of people of the merits of these briefings entirely, about what they’re for. And I understand that, especially for those who just see the videos and see the non- answers. This isn’t necessarily an aberration for government spokespeople, especially for US spokespeople, to operate this way. Their role is to defend the party line. To defend the policy of the US government. Obviously, what’s unique is just how much more visible this is with tools like Twitter and so on. I think I don’t actually have a perfect answer of what these briefings mean, or what the merits are. I’m just there as much as I can to try to find answers and to try to ask questions.
AFEEF: Your profile has probably risen a lot in the last few months, and I wonder what it’s been like personally for you to get TV time and go viral and what, what has that been like personally.
PREM: A difficult aspect of being in journalism, particularly journalism that is focused on politics, corruption, civil rights, foreign policy, the environment and so on, is that oftentimes the reason some journalists’ careers accelerate is because of work that they’re doing that’s focused on very horrific, sad things. I’m glad that people seem to be finding the work we’re doing helpful and beneficial, and that they resonate with it. But it’s a very weird and complex feeling to have your career as a journalist benefit from the work you’re doing when the work you’re doing is actually quite painful.
CÉLINE: How do you sustain your mental health? Do you have a practice? Do you have any rituals to stay afloat?
PREM: I’m surrounded by very, very good people who have hearts of gold and are also very compassionate and caring about the world, but are also compassionate and caring about what’s right in front of them, and so to be something that’s in front of them, and to be a benefactor of that caring compassion is very sustaining. I do like to meditate. I do like to play sports. I feel like a big part of life is just playing. And I feel like as much as we can play and can play with other people and just hang out is very sustaining. It’s understandable for people who are so immersed in these kinds of topics, whether it’s climate change or war or attacks on civil liberties, civil rights, systematic discrimination, racism, you name it, to just feel very hopeless, or to feel very conflicted about removing yourself from that, even for a moment. But it seems like if we’re going to care about the world, you also have to care about not just your own world, but the people who share that world with you, including your loved ones, your friends, your neighbors, and part of that involves enjoying being around them. And so I think it’s not just a philosophical act of resistance to love life and share good times. It’s important because it’s a coherent part of caring about the world. Those reminders that others have shared with me have been very grounding and important.
CÉLINE: What do you hope is the impact on culture from your work? Younger journalists seeing you in these rooms; that alone is an important image. You wearing black nail polish in these rooms. That’s another image. What is the impact that these images have on culture?
PREM: Going back to what we talked about earlier, about the assumptions of the way this place is supposed to work. There are questions that no one really asks because that’s not the news of the day, that should not be controversial questions. Even very basic ones, like, “Hey, Senator, the world’s on fire. Why are you behaving this way? It’s the world’s hottest year on record. What do you say to your constituents who just suffered from a hurricane made worse by climate change?” I try to pursue those questions and not fall into the understandable tendency to just operate on the assumptions of how this place is supposed to work. Washington is supposed to serve people, so if myself and my colleagues can be a part of encouraging other journalists to embrace that spirit, to be much more empowered, and to see that other people feel that way too, and bring them to be even more engaged. I think that’s a good thing, because a lot of people in this country, for very good reason and in different flavors, are disenchanted, alienated, separated from politics. I empathize with that and sympathize with that, but I think it’s all the more important for them to be here too, to be skeptical, to be present, to be reading and learning.
That is my broader hope with the work we try to do: to listen to the disempowered and give them voice and to make them feel power, and to not make them feel like they’re always spoken down to. With regards to things like me wearing nail polish, or things like that, or just basically looking a little different. The world needs a little more color. What’s wrong with that?
