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The Dandy Strikes Back
The Bold Legacy of Black Elegance (and Why the 2025 Met Gala Might Be Its Riskiest Yet)

This year’s Met Gala theme, “Superfine: Tailoring Black Style” could pass for a late tribute or a slick PR stunt, but it’s got way sharper claws: it’s a full-on provocation. We’re living in a time where Black stars dazzle on red carpets but get sidelined in boardrooms, classrooms, and courtrooms. In this climate, hyping the Black dandy is a sly rebellion. It thrusts a figure into the spotlight who’s always been political, always strategic, and always dressed to slay not just with swagger, but with razor-sharp intent.
Let’s keep it 100: Black dandyism isn’t just about serving looks. It’s about serving looks when the world said you had no right to. When society labeled you chaotic, threatening, or invisible, and you stepped out in a suit so crisp it could carve through bias. As DEI gets dismantled and Black studies programs vanish from campuses, the Met Gala’s theme hits less like a festivity and more like a stylish counterpunch.
So, what’s the deal with a Black dandy?
The word “dandy” usually conjures prissy white men from 19th-century Europe, think Oscar Wilde in lush velvet or aristocrats in wigs and buckled kicks. But Black dandyism? It flips that whole aesthetic on its head. It’s not about chasing white refinement; it’s about torching it. It’s wielding style to claim your humanity in a system built to snatch it away.
Scholar Monica L. Miller literally wrote the book on it, “Slaves to Fashion” maps out how Black men across the diaspora used elegance as resistance, turning the dandy from a Eurocentric trope into a global tool of survival and spectacle. The book serves as an inspiration for this year’s theme with Miller guest curating the Met’s exhibition.
Take Frederick Douglass, the ultimate image maestro. One of the most photographed men of his era, every portrait, hand on lapel, lion’s mane, fierce gaze, was a study in defiance. He didn’t just dress well; he crafted a persona that screamed, “I’m not your stereotype. I’m your equal.” In a media world drowning in blackface and minstrel mockery, Douglass turned the camera into a weapon, armed with a tailored suit and an unbreakable stare.
This vibe, Black men dressing to disrupt, carried through the 19th and 20th centuries. In the Caribbean, newly freed men rocked European-style suits to flex their liberty. In South Africa, young Black men called “tsotsis” used tailoring as rebellion and a ladder up, even under apartheid’s weight.
As Monica Miller argues in “Slaves to Fashion”, these weren’t just style choices, they were political blueprints, passed through generations and across continents.
And then came the Sapeurs of the Congo.
The Sapeurs: Style as Post-Colonial Flex
The “Société des Ambianceurs et des Personnes Élégantes” (Society of Ambiance-Makers and Elegant People), aka Sapeurs, kicked off in the 1920s and went wild in the 1960s post-independence era. These Congolese men strutted through Kinshasa and Brazzaville in vibrant, impeccably tailored European suits, often dropping more on clothes than rent. This wasn’t mere vanity, it was sartorial warfare. In a post-colonial world still haunted by European superiority, Sapeurs dressed like Parisian kings, not to blend in, but to outshine.
They turned colonial dress codes into a bold performance, using designer labels to mock and mimic the elite. Sapeurism wasn’t just a look; it was a manifesto that self-worth could rise through elegance, even in empire’s ashes.
Their influence still ripples through global menswear and Black diasporic fashion. Pharrell rocked Sapeur-inspired fits in his “Something in the Water” visuals. Solange gave them a nod in “Losing You”. And now, the Met’s finally catching the wave.
The Harlem Renaissance: Style as Intellectual Swag
In the 1920s and ’30s, Harlem wasn’t just a cultural hotspot, it was a fashion mecca. Black artists, poets, and thinkers knew style was power. Cue the Harlem dandy.
Men like Alain Locke, the first Black Rhodes Scholar and Harlem Renaissance trailblazer, dressed with Oxford-level polish. His style was an extension of his politics, smashing stereotypes of the “Negro intellectual” as primitive or pitiable. Even Langston Hughes, more poet than posh, got the memo. “I wear my gold watch and fob,” he wrote, “and I am proud of that.”
Harlem dandies weren’t just rocking white fashion, they were remixing it, blending Savile Row cuts with African American jazz energy to craft something modern, urban, and unapologetically Black. That energy echoes forward in Dapper Dan’s Gucci-covered Harlem atelier, where logomania meets legacy, and in Beyoncé’s Black Is King, a 21st-century tribute to diasporic elegance that channels Harlem Renaissance glam, Zulu regality, and couture-level pageantry into one glittering sermon.
And it wasn’t just the guys. Women like Zora Neale Hurston and Josephine Baker weaponized style, using fringe, furs, and feathers to defy racial and gender norms. Baker, especially, used her image to rule 1920s Paris, a city that fetishized her even as she bent it to her will.
Civil Rights to Soul Power
By the 1960s and ’70s, Black style went from mimicry to mastery. Picture Malcolm X in his trench coat and glasses, every inch the revolutionary scholar. James Baldwin in turtlenecks and tailored suits, daring you to dismiss him. Stokely Carmichael in a Nehru jacket, channeling Pan-African vibes while preaching Black Power.
Even as Afrocentrism and “Black is Beautiful” took off, the dandy aesthetic didn’t fade, it leveled up. You saw it in Sammy Davis Jr., blurring showman and activist, or Marvin Gaye, whose velvet blazers and silk shirts mixed sensuality with gravitas.
Dandyism wasn’t just a jab at white supremacy anymore; it was a full-blown cultural identity.
The Hip-Hop Era
In the ’80s and ’90s, Black style split and soared. Hip-hop brought baggy jeans, Timberlands, and oversized everything, but the dandy lane stayed open. Think André 3000 in ruffled shirts and suspenders or Biggie Smalls in Coogi and Versace.
This mix of street and suit, rebellion and luxury, still fuels modern Black style. Today, we’re in a dandy renaissance, led by icons like the late André Leon Talley, who spun his Black Southern roots into high-fashion wizardry, owning front rows with fur and flair. Colman Domingo, this year’s Met Gala co-chair, whose bold tuxedos and jewel-toned suits turn red carpets into Black Broadway. LeBron James, whose NBA tunnel walks are runway-level flexes of tailoring and culture. Billy Porter, queering the dandy game with tuxedos-meet-tulle, smashing every gender norm. And now the Met Gala, the place where fashion’s biggest circus meets its richest donors, is finally giving the dandy his due.
Why This Theme Hits Different Now
“Superfine: Tailoring Black Style” drops in 2025, a year of political chaos. Trump’s comeback is real and terrifying. DEI programs are getting shredded. Companies that posted black squares in 2020 are ghosting their diversity vows. The culture war rages on.
So, the Met Gala, a night dripping in privilege and performative allyship, celebrating Black dandyism right now? That’s almost revolutionary. Almost.
This theme’s a sneaky beast. It’s about tailoring, sure, but also history, resistance, and refusing to shrink. It’s about claiming beauty as a right and a weapon.
It’s also about the labor, the Black tailors, seamstresses, stylists, and designers, often nameless, whose craft made others shine while they stayed in the shadows.
The Risk
Of course, there’s danger here. The Met Gala has a habit of aestheticizing without understanding. Of flattening history into looks. We’ve seen it before religious iconography turned into fashion cosplay, punk neutered into couture. And now, the dandy risks becoming just another “inspiration.”
I can already see it: white celebs in zoot suits calling it “homage.” Fast fashion brands throwing kente cloth on everything “diasporic.” TikTokers thinking Sapeur’s a fragrance line.
But I can also dream big.
A gallery of Baldwin’s suits, Baker’s feathers, Talley’s capes. Red carpet looks pulling from Caribbean tailoring, South African street vibes, HBCU homecoming energy, and Harlem ballroom fire. A moment where Black beauty isn’t an afterthought, it’s the whole show.
Black Dandyism Still Snaps
What we wear is never just fabric. For Black folks, getting dressed has always been more than vanity it’s survival, defiance, and joy. In 2025’s messy political climate, that message hits like a thunderclap.
So let this Met Gala be a slay-fest, but also a reckoning. A shout-out to the tailors, the dandies, the disruptors. The ones who stitched rebellion into every seam. The ones who refused to be erased, demanding style and substance. The ones who showed the world:
We’ve always been superfine.
{
"article":
{
"title" : "The Dandy Strikes Back: The Bold Legacy of Black Elegance (and Why the 2025 Met Gala Might Be Its Riskiest Yet)",
"author" : "Louis Pisano",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/the-dandy-strikes-back",
"date" : "2025-05-04 10:13:00 -0400",
"img" : "https://everythingispolitical.com/uploads/black-dandy.jpg",
"excerpt" : "",
"content" : "This year’s Met Gala theme, “Superfine: Tailoring Black Style” could pass for a late tribute or a slick PR stunt, but it’s got way sharper claws: it’s a full-on provocation. We’re living in a time where Black stars dazzle on red carpets but get sidelined in boardrooms, classrooms, and courtrooms. In this climate, hyping the Black dandy is a sly rebellion. It thrusts a figure into the spotlight who’s always been political, always strategic, and always dressed to slay not just with swagger, but with razor-sharp intent.Let’s keep it 100: Black dandyism isn’t just about serving looks. It’s about serving looks when the world said you had no right to. When society labeled you chaotic, threatening, or invisible, and you stepped out in a suit so crisp it could carve through bias. As DEI gets dismantled and Black studies programs vanish from campuses, the Met Gala’s theme hits less like a festivity and more like a stylish counterpunch.So, what’s the deal with a Black dandy?The word “dandy” usually conjures prissy white men from 19th-century Europe, think Oscar Wilde in lush velvet or aristocrats in wigs and buckled kicks. But Black dandyism? It flips that whole aesthetic on its head. It’s not about chasing white refinement; it’s about torching it. It’s wielding style to claim your humanity in a system built to snatch it away.Scholar Monica L. Miller literally wrote the book on it, “Slaves to Fashion” maps out how Black men across the diaspora used elegance as resistance, turning the dandy from a Eurocentric trope into a global tool of survival and spectacle. The book serves as an inspiration for this year’s theme with Miller guest curating the Met’s exhibition.Take Frederick Douglass, the ultimate image maestro. One of the most photographed men of his era, every portrait, hand on lapel, lion’s mane, fierce gaze, was a study in defiance. He didn’t just dress well; he crafted a persona that screamed, “I’m not your stereotype. I’m your equal.” In a media world drowning in blackface and minstrel mockery, Douglass turned the camera into a weapon, armed with a tailored suit and an unbreakable stare.This vibe, Black men dressing to disrupt, carried through the 19th and 20th centuries. In the Caribbean, newly freed men rocked European-style suits to flex their liberty. In South Africa, young Black men called “tsotsis” used tailoring as rebellion and a ladder up, even under apartheid’s weight.As Monica Miller argues in “Slaves to Fashion”, these weren’t just style choices, they were political blueprints, passed through generations and across continents.And then came the Sapeurs of the Congo.The Sapeurs: Style as Post-Colonial FlexThe “Société des Ambianceurs et des Personnes Élégantes” (Society of Ambiance-Makers and Elegant People), aka Sapeurs, kicked off in the 1920s and went wild in the 1960s post-independence era. These Congolese men strutted through Kinshasa and Brazzaville in vibrant, impeccably tailored European suits, often dropping more on clothes than rent. This wasn’t mere vanity, it was sartorial warfare. In a post-colonial world still haunted by European superiority, Sapeurs dressed like Parisian kings, not to blend in, but to outshine.They turned colonial dress codes into a bold performance, using designer labels to mock and mimic the elite. Sapeurism wasn’t just a look; it was a manifesto that self-worth could rise through elegance, even in empire’s ashes.Their influence still ripples through global menswear and Black diasporic fashion. Pharrell rocked Sapeur-inspired fits in his “Something in the Water” visuals. Solange gave them a nod in “Losing You”. And now, the Met’s finally catching the wave.The Harlem Renaissance: Style as Intellectual SwagIn the 1920s and ’30s, Harlem wasn’t just a cultural hotspot, it was a fashion mecca. Black artists, poets, and thinkers knew style was power. Cue the Harlem dandy.Men like Alain Locke, the first Black Rhodes Scholar and Harlem Renaissance trailblazer, dressed with Oxford-level polish. His style was an extension of his politics, smashing stereotypes of the “Negro intellectual” as primitive or pitiable. Even Langston Hughes, more poet than posh, got the memo. “I wear my gold watch and fob,” he wrote, “and I am proud of that.”Harlem dandies weren’t just rocking white fashion, they were remixing it, blending Savile Row cuts with African American jazz energy to craft something modern, urban, and unapologetically Black. That energy echoes forward in Dapper Dan’s Gucci-covered Harlem atelier, where logomania meets legacy, and in Beyoncé’s Black Is King, a 21st-century tribute to diasporic elegance that channels Harlem Renaissance glam, Zulu regality, and couture-level pageantry into one glittering sermon.And it wasn’t just the guys. Women like Zora Neale Hurston and Josephine Baker weaponized style, using fringe, furs, and feathers to defy racial and gender norms. Baker, especially, used her image to rule 1920s Paris, a city that fetishized her even as she bent it to her will.Civil Rights to Soul PowerBy the 1960s and ’70s, Black style went from mimicry to mastery. Picture Malcolm X in his trench coat and glasses, every inch the revolutionary scholar. James Baldwin in turtlenecks and tailored suits, daring you to dismiss him. Stokely Carmichael in a Nehru jacket, channeling Pan-African vibes while preaching Black Power.Even as Afrocentrism and “Black is Beautiful” took off, the dandy aesthetic didn’t fade, it leveled up. You saw it in Sammy Davis Jr., blurring showman and activist, or Marvin Gaye, whose velvet blazers and silk shirts mixed sensuality with gravitas.Dandyism wasn’t just a jab at white supremacy anymore; it was a full-blown cultural identity.The Hip-Hop EraIn the ’80s and ’90s, Black style split and soared. Hip-hop brought baggy jeans, Timberlands, and oversized everything, but the dandy lane stayed open. Think André 3000 in ruffled shirts and suspenders or Biggie Smalls in Coogi and Versace.This mix of street and suit, rebellion and luxury, still fuels modern Black style. Today, we’re in a dandy renaissance, led by icons like the late André Leon Talley, who spun his Black Southern roots into high-fashion wizardry, owning front rows with fur and flair. Colman Domingo, this year’s Met Gala co-chair, whose bold tuxedos and jewel-toned suits turn red carpets into Black Broadway. LeBron James, whose NBA tunnel walks are runway-level flexes of tailoring and culture. Billy Porter, queering the dandy game with tuxedos-meet-tulle, smashing every gender norm. And now the Met Gala, the place where fashion’s biggest circus meets its richest donors, is finally giving the dandy his due.Why This Theme Hits Different Now“Superfine: Tailoring Black Style” drops in 2025, a year of political chaos. Trump’s comeback is real and terrifying. DEI programs are getting shredded. Companies that posted black squares in 2020 are ghosting their diversity vows. The culture war rages on.So, the Met Gala, a night dripping in privilege and performative allyship, celebrating Black dandyism right now? That’s almost revolutionary. Almost.This theme’s a sneaky beast. It’s about tailoring, sure, but also history, resistance, and refusing to shrink. It’s about claiming beauty as a right and a weapon.It’s also about the labor, the Black tailors, seamstresses, stylists, and designers, often nameless, whose craft made others shine while they stayed in the shadows.The RiskOf course, there’s danger here. The Met Gala has a habit of aestheticizing without understanding. Of flattening history into looks. We’ve seen it before religious iconography turned into fashion cosplay, punk neutered into couture. And now, the dandy risks becoming just another “inspiration.”I can already see it: white celebs in zoot suits calling it “homage.” Fast fashion brands throwing kente cloth on everything “diasporic.” TikTokers thinking Sapeur’s a fragrance line.But I can also dream big.A gallery of Baldwin’s suits, Baker’s feathers, Talley’s capes. Red carpet looks pulling from Caribbean tailoring, South African street vibes, HBCU homecoming energy, and Harlem ballroom fire. A moment where Black beauty isn’t an afterthought, it’s the whole show.Black Dandyism Still SnapsWhat we wear is never just fabric. For Black folks, getting dressed has always been more than vanity it’s survival, defiance, and joy. In 2025’s messy political climate, that message hits like a thunderclap.So let this Met Gala be a slay-fest, but also a reckoning. A shout-out to the tailors, the dandies, the disruptors. The ones who stitched rebellion into every seam. The ones who refused to be erased, demanding style and substance. The ones who showed the world:We’ve always been superfine."
}
,
"relatedposts": [
{
"title" : "To Do the Greatest Harm: Cornell University’s Complicity in International Violence & Destruction",
"author" : "Eliza Salamon & MB",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/cornell-complicity",
"date" : "2025-08-20 12:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/greg-daines-A37V-7GyDDg-unsplash.jpg",
"excerpt" : " This independent research shown in this report, show that the US and Israeli military, the largest military and weapons corporations, and technology companies have invested over $180 million in Cornell researchers and departments, mostly from 2023-2024.",
"content" : " This independent research shown in this report, show that the US and Israeli military, the largest military and weapons corporations, and technology companies have invested over $180 million in Cornell researchers and departments, mostly from 2023-2024.Discussion of the military-industrial complex often leaves out its third arm: academia. For many decades, the American defense industry, weapons manufacturers, and universities have collaborated in a profitable pattern that turn students and academics into cogs of the American war machine. 1 2 The Department of Defense (D.o.D.) is the branch of government that distributes taxpayer funds, generally through direct and indirect contracts, to research universities.This report unmasks Cornell University’s participation in this system and its complicity in global violence, destruction, and human rights violations while it enjoys a $10.7b endowment. In particular, our analysis, largely based on Office of Sponsored Research files from 2001-2024, finds that Cornell has been complicit in the U.S.-backed Saudi genocide of Yemen and the U.S.-backed Israeli genocide of Gaza. This complicity has been established through two forms of collaboration: Direct collaboration, through tens of millions of dollars in funding, with weapons manufacturers and fossil fuel companies. These include companies from which the student undergraduate and graduate bodies have adopted divestment resolutions (BAE Systems, Boeing, Elbit Systems, General Dynamics, L3Harris Technologies, Leonardo, Lockheed Martin, Northrop Grumman, RTX, Technion Institute, and ThyssenKrupp). 3 4 Direct collaboration with Saudi ARAMCO and the Israeli Ministry of Defense (I.M.o.D.), including millions of dollars in funding. In addition, Cornell’s partnership with the Israeli university Technion (Israel Institute of Technology) through the New York City Cornell Tech Campus is uniquely egregious and a direct form of collaboration. 5 Much of the data supporting this has been aggregated into an excel file attached here 6 with the original files. 7 Hundreds of these sponsored research projects are listed in the linked table in addition to D.o.D. work that is included in our larger report. 8 The projects vary in subject from vaccines to cyber to hardware to policy. The table should be treated as a largely representative but incomplete list of Cornell’s involvement with the most prominent weapons manufacturing-related entities.Israeli Funding and Cornell’s Role in Apartheid and GenocideIn 2007, Harold Craighead, Professor in Applied and Engineering Physics, secured $300k from the I.M.o.D. The funded project focused on the development and fabrication of nanodevices. Though we were unable to obtain papers specifically citing this funding other than the official reporting, we present here the most plausible outcome of the proposed research. In 2006, Craighead received a visit from former Israeli prime minister Shimon Peres.9 In a discussion with Peres, Craighead mentioned his collaboration with Tel Aviv University (T.A.U). Indeed, in the same year Craighead published a paper in collaboration with employees of T.A.U. focusing on the same topic of nanodevices.10 Military applications of the research include nano-meter scale robotics and biotechnologies along with optics/imaging. In a similar vein, the unaffiliated partnership between Lockheed Martin and Rice University documents other broad military applications of nano-tech.11In 2020, Robert F. Shepherd, an Associate Professor in Mechanical and Aerospace Engineering, solicited $100k from the I.M.o.D. for elastic metamaterials research. Like Craighead, this funding is not reported in any of Shepherd’s publications, though one can extrapolate on the basis of the research topic as to which papers of his were I.M.o.D. funded. In particular, a paper from 2020 focuses precisely on the use of fluid flow to modulate material shape.12 This field is largely concerned with the manufacturing of materials which can change properties like texture or rigidity as a modulated response. Such applications are useful for the development of robotic components which can manipulate or navigate the environment. In addition, Shepherd’s collaborator at Israeli university Technion, Amir Gat, lists a 2019-2020 $100k funding grant from Maffat (a joint administrative body of the I.M.o.D and the I.D.F.) under the same topic.13 Conference proceedings also fit under the same topic and Shepherd went to Technion to present his work at a conference in 2020.14 15Frank Wise, Professor of Engineering in Applied and Engineering Physics, also solicited $100k from the I.M.o.D. to research high-power lasers. Such terawatt fiber lasers have a variety of applications but are of particular military interest for destroying aircraft or infrastructure without the use of conventional kinetic weapons like missiles. Lockheed Martin, a weapons manufacturer, reports its own interests in high-power lasers and such weapons are already being applied aboard military ships.16 17 18 This funding resulted in a paper on lasers that can be modulated to use various modes of emission.19 Pavel Sidorenko, a post-doc within Wise’s group, is now holding a position at the Technion continuing research on the high-power fiber lasers “which are becoming increasingly important in a variety of fields ranging from military applications to healthcare”.20Qing Zhao, Professor of Electrical and Computer Engineering, also solicited $420k from the I.M.o.D. between 2021 and 2024. Zhao used this funding to research artificial intelligence and machine learning algorithms and cites the I.M.o.D. funding in two papers dealing with computer vision and decision-making algorithms.21 22 Focusing on the former, Zhao’s work on computer vision enables cameras to more effectively identify objects, persons and notice patterns.23 Indeed, such computer vision algorithms have been implemented by the Israeli military to identify Palestinians from Gaza at checkpoints targeting forcibly displaced refugees.24Zhao’s work also has applications in the development of efficient autonomous drone swarms, by producing algorithms that lead to effective decision-making.25 Suppose a swarm of drones is navigating an area, each with its own sensors or cameras learning about its environment, then the data has to be processed leading to a decision. Zhao’s work creates an algorithm that processes this information in a centralized way and then makes a decision. This research can be applied to make decisions such as whether or not to kill an individual or bomb a building. Per a Booz Allen Hamilton report, Israel has been to date the first to use machine learning, including drone swarms successfully in military campaigns:“Israel’s victory over Hamas in 2021 was the first war to be won via the asymmetric advantage provided by AI, and the conflict in Gaza that started in 2023 continues to be characterized by AI as well as information warfare in the cognitive domain… Israel became the first country to use true drone swarms, deploying them in its 2021 conflict with Gaza, and is arguably the global leader in this technology because of their implementation of Elbit Systems’ Legion-X, a modular, heterogeneous, multi-domain C2 swarm system”.26 See also.27The use of these machine learning algorithms in Gaza has been documented in +972 magazine with the implementation of algorithms known as The Gospel, Lavender, and Where’s Daddy?28On the policy side, Sarah Kreps, Professor in Government, conducts public policy and supply chain studies for the D.o.D. and the Israeli government. In 2024, she published a study on the best surveillance practices for governments to engage in.29 The study was in part funded by the Israel National Cyber Directorate.Given Israel’s ongoing genocide of Palestinians, Cornell’s collaboration with Technion University in Israel is another blatant example of its active complicity. With the establishment of the Cornell Tech campus on Roosevelt Island in NYC in 2012, Cornell has doubled down on its commitment to its Israeli collaborations, despite the efforts of its activist student body and the protest of NYC communities.30 31 At the announcement of the partnership, the Israeli consul expressed the “strategic importance” of the project to change the state’s association with conflict and violence, and instead associate it with innovation.32 Cornell consistently touts its collaboration with Technion in published articles: “The impact of the Technion on Israel’s economy, society and defense is unmatched”.33Further, the word “defense” is often used by weapons manufacturers and governments as a euphemism for offensive capabilities. The Technion has also been instrumental in advancing technological capabilities of the Israeli Ministry of Defense.34 35 36 It also had several programs and scholarships sponsored by weapons manufacturers Rafael and Elbit Systems.37 In addition, Technion has been directly complicit through providing support to the Israeli military.38 As the Boycott, Divest, and Sanction (B.D.S.) movement has documented: “Technion has developed a course on marketing the Israeli weapons industry to the international market for export. Technion also has numerous joint academic programs with the Israeli military and developed the remote control capabilities for the Caterpillar D9 armored bulldozer used by the Israeli military to demolish Palestinian homes—considered collective punishment under international law.”39 40 41 42 Cornell Tech’s council includes Michael Bloomberg who once stated: “I’ll never condition aid to Israel.”43 This may reflect, in part, why Cornell’s leadership has refused to even consider divestment.Saudi Funding and Cornell’s Role in Climate Change and Human Rights AbusesCornell’s complicity with genocidal governments extends further through its substantial relationships with the Saudi government and its institutions. University programs and individual faculty benefit from Saudi funds despite the many violations of human rights carried out by Mohammed Bin Salman, the Saudi totalitarian Crown Prince and Prime Minister. These include but are not limited to the following: the U.S.-backed genocide in Yemen, the assassination and dismemberment of Washington Post journalist Jamal Khashoggi, the country’s limitless production of fossil fuels, and its persistent crackdowns on its own activists, including feminists. The Yemeni genocide claimed the lives of hundreds of thousands of civilians from 2015 to 2022.44 [^45] American-made weapons were used and made the U.S. complicit.45 46 47 48 At no point did Cornell, as an institution, take action to break ties with the Saudi dictatorship. Cornell’s former president Frank H. T. Rhodes served as a trustee at the King Abdullah University of Science Technology along with former M.I.T. president Charles M. Vest.49Over the past few years, faculty have also been subsidized through research funding from Saudi ARAMCO, the majority state-owned petroleum and natural gas company responsible for almost 4.5% of all global CO2 and methane emissions between 1965 and 2017.50 The company has a long history of obstructing action against climate change through aggressive lobbying and funding of Western research, especially at American universities.51 The work financed by Saudi ARAMCO at Cornell is focused on oil refinement and energy generation broadly, a problematic venture, especially considering academia’s knowledge of the human role in perpetuating climate change.Amongst the employees who received funds from ARAMCO are Lawrence Cathles, Lynden Archer and Emmanuel Giannelis, professors in Earth and Atmospheric Sciences, Chemical and Biomolecular Engineering, and Materials Science, respectively, who received $1.3m from 2009 to 2011 through the KAUST-Cornell Center for Energy and Sustainability. Despite its name, this center, a collaboration between Cornell and King Abdullah University of Science and Technology (K.A.U.S.T.) in Saudi Arabia from 2008-2015, was committed to research on oil and gas production.52 53 Further K.A.U.S.T. funding followed: Giannelis also received $531k between 2012 and 2014. Archer, current Dean of the School of Engineering, received $84k in 2017. In 2023, $250k went to Professor in Chemical and Biomolecular Engineering, Yong Joo and $400k to a professor in Chemistry and Chemical Biology, Geoffrey Coates. Yong Joo also solicited $200k in funding along with Associate Professor in Civil and Environmental Engineering Greeshma Gadikota’s $300k in 2024.Collaboration With Weapons ManufacturersIn addition to collaborating with violent regimes, Cornell has received millions of dollars in research funding that have come directly from weapons manufacturers. Publicly available documents dating from 2001 show this funding includes the “primes”54: Lockheed Martin [~$3m], Raytheon [~$6.5m], Boeing [~$1.4m], Northrop Grumman [~$2.3m] and General Dynamics [~$240k]. B.A.E. Systems [~$2.3m], L3Harris [~$1.4m], Shell [$500k], Exxon [~$1.2m], Intel Corporation [~$16.4m], I.B.M. [~$7.2m], M.I.T. Lincoln Laboratory [~$250k], Teledyne [~$700k] and others have also given considerable research funding to the Cornell employees.The group of studies are far too extensive to discuss in one document but demonstrate the ultimate functioning of so-called “academic” research. The funding has been for machine learning and artificial intelligence development, software and computer language platforms, silicon chip and battery development, miniature satellites, robotics, data visualization, 3-D rendering and much more. All of these are components that are often declared as being “dual use” but are used by militaries and states well beyond any stated consumer use. As one example, Raytheon has published articles on its web page touting its collaboration with Cornell on gallium-nitride materials and refinement radio-frequency technologies.55These collaborations extend to student life. Cornell has overtly partnered with Lockheed Martin to create a Masters of Engineering program in Systems Engineering.56 On the front page of the program is stated: “Lockheed Martin Employees - Welcome!”. Standards are lowered for Lockheed Martin employees by waiving GRE scores and requiring only one recommendation letter. Similarly, Cornell has an identical partnership with Boeing for a Masters program along with a 5% tuition discount and waiving of application fee.57The university also holds a key laboratory for the Northeast Regional Defense Technology Hub (N.O.R.D.T.E.C.H.) along with a plethora of other universities and weapons manufacturers.58 Though its aims include a wide array of technologies, they are highly focused on the development of computer chips. The basis of the organization is to create a collaborative space between weapons manufacturers, the D.o.D., and academia.The Cornell Tech campus in N.Y.C. also does its own collaborations, including with DefenseArk.59 Through its startup award it has helped sustain autonomous robotics companies like Aatonomy which are looking to do business with the D.o.D.60OutlookIn the midst of foreign catastrophes including the Yemeni genocide, the ongoing Palestinian genocide and the assassination of hundreds of reporters in Gaza, Cornell has never ceased nor paused its collaboration with regimes or the weapons manufacturers supplying them. Not only does this demonstrate its institutional and individual collaboration with actors that consistently violate international law, but also reveals that its professed human values are ultimately hollow calls. In our non-comprehensive analysis of Cornell research funding from 2001-2024, we found that researchers and institutes received hundreds of millions of dollars from the D.o.D, weapons manufacturers, and international governments committing vast human rights violations. Further investigation would also reveal indirect transfers of technology and weaponry from Cornell to U.A.E.’s fueling of the Sudanese genocide by means of weapons manufacturing sales.61Cornell feigns its research to be merely theoretical, non-applied, or done for the sake of “knowledge production.” David Gray Widder, post-doctoral researcher at Cornell Tech has recently written about the impossibility of making a distinction between basic and applied research when such research is funded by entities whose explicit purpose is to enact harm: “this mutual enlistment is crucial to the perpetuation of the military-industrial-commercial-academic complex, and to the technopolitical imaginaries of security through military domination that keep public funds flowing to projects in more efficient killing and destruction”.62Political scientist Neve Gordon and medical anthropologist Guy Shalev published a recent article titled “The Shame of Israeli Medicine”, which concludes that Israeli academics are not doing their part in preventing the genocide and therefore require external pressure and sanctioned from outside Israel. Despite these findings, Cornell Tech’s president Michael Kotlikoff recently stated proudly in a speech that “at Cornell Tech, we have the most intensive and meaningful collaboration with an Israeli university of any institution in this country”.63As Cornell reportedly prepares to reach a $100 million settlement with the Trump administration over allegations of anti-semitism, it draws ever closer to the belly of the beast.64 The Trump administration’s blatant weaponization of anti-semitism is one of its many tactics designed to manufacture consent for its crackdown on higher education and prompt capitulation. With this settlement, Cornell’s alliances with repressive regimes are only continuing to expand. An institution that continues to tie itself to the destruction of international communities can only degrade and devolve into a symbol of oppression.This report finds that Cornell’s purported goals in sustaining human-centred values are not only lacking, but are egregiously contrary to them. On an institutional and individual level, Cornell is intimately complicit in the act of genocide. And though Cornell has its own unique forms of complicity, the academic-military-industrial complex permeates the entire American system of higher education. If these institutions, as they have demonstrated thus far, do not have the moral capacity to make ethical and just decisions, it is the responsibility of students, faculty, staff, and the broader international academic community to put pressure, sanctions, and boycotts on them. Ultimately, the contradictions revealed within academia, both over decades of violent complicity and the ongoing starvation and annihilation of Gaza, make clear the necessity of breaking apart and reshaping an academia divorced from the military, and truly committed to a greater, ethical, and just future. https://universities.icanw.org/ ↩ https://www.thenation.com/article/world/the-pentagons-quest-for-academic-intelligence-ai/ ↩ https://assembly.cornell.edu/shared-governance/get-involved/input-issues/spring-2024-undergraduate-referendum/submitted?utm_source%3Drss%26utm_medium%3Drss ↩ https://www.instagram.com/p/DI_mRUeOtKr/?img_index%3D3 ↩ https://www.instagram.com/p/DI_mRUeOtKr/?img_index%3D3 ↩ https://docs.google.com/spreadsheets/d/1SbjxsSRFFNKQTe0typvAR3KjKo0IZmdmBTpkMht6Ets/edit?usp%3Dsharing ↩ https://drive.google.com/file/d/1S6NHD1w-828udkjH6mfYe0whBGoD0YZg/view?usp%3Ddrive_link ↩ https://antiwar.io/cornell ↩ https://news.cornell.edu/stories/2006/11/shimon-peres-calls-science-and-technology-key-peace ↩ https://ieeexplore.ieee.org/stamp/stamp.jsp?tp%3D%26arnumber%3D4159973 ↩ https://investors.lockheedmartin.com/news-releases/news-release-details/lockheed-martin-and-rice-partner-nanotech-research ↩ https://pmc.ncbi.nlm.nih.gov/articles/PMC7071869/%23fn-group1 ↩ https://gat.net.technion.ac.il/files/2019/07/AmirGatResume-1.pdf ↩ https://ui.adsabs.harvard.edu/abs/2019APS..DFDG23001P/abstract ↩ https://yizhar.net.technion.ac.il/files/2021/09/MSRC2020_booklet.pdf ↩ https://news.lockheedmartin.com/2023-07-28-Lockheed-Martin-to-Scale-Its-Highest-Powered-Laser-to-500-Kilowatts-Power-Level ↩ https://newatlas.com/military/us-navy-uses-ai-train-laser-weapons-against-drones/ ↩ https://newatlas.com/military/us-navy-delivery-tactical-lockheed-martin-laser-weapon/ ↩ https://arxiv.org/pdf/2110.03571 ↩ https://zuckermanstem.org/scholars/dr-pavel-sidorenko/ ↩ https://arxiv.org/pdf/2301.08869 ↩ https://proceedings.mlr.press/v202/salgia23b/salgia23b.pdf ↩ https://arxiv.org/pdf/2301.08869 ↩ https://www.nytimes.com/2024/03/27/technology/israel-facial-recognition-gaza.html ↩ https://proceedings.mlr.press/v202/salgia23b/salgia23b.pdf ↩ https://www.boozallen.com/content/dam/home/docs/natsec/top-ten-emerging-technologies.pdf ↩ https://www.newscientist.com/article/2282656-israel-used-worlds-first-ai-guided-combat-drone-swarm-in-gaza-attacks/ ↩ https://www.972mag.com/lavender-ai-israeli-army-gaza/ ↩ https://journals.sagepub.com/doi/abs/10.1177/00223433241233960 ↩ https://www.thenation.com/article/archive/cornell-nyc-techs-alarming-ties-israeli-occupation/ ↩ https://www.ipetitions.com/petition/in-opposition-to-cornell-universitys/ ↩ https://www.jta.org/2011/12/20/ny/israeli-schools-strategic-move ↩ https://tech.cornell.edu/news/israel-cidon-joins-cornell-tech-as-director-of-the-joan-irwin-jacobs-technion-cornell-institute/ ↩ https://ats.org/our-impact/the-technion-protecting-israel-for-100-years/ ↩ https://covertactionmagazine.com/2024/07/02/israeli-military-institute-technion-is-at-the-heart-of-the-military-industrial-academic-complex/ ↩ https://ats.org/our-impact/technion-students-paying-it-forward/ ↩ https://bdsmovement.net/news/israeli-universities-attacking-campus-uprisings-uphold-israels-crimes-against-palestinians ↩ https://www.technion.ac.il/en/blog/article/defense-ministers-shield-to-be-awarded-to-the-technion/ ↩ https://www.mitgaisim.idf.il/%25D7%259B%25D7%25AA%25D7%2591%25D7%2595%25D7%25AA/%25D7%25A8%25D7%2590%25D7%25A9%25D7%2599/%25D7%25A2%25D7%25AA%25D7%2595%25D7%2593%25D7%2594/%25D7%25AA%25D7%259B%25D7%25A0%25D7%2599%25D7%25AA-%25D7%25A1%25D7%2599%25D7%259C%25D7%2595%25D7%259F/ ↩ https://materials.technion.ac.il/en/studies/undergraduate-programs/gvishim-program-for-outstanding-academic-idf-reservists ↩ https://www.mitgaisim.idf.il/%25D7%259B%25D7%25AA%25D7%2591%25D7%2595%25D7%25AA/%25D7%25A8%25D7%2590%25D7%25A9%25D7%2599/%25D7%25A2%25D7%25AA%25D7%2595%25D7%2593%25D7%2594/%25D7%25AA%25D7%259B%25D7%25A0%25D7%2599%25D7%25AA-%25D7%25A1%25D7%2599%25D7%259C%25D7%2595%25D7%259F/ ↩ https://www.972mag.com/top-israeli-university-marketing-countys-arms-industry-to-the-world ↩ https://www.timesofisrael.com/bloomberg-to-aipac-ill-never-condition-aid-to-israel-no-matter-whos-pm/ ↩ https://www.genocidewatch.com/single-post/yemen-genocide-emergency ↩ https://www.nytimes.com/2020/05/16/us/arms-deals-yemen.html ↩ https://www.nytimes.com/2020/05/16/us/arms-deals-raytheon-yemen.html ↩ https://www.nytimes.com/2020/09/14/us/politics/us-war-crimes-yemen-saudi-arabia.html ↩ https://edition.cnn.com/interactive/2018/09/world/yemen-airstrikes-intl/ ↩ https://www.kaust.edu.sa/en/about/administration/board-trustees ↩ https://www.theguardian.com/environment/2019/oct/09/revealed-20-firms-third-carbon-emissions ↩ https://www.nytimes.com/2022/11/21/climate/saudi-arabia-aramco-oil-solar-climate.html ↩ https://ecommons.cornell.edu/communities/9de3b5de-53b7-4098-a8e9-e611323f790a ↩ https://news.cornell.edu/stories/2008/04/25-million-cu-saudi-link-will-boost-nanoscale-research ↩ https://ventureoutsource.com/contract-manufacturing/top-military-electronic-defense-primes-diversify-de-risk-win-dod-pentagon-procurement-budget ↩ https://www.rtx.com/news/news-center/2023/11/16/rtx-and-darpa-to-revolutionize-gallium-nitride-technology-for-improved-radio-freq ↩ ttps://www.engineering.cornell.edu/sys/distance-learning-meng-systems-engineering/corporate-partners/lockheed-martin-employees/ ↩ https://www.engineering.cornell.edu/sys/distance-learning-meng-systems-engineering/corporate-partners/boeing-employees/ ↩ https://www.nordtechub.org/members ↩ https://tech.cornell.edu/news/bridging-academia-and-industry-innovation-meet-cornell-techs-first-venture-fellow/ ↩ https://tech.cornell.edu/news/how-to-easily-make-any-robot-autonomous/ ↩ https://www.politico.com/news/2025/03/07/arms-sales-uae-00217874 ↩ https://arxiv.org/pdf/2411.17840 ↩ https://president.cornell.edu/speeches-writings/2025-state-of-the-university-address/ ↩ https://www.bloomberg.com/news/articles/2025-08-01/cornell-close-to-white-house-settlement-of-up-to-100-million ↩ "
}
,
{
"title" : "Legalized Occupation: Dissecting Israel’s Plan to Seize Gaza",
"author" : "EIP Editors",
"category" : "",
"url" : "https://everythingispolitical.com/readings/legalized-occupation-dissecting-israels-plan-to-seize-gaza",
"date" : "2025-08-09 10:13:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover-Legalized_Occupation.jpg",
"excerpt" : "Israel’s newly approved plan to “take control” of Gaza City and other key areas of the enclave is being presented to the world as a security imperative. In reality, it is an extension of a long-standing settler-colonial project—another chapter in the ongoing dispossession of the Palestinian people.",
"content" : "Israel’s newly approved plan to “take control” of Gaza City and other key areas of the enclave is being presented to the world as a security imperative. In reality, it is an extension of a long-standing settler-colonial project—another chapter in the ongoing dispossession of the Palestinian people.The language of “control,” “buffer zones,” and “security perimeters” is not neutral. It is a calculated rhetorical strategy designed to obscure the material realities of occupation, annexation, and ethnic cleansing. This is not a temporary maneuver aimed at stability. It is the consolidation of power through the seizure of land, the dismantling of Palestinian civil society, and the deepening of Gaza’s humanitarian catastrophe—all in violation of international law.The Political Calculus Behind the OperationTo understand the decision, we must first acknowledge its political function for Prime Minister Benjamin Netanyahu. Facing mounting domestic discontent, the collapse of public trust, and arrest warrants from the International Criminal Court for war crimes, Netanyahu is cornered. His far-right coalition partners demand an uncompromising expansionist agenda, and his own political survival depends on delivering it.Occupation has always been a cornerstone of this political project. By launching a military campaign to seize Gaza’s largest urban center, Netanyahu signals strength to his base while sidestepping accountability for the escalating humanitarian disaster. That disaster is not collateral damage—it is a form of collective punishment meant to force submission. It is also a bargaining chip: an occupied, starved, and displaced population is easier to control and harder to resist.A Continuation of the NakbaThis plan is not an anomaly; it is the latest manifestation of a decades-long pattern. Since the Nakba of 1948, the forced displacement of Palestinians and the destruction of their communities have been central tools of state policy. In Gaza today, we see the same logic: empty the land of its people, destroy the infrastructure of life, and claim it under the guise of security.International law is explicit: annexation through military force is illegal. The Fourth Geneva Convention prohibits collective punishment and the transfer of an occupying power’s civilian population into occupied territory. Yet, as with the occupation of the West Bank and East Jerusalem, Israel has consistently acted with impunity—shielded by the political, financial, and military backing of powerful allies.The Humanitarian FrontGaza has already been described by UN officials as a “graveyard for children.” The enclave’s population has endured a near-total blockade for 18 years, compounded by repeated bombardments that have destroyed hospitals, schools, and basic infrastructure. According to the UN Office for the Coordination of Humanitarian Affairs (OCHA), the majority of Gaza’s 2.3 million residents have been displaced since the start of this latest escalation. Food insecurity is at catastrophic levels; medical supplies are almost nonexistent.Israel’s seizure of Gaza City—home to hundreds of thousands—will further collapse what remains of civilian life. Humanitarian organizations warn that the move will trigger mass displacement, deepen famine, and cut off the few remaining supply routes. These are not accidental outcomes. They are part of a strategy that weaponizes deprivation as a means of political control.Narrative as a BattlefieldThe battle over Gaza is not only military—it is discursive. The words chosen by political leaders and media outlets shape how the world understands, or misunderstands, what is unfolding. In Netanyahu’s framing, Israel is not occupying Gaza; it is “liberating” it from Hamas. In this telling, Palestinian civilians become invisible, reduced to collateral casualties in a counterterrorism campaign.This is why reframing is crucial. We must reject the sanitized vocabulary of “security zones” and “temporary control” and speak plainly: this is occupation, annexation, and the forcible seizure of Palestinian land. It is not liberation, it is domination. And it is not about peace, it is about power.Global ConnectionsIsrael’s actions in Gaza are not isolated from broader global struggles. From the forced removal of Indigenous peoples in North America to the apartheid regime in South Africa, the tactics of dispossession, militarization, and narrative control follow a familiar pattern. This is why solidarity movements around the world—led by Indigenous, Black, and other colonized peoples—see their own struggles reflected in Palestine’s.The link is not merely symbolic. Israel’s military technology, surveillance systems, and counterinsurgency tactics are exported globally, often marketed as “field-tested” in Gaza and the West Bank. These technologies underpin policing, border control, and repression from Ferguson to Kashmir. In this way, Gaza is both a site of profound local suffering and a laboratory for global authoritarianism.Discrediting the PlanIf the goal is to discredit this plan in the eyes of the international public, the strategy must be twofold: expose contradictions and center Palestinian agency.Expose contradictionsNetanyahu insists Israel does not seek to govern Gaza permanently, yet the seizure of land, establishment of military perimeters, and destruction of civilian infrastructure point toward long-term control.Israel claims to act in self-defense, yet the scale and method of its campaign far exceed any proportional response under international law.Center Palestinian agencyElevate Palestinian voices—journalists, doctors, teachers—who are documenting life under siege.Highlight grassroots forms of resilience and resistance that defy the portrayal of Palestinians as passive victims or inevitable threats.Name the enablersIdentify the governments, corporations, and financial institutions providing material or diplomatic cover for the occupation.Show how this complicity undermines their stated commitments to human rights and international law.Connect to global strugglesFrame Gaza as part of a worldwide resistance to settler colonialism, authoritarianism, and militarized capitalism.Build coalitions across movements to break the isolation that occupation depends upon.Everything Is PoliticalFrom a political-analyst perspective, the key insight is that this is not simply a geopolitical crisis—it is a crisis of narrative. If we accept the occupying power’s framing, we have already conceded the first battle. That is why the work of reframing—naming what is happening, connecting it to historical patterns, and centering the perspectives of the colonized—is not ancillary to the struggle; it is the struggle.In the end, Israel’s plan to seize Gaza is not about security—it is about sovereignty. Not Palestinian sovereignty, but the sovereignty of a state built on the denial of another people’s right to exist on their land. That is the truth the world must see clearly, and that is the truth we must continue to tell, relentlessly, until occupation becomes not a political fact but a historical memory."
}
,
{
"title" : "Ziad Rahbani and the Art of Creative Rebellion",
"author" : "Céline Semaan",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/ziad-rahbani-creative-rebellion",
"date" : "2025-07-28 07:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/2025_7_for-EIP-ziad-rahbani.jpg",
"excerpt" : "When I turned fourteen in Beirut, I came across Ziad Rahbani’s groundbreaking work. I immediately felt connected to him, his words, his perspective and his unflinching commitment to liberation for our people and for Palestine. My first love introduced me to his revolutionary plays, his unique contributions to Arab music and very soon I had listened to all of his plays and expanded my understanding of our own culture and history.",
"content" : "When I turned fourteen in Beirut, I came across Ziad Rahbani’s groundbreaking work. I immediately felt connected to him, his words, his perspective and his unflinching commitment to liberation for our people and for Palestine. My first love introduced me to his revolutionary plays, his unique contributions to Arab music and very soon I had listened to all of his plays and expanded my understanding of our own culture and history.Ziad Rahbani’s passing marks more than the end of a brilliant life—it marks the closing of a chapter in the cultural history of our region. His funeral wasn’t just a ceremony, it was a collective reckoning; crowds following his exit from the hospital to the cemetery. The streets knew what many governments tried to forget: that he gave voice to the people’s truths, to our frustrations, our absurdities, our grief, and our undying hope for justice. Yet he died as an unsung hero.Born into a family that shaped the musical soul of Lebanon, Ziad could have taken the easy path of replication. Instead, he shattered the mold. From his early plays like Sahriyye and Nazl el-Surour, he upended the elitism of classical Arabic theatre by placing the working class, the absurdity of war, and the contradictions of society at the center of his work. He spoke like the people spoke. He made art in the language of the taxi driver, the student, the mother waiting for news of her son.In his film work Film Ameriki Tawil, Ziad used satire not only as critique, but as rebellion. He exposed the rot of sectarian politics in Lebanon with surgical precision, never sparing anyone, including the leftist circles he moved in. He saw clearly: that political purity was a myth, and liberation required uncomfortable truths. His work, deeply rooted in class consciousness, refused to glorify any side of a war that tore his country apart.And yet, Ziad Rahbani never lost his clarity on Palestine. While others wavered, diluted their positions, or folded into diplomacy, Ziad remained steadfast. His support for the Palestinian struggle was not an aesthetic position—it was a political and ethical commitment. And he did so not as an outsider or savior, but as someone who understood that our futures are intertwined. That the liberation of Palestine is integral to the liberation of Lebanon. That anti-sectarianism and anti-Zionism are not contradictions, but extensions of each other.He brought jazz into Arabic music not as a novelty, but as a defiant act of cultural fusion—proof that our identities are not fixed, but fluid, diasporic, ever-evolving. He blurred the lines between Western musical forms and Arabic lyricism with intention, not mimicry. His collaborations with his mother, the legendary Fairuz, carried the weight of generational dialogue, but his own voice always broke through—wry, melancholic, grounded in the everyday.Ziad taught us that being a revolutionary doesn’t require a uniform or a slogan. It requires listening. It requires holding complexity, laughing in the face of despair, and making room for joy even when the world is on fire. He reminded us that culture is the deepest infrastructure of any resistance movement. He refused to be sanitized, censored, or simplified.As we mourn him, we also inherit his clarity. For artists, for organizers, for thinkers: Ziad Rahbani gave us a blueprint. Create without permission. Tell the truth. Fight for Palestine without compromising your own roots. And never forget that the people will always hear what is real.He was, and will always be, a compass for creative rebellion."
}
]
}