Digital & Print Membership
Yearly + Receive 8 free printed back issues
$420 Annually
Monthly + Receive 3 free printed back issues
$40 Monthly
Clear Backpacks, Columbine, and the Colors of School Safety
In elementary school, our classroom’s wooden door displayed a laminated sheet that listed emergency drills, coordinated by shades of urgency. Green, yellow, orange, red. Fire drills were fun. We stole giggles and glances at friends and crushes as everyone lined up outside on the playground. Tornado drills - when we were sure they were just drills - took us into hallways to tuck our heads between our knees for a thrilling disruption to an otherwise routine school day. Teachers taught us to scoot under our tiny desks during earthquake drills. A couple of kids would get in trouble for twisting their heads around and shaking on their backs, clearly possessed by the demons of imaginary tremors. We’d defend our acting, “But why we gotta practice sitting still for an earthquake!?”
Then, we started preparing for people to kill us.
Tornadoes don’t twist door knobs, target classrooms, punish giggles or reload weapons. Shootings are unnatural disasters. The one at Columbine happened right after my 9th birthday. Learning that kids kill kids colored my school days more. Intruder drills are dark. We’d turn off the lights, sit in silence, and hide in the coat room. At last, an administrator tapped on each door to signal that we were clear.
In the thirty years since those sixteen kids had their lives stolen in Colorado, I have been a student, youth worker and organizer, freedom school instructor, middle school teacher, board member of a youth nonprofit, the best aunt to my niblings, an improving godmother, and now parent of an eleven and nine year old– nearly an expert in first days of school. We send kids into the world. We expect them to come home with their crayons and their complaints. Sometimes, they do not. According to data by the Washington Post, more than 394,000 students have experienced gun violence at school since Columbine, impacting more than 400 schools across the country. Over 200 people have been killed and twice as many people have been injured.
On the last day before my first holiday break from teaching, the Sandy Hook Elementary School shooting was breaking news. Word passed between teacher to teacher like a virus, each one of us sinking with symptoms of heartbreak into the spinning black office chairs around the work lounge. A few months later, pessimism spread, too. A white man in the United States of America could murder his mother, and then a class of nearly all white kindergarteners, and nothing would really happen. Twenty miniature caskets and politicians failed to carry any piece of federal legislation down the aisle to be signed into law for ten years. President Biden ultimately signed the Bipartisan Safer Communities Act in 2022, which did not address how the Sandy Hook shooter ultimately secured the weapon used in the killing spree, which was legally obtained by his mother. More mass school shootings followed.
About ten states have bans on assault rifles, important bans birthed in the activism and tears following deadly rampages. Yet the usual political sluggishness and nothingness resulting from school shootings was one of the most important lessons that would secretly haunt me throughout the rise of the Black Lives Matter movement: most white lives did not matter in the U.S. In fact, most people who are white can never matter as long as death-dealing forms of oppression exist, including patriarchy, ableism, homophobia, imperialism, capitalism, and white supremacy. Those children were sacrificed at capitalism’s bloody altar, little casualties for the sake of gunmaking CEOs.
As with all pain and suffering, capitalists turn school shootings into a market. Kids get killed, companies get cash. According to a major study, people bought three million more guns than normal in the five months following the Sandy Hook shooting. The same study found an additional correlated spike in unintentional gun-related deaths for sixty people, including twenty children in that period. No drills or alarms or color coded systems can prepare anyone for these accidents.
Gun sales belong to an entire marketplace that depends on preventable deaths. Instead of eliminating the problems - including weapons manufacturers - capitalists sell “solutions.”
Florida is spending half a million dollars to pilot drone technology in three school districts. Pilots will operate the drones inside the schools from a remote command center, and for a thousand bucks a month, be able to “respond within five seconds and take out the shooter in less than a minute.” What if there are multiple shooters, like Columbine? Maybe multiple drones! What if the shooting takes place on the playground? Maybe playground drones! What if the shooting takes place on the school bus? Maybe school bus drones! Of course, the solutions have to be piloted, subscribed to, implemented, insured, updated, repaired, replaced, repackaged, and resold. We are in a kaleidoscope of the school to prison pipeline, military industrial complex, and carceral state.
Two years ago, my kids’ school district emailed parents another new “solution:” clear backpacks. In three bullet points, they listed that clear backpacks will help school officials scan bookbags, reduce weapons and contraband, and increase transparency among students. As cons, they acknowledged that some people might view it as an invasion of privacy and that the bookbags might be hard to find in stores. My then nine-year old child had questions.* Why are they turning our school into a prison? Isn’t that much plastic bad for the environment? What do they think might happen?*
Columbine and Sandy Hook were not secrets I withheld. His questions made me feel otherwise. When he found out how Tamir Rice was killed later in the school year, he was livid that in all that I had told him about the police, I did not tell him that they also can kill kids. In 2014, the year he was born, it was news to me, too. I learned about Aiyanna Stanley-Jones after Michael Brown was killed, even though cops killed her four years earlier. Breaking old news to children hurts. In a moment, they experience the specific cruelty of the incident, the general cruelty of the world, and immediate vulnerability to a new danger. His childhood is now colored by these events, and the clear bookpack solution was as fake as the plastic material of the bag.
His questions led us on a research journey. Some school districts in other parts of the country introduced clear bookbags and then rescinded them. Why? Clear backpacks contain polyvinyl chloride, or PVC. The kind of PVC in bookbags contains a chemical that can cause cancer, asthma, fertility issues, early puberty for girls, liver damage, and mental developmental issues. In 2022, the Charlotte School District in North Carolina halted its bookbag policy and rollout due to California Proposition 65 Warning attached to the clear backpacks, notifying consumers of cancer causing agents due to the PVC.
One year later, vinyl chloride, the underlying chemical in PVC, came into public scrutiny in the aftermath of a major train derailment in East Palestine, Ohio. Residents of the small, mostly white town witnessed a catastrophic spill and burn that released over 1.1 million pounds of vinyl chloride into the soil, air, and water, alongside other toxic chemicals. The Environmental Protection Agency reported that public health agencies informed residents that vinyl chloride is a known human carcinogen that “continuous lifetime exposure to low levels of vinyl chloride can increase an individual’s risk of developing liver cancer, as well as other cancers.” The EPA has ongoing reporting on the environmental impact of the toxins, explaining to residents that screenings have returned readings below the amount necessary for government protection. Residents have organized and reported otherwise, including “recurring rashes, lesions, and bloody noses endured by themselves, their loved ones, and their children.”
Not only would PVC bookbags cause plastic pollution for the planet, it was bad for humans, too.
The pervasiveness of guns and the political permission for school shootings to persist will attempt to undermine other aspects of our social, physical, and mental health. Clear backpacks - which experts warn that no evidence supports improving safety- may make parents and educators feel better. But it is not worth exposing kids to cancer causing agents, slowly, intentionally, on their backs, everyday, and equally important, conditioning us all to perform or accept additional surveillance as convenient protective measures.
My kid and I were successful at convincing some parents and the school leadership to reverse the clear backpack policy. But the next year, a new principal introduced optional mesh bookbags as an alternative, gentler surveillance, and so our fight continues. The color of school safety is not clear, and a clear backpack is not as immediately lethal as a gun. What remains dangerous is the kind of market driven approach that offers new drills and commodities towards a different kind of preventable tragedy. Let’s not be the kind of society who accepts it.
{
"article":
{
"title" : "Clear Backpacks, Columbine, and the Colors of School Safety",
"author" : "Derecka Purnell",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/clear-backpacks-columbine-colors-of-school-safety",
"date" : "2025-09-02 23:38:00 -0400",
"img" : "https://everythingispolitical.com/uploads/2025_9_Gun_Violence_Derecka_Purnell_1.jpg",
"excerpt" : "In elementary school, our classroom’s wooden door displayed a laminated sheet that listed emergency drills, coordinated by shades of urgency. Green, yellow, orange, red. Fire drills were fun. We stole giggles and glances at friends and crushes as everyone lined up outside on the playground. Tornado drills - when we were sure they were just drills - took us into hallways to tuck our heads between our knees for a thrilling disruption to an otherwise routine school day. Teachers taught us to scoot under our tiny desks during earthquake drills. A couple of kids would get in trouble for twisting their heads around and shaking on their backs, clearly possessed by the demons of imaginary tremors. We’d defend our acting, “But why we gotta practice sitting still for an earthquake!?”",
"content" : "In elementary school, our classroom’s wooden door displayed a laminated sheet that listed emergency drills, coordinated by shades of urgency. Green, yellow, orange, red. Fire drills were fun. We stole giggles and glances at friends and crushes as everyone lined up outside on the playground. Tornado drills - when we were sure they were just drills - took us into hallways to tuck our heads between our knees for a thrilling disruption to an otherwise routine school day. Teachers taught us to scoot under our tiny desks during earthquake drills. A couple of kids would get in trouble for twisting their heads around and shaking on their backs, clearly possessed by the demons of imaginary tremors. We’d defend our acting, “But why we gotta practice sitting still for an earthquake!?”Then, we started preparing for people to kill us.Tornadoes don’t twist door knobs, target classrooms, punish giggles or reload weapons. Shootings are unnatural disasters. The one at Columbine happened right after my 9th birthday. Learning that kids kill kids colored my school days more. Intruder drills are dark. We’d turn off the lights, sit in silence, and hide in the coat room. At last, an administrator tapped on each door to signal that we were clear.In the thirty years since those sixteen kids had their lives stolen in Colorado, I have been a student, youth worker and organizer, freedom school instructor, middle school teacher, board member of a youth nonprofit, the best aunt to my niblings, an improving godmother, and now parent of an eleven and nine year old– nearly an expert in first days of school. We send kids into the world. We expect them to come home with their crayons and their complaints. Sometimes, they do not. According to data by the Washington Post, more than 394,000 students have experienced gun violence at school since Columbine, impacting more than 400 schools across the country. Over 200 people have been killed and twice as many people have been injured.On the last day before my first holiday break from teaching, the Sandy Hook Elementary School shooting was breaking news. Word passed between teacher to teacher like a virus, each one of us sinking with symptoms of heartbreak into the spinning black office chairs around the work lounge. A few months later, pessimism spread, too. A white man in the United States of America could murder his mother, and then a class of nearly all white kindergarteners, and nothing would really happen. Twenty miniature caskets and politicians failed to carry any piece of federal legislation down the aisle to be signed into law for ten years. President Biden ultimately signed the Bipartisan Safer Communities Act in 2022, which did not address how the Sandy Hook shooter ultimately secured the weapon used in the killing spree, which was legally obtained by his mother. More mass school shootings followed.About ten states have bans on assault rifles, important bans birthed in the activism and tears following deadly rampages. Yet the usual political sluggishness and nothingness resulting from school shootings was one of the most important lessons that would secretly haunt me throughout the rise of the Black Lives Matter movement: most white lives did not matter in the U.S. In fact, most people who are white can never matter as long as death-dealing forms of oppression exist, including patriarchy, ableism, homophobia, imperialism, capitalism, and white supremacy. Those children were sacrificed at capitalism’s bloody altar, little casualties for the sake of gunmaking CEOs.As with all pain and suffering, capitalists turn school shootings into a market. Kids get killed, companies get cash. According to a major study, people bought three million more guns than normal in the five months following the Sandy Hook shooting. The same study found an additional correlated spike in unintentional gun-related deaths for sixty people, including twenty children in that period. No drills or alarms or color coded systems can prepare anyone for these accidents.Gun sales belong to an entire marketplace that depends on preventable deaths. Instead of eliminating the problems - including weapons manufacturers - capitalists sell “solutions.”Florida is spending half a million dollars to pilot drone technology in three school districts. Pilots will operate the drones inside the schools from a remote command center, and for a thousand bucks a month, be able to “respond within five seconds and take out the shooter in less than a minute.” What if there are multiple shooters, like Columbine? Maybe multiple drones! What if the shooting takes place on the playground? Maybe playground drones! What if the shooting takes place on the school bus? Maybe school bus drones! Of course, the solutions have to be piloted, subscribed to, implemented, insured, updated, repaired, replaced, repackaged, and resold. We are in a kaleidoscope of the school to prison pipeline, military industrial complex, and carceral state.Two years ago, my kids’ school district emailed parents another new “solution:” clear backpacks. In three bullet points, they listed that clear backpacks will help school officials scan bookbags, reduce weapons and contraband, and increase transparency among students. As cons, they acknowledged that some people might view it as an invasion of privacy and that the bookbags might be hard to find in stores. My then nine-year old child had questions.* Why are they turning our school into a prison? Isn’t that much plastic bad for the environment? What do they think might happen?*Columbine and Sandy Hook were not secrets I withheld. His questions made me feel otherwise. When he found out how Tamir Rice was killed later in the school year, he was livid that in all that I had told him about the police, I did not tell him that they also can kill kids. In 2014, the year he was born, it was news to me, too. I learned about Aiyanna Stanley-Jones after Michael Brown was killed, even though cops killed her four years earlier. Breaking old news to children hurts. In a moment, they experience the specific cruelty of the incident, the general cruelty of the world, and immediate vulnerability to a new danger. His childhood is now colored by these events, and the clear bookpack solution was as fake as the plastic material of the bag.His questions led us on a research journey. Some school districts in other parts of the country introduced clear bookbags and then rescinded them. Why? Clear backpacks contain polyvinyl chloride, or PVC. The kind of PVC in bookbags contains a chemical that can cause cancer, asthma, fertility issues, early puberty for girls, liver damage, and mental developmental issues. In 2022, the Charlotte School District in North Carolina halted its bookbag policy and rollout due to California Proposition 65 Warning attached to the clear backpacks, notifying consumers of cancer causing agents due to the PVC.One year later, vinyl chloride, the underlying chemical in PVC, came into public scrutiny in the aftermath of a major train derailment in East Palestine, Ohio. Residents of the small, mostly white town witnessed a catastrophic spill and burn that released over 1.1 million pounds of vinyl chloride into the soil, air, and water, alongside other toxic chemicals. The Environmental Protection Agency reported that public health agencies informed residents that vinyl chloride is a known human carcinogen that “continuous lifetime exposure to low levels of vinyl chloride can increase an individual’s risk of developing liver cancer, as well as other cancers.” The EPA has ongoing reporting on the environmental impact of the toxins, explaining to residents that screenings have returned readings below the amount necessary for government protection. Residents have organized and reported otherwise, including “recurring rashes, lesions, and bloody noses endured by themselves, their loved ones, and their children.”Not only would PVC bookbags cause plastic pollution for the planet, it was bad for humans, too.The pervasiveness of guns and the political permission for school shootings to persist will attempt to undermine other aspects of our social, physical, and mental health. Clear backpacks - which experts warn that no evidence supports improving safety- may make parents and educators feel better. But it is not worth exposing kids to cancer causing agents, slowly, intentionally, on their backs, everyday, and equally important, conditioning us all to perform or accept additional surveillance as convenient protective measures.My kid and I were successful at convincing some parents and the school leadership to reverse the clear backpack policy. But the next year, a new principal introduced optional mesh bookbags as an alternative, gentler surveillance, and so our fight continues. The color of school safety is not clear, and a clear backpack is not as immediately lethal as a gun. What remains dangerous is the kind of market driven approach that offers new drills and commodities towards a different kind of preventable tragedy. Let’s not be the kind of society who accepts it."
}
,
"relatedposts": [
{
"title" : "Black Liberation Views on Palestine",
"author" : "EIP Editors",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/black-liberation-on-palestine",
"date" : "2025-10-17 09:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/mandela-keffiyeh.jpg",
"excerpt" : "",
"content" : "In understanding global politics, it is important to look at Black liberation struggles as one important source of moral perspective. So, when looking at Palestine, we look to Black leaders to see how they perceived the Palestinian struggle in relation to theirs, from the 1960’s to today.Why must we understand where the injustice lies? Because, as Desmond Tutu famously said, “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”{% for person in site.data.quotes-black-liberation-palestine %}{{ person.name }}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
}
,
{
"title" : "First Anniversary Celebration of EIP",
"author" : "EIP Editors",
"category" : "events",
"url" : "https://everythingispolitical.com/readings/1st-anniversary-of-eip",
"date" : "2025-10-14 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/WSA_EIP_Launch_Cover.jpg",
"excerpt" : "Celebrating One Year of Independent Publishing",
"content" : "Celebrating One Year of Independent PublishingJoin Everything is Political on November 21st for the launch of our End-of-Year Special Edition Magazine.This members-only evening will feature a benefit dinner, cocktails, and live performances in celebration of a year of independent media, critical voices, and collective resistance.The EventNovember 21, 2025, 7-11pmLower Manhattan, New YorkLaunching our End-of-Year Special Edition MagazineSpecial appearances and performancesFood & Drink includedTickets are extremely limited, reserve yours now!Become an annual print member: get x back issues of EIP, receive the End-of-Year Special Edition Magazine, and come to the Anniversary Celebration.$470Already a member? Sign in to get your special offer. Buy Ticket $150 Just $50 ! and get the End-of-Year Special Edition Magazine Buy ticket $150 and get the End-of-Year Special Edition Magazine "
}
,
{
"title" : "Miu Miu Transforms the Apron From Trad Wife to Boss Lady: The sexiest thing in Paris was a work garment",
"author" : "Khaoula Ghanem",
"category" : "",
"url" : "https://everythingispolitical.com/readings/miu-miu-transforms-the-apron-from-trad-wife-to-boss-lady",
"date" : "2025-10-14 13:05:00 -0400",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_MiuMiu_Apron.jpg",
"excerpt" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.",
"content" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.From the opening look—German actress Sandra Hüller in a utilitarian deep-blue apron layered over a barn jacket and neat blue shirting—the thesis was loud: the “cover” becomes the thing itself. As silhouettes marched on, aprons multiplied and mutated—industrial drill cotton with front pockets, raw canvas, taffeta and cloqué silk, lace-edged versions that flirted with lingerie, even black leather and crystal-studded incarnations that reframed function as ornament. What the apron traditionally shields (clothes, bodies, “the good dress”) was inverted; the protection became the prized surface. Prada herself spelled it out: “The apron is my favorite piece of clothing… it symbolizes women, from factories through to serving to the home.”Miu Miu Spring 2026 Ready-to-Wear. SuppliedThis inversion matters historically. The apron’s earliest fashion-adjacent life was industrial. It served as a barrier against grease, heat, stain. It was a token of paid and unpaid care. Miu Miu tapped that lineage directly (canvas, work belts, D-ring hardware), then sliced it against domestic codes (florals, ruffles, crochet), and finally pushed into nightlife with bejeweled and leather bibs. The garment’s migration across materials made its social migrations visible. It is a kitchen apron, yes, but also one for labs, hospitals, and factories; the set and styling insisted on that plurality.What makes the apron such a loaded emblem is not just what it covers, but what it reveals about who has always been working. Before industrialization formalized labor into factory shifts and wages, women were already performing invisible labour, the kind that doesn’t exist on payrolls but sits at the foundation of every functioning society. They were cooking, cleaning, raising children, nursing the ill. These tasks were foundational to every economy and yet absent from every ledger. Even when women entered the industrial workforce, from textile plants to wartime assembly lines, their domestic responsibilities did not disappear, they doubled. In that context, the apron here is a quiet manifesto for the strength that goes unrecorded, unthanked, and yet keeps civilization running.The algorithmic rise of the “tradwife,” the influencer economy that packages domesticity as soft power, is the contemporary cultural shadow here. Miu Miu’s apron refuses that rehearsal. In fact, it’s intentionally awkward—oversized, undone, worn over bikinis or with sturdy shoes—so the viewer can’t flatten it into Pinterest-ready nostalgia. Critics noted the collection as a reclamation, a rebuttal to the flattening forces of the feed: the apron as a uniform for endurance rather than submission. The show notes framed it simply as “a consideration of the work of women,” a reminder that the invisible economies of effort—paid, unpaid, emotional—still structure daily life.If that sounds unusually explicit for a luxury runway, consider the designer. Prada trained as a mime at Milan’s Piccolo Teatro, earned a PhD in political science, joined the Italian Communist Party, and was active in the women’s rights movement in 1970s Milan. Those facts are not trivia; they are the grammar of her clothes. Decades of “ugly chic” were, essentially, a slow campaign against easy consumption and default beauty. In 2026, the apron becomes the newest dialect. An emblem drawn from leftist feminist history, recoded into a product that still has to sell. That tension—belief versus business—is the Miuccia paradox, and it’s precisely why these aprons read as statements, not trends.The runway narrative traced a journey from function to fetish. Early looks were squarely utilitarian—thick cottons, pocketed bibs—before migrating toward fragility and sparkle. Lace aprons laid transparently over swimmers; crystal-studded aprons slipped across cocktail territory; leather apron-dresses stiffened posture into armor. The sequencing proposed the same silhouette can encode labor, intimacy, and spectacle depending on fabrication. If most brands smuggle “workwear” in as set dressing, Miu Miu forced it onto the body as the central garment and an unmissable reminder that the feminine is often asked to be both shield and display at once.It’s instructive to read this collection against the house’s last mega-viral object: the micro-mini of Spring 2022, a pleated, raw-hem wafer that colonized timelines and magazine covers. That skirt’s thesis was exposure—hip bones and hemlines as post-lockdown spectacle, Y2K nostalgia framed as liberation-lite. The apron, ironically, covers. Where the micro-mini trafficked in the optics of freedom (and the speed of virality), the apron asks about the conditions that make freedom possible: who launders, who cooks, who cares? To move from “look at me” to “who is working here?” is a pivot from optics to ethics, without abandoning desire. (The aprons are, after all, deeply covetable.) In a platform economy that still rewards the shortest hemline with the biggest click-through, this is a sophisticated counter-program.Yet the designer is not romanticizing toil. There’s wit in the ruffles and perversity in the crystals; neither negate labor, they metabolize it. The most striking image is the apron treated as couture-adjacent. Traditionally, an apron protects the precious thing beneath; here, the apron is the precious thing. You could call that hypocrisy—luxurizing the uniform of workers. Or, strategy, insisting that the symbols of care and effort deserve visibility and investment.Of course, none of this exists in a vacuum. The “tradwife” script thrives because it is aesthetically legible and commercially scalable. It packages gender ideology as moodboard. Miu Miu counters with garments whose legibility flickers. The collection’s best looks ask viewers to reconcile tenderness with toughness, convenience with care, which is exactly the mental choreography demanded of women in every context from office to home to online.If you wanted a season-defining “It” item, you’ll still find it. The apron is poised to proliferate across fast-fashion and luxury alike. But the deeper success is structural: Miu Miu re-centered labor as an aesthetic category. That’s rarer than a viral skirt. It’s a reminder that clothes don’t merely decorate life, they describe and negotiate it. In making the apron the subject rather than the prop, Prada turned a garment of service into a platform for agency. It’s precisely the kind of cultural recursion you’d expect from a designer shaped by feminist politics, who never stopped treating fashion as an instrument of thought as much as style.The last image to hold onto is deceptively simple: a woman in an apron, neither fetishized nor infantilized, striding, hands free. Not a costume for nostalgia, not a meme for the feed, but a working uniform reframed, respected, and suddenly, undeniably beautiful. That is Miu Miu’s provocation for Spring 2026: the work behind the work, made visible at last."
}
]
}