Digital & Print Membership
Yearly + Receive 8 free printed back issues
$420 Annually
Monthly + Receive 3 free printed back issues
$40 Monthly
Looking for Loud Luxury
On Color, Chromophobia, and Colonialism

Just like taste, scent, and sound, color can provoke sensations and feelings; color has the power to awaken memories and nostalgia, to take you back to a specific moment and place. I absolutely love that about color, the deep significance it holds over us, the way dressing in certain hues can change our mood and affect our entire day.
Color is the unifying theme in my work as a designer, photographer, artist, and even as a cook. I’ve always been deeply inspired by color, saturation, and the pairing of different hues. I sometimes say that color runs in my blood.
I grew up in the Midwest in the ‘80s and ‘90s, and during my childhood, I would sometimes be allowed to travel to India in the summer to visit family. I distinctly remember how starkly different the use of color in style and fashion was there, and I remember feeling at home with my instinctive clothing and décor choices. The use of maximalism, the juxtaposition of colors, patterns, fabrics, details, textures, embroideries, and the vast variety of weaves and handmade processes in the custom-made garments are a huge part of what fueled my love for fashion and my interest in becoming a designer.

One of my early collections was about color itself, titled “Color is a Cure.” It was about the healing power of color. I believe that different colors hold deep meaning and power over us; there is a reason we are each attracted to certain shades and sometimes even repelled by others. What is more luxurious than the power of color and craftsmanship?
I never understood the appeal of “quiet luxury,” a trend that arose around 2020 and became very popular in 2023. But make no mistake, this idea of elevating a neutral, white and beige palette to a higher status is not new; it is connected to the ideals of white supremacy and colonialism. White and neutrals too are colors, and all colors can and should have their moments, but the dominance of a white aesthetic is classist and bores me.
The erasure of color, and the concept of quiet luxury, have everything to do with the false idea of the superiority of Western culture; the fear of color represents the fear of non-Western cultures. This fear of color has existed throughout time in art and fashion in the West. The idea of a neutral palette being more “elevated” is a distinctly colonial perspective, a mindset that still pervades the world of fashion and design today.
In his book Chromophobia, David Batchelor argues that “colour is bound up with the fate of Western culture,” and that “colour has been the object of extreme prejudice in Western culture. For the most part, this prejudice has remained unchecked and passed unnoticed… As with all prejudices its manifest form, its loathing, masks a fear: a fear of contamination and corruption by something that is unknown or appears unknowable. This loathing of colour, this fear of corruption through colour, needs a name: chromophobia.”
Batchelor also writes, “Chromophobia manifests itself in the many and varied attempts to purge colour from culture, to devalue colour, to diminish its significance, to deny its complexity.” Over the years of running my fashion brand, abacaxi, there were times when I was confronted with chromophobia, or fear of color, though I didn’t always realize what it was in real time. I’ve occasionally gotten feedback from store buyers that my brand was too colorful for them or listened to salespeople explaining that they didn’t know how to merchandise my line, saying that it was not yet ready or “elevated enough,” or watched them display it in the back of the store.
Truthfully, I’m much more interested in the kind of luxury that embraces the deep significance of color, and that considers cultural history and craft to be the height of elevated style and worthy of status. What is more luxurious than garments that hold history and healing energy within them?
I want an instinctive maximalism and loud luxury, rather than minimalism and quiet luxury. I’m seeking bold, saturated, unabashed color. If you feel called to bring more color and hand-crafted, naturally dyed luxury into your wardrobe, abacaxi and I are here for you.

{
"article":
{
"title" : "Looking for Loud Luxury: On Color, Chromophobia, and Colonialism",
"author" : "Sheena Sood",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/looking-for-loud-luxury",
"date" : "2025-07-20 17:35:46 -0400",
"img" : "https://everythingispolitical.com/uploads/abacaxi_12_0111.jpg",
"excerpt" : "",
"content" : "Just like taste, scent, and sound, color can provoke sensations and feelings; color has the power to awaken memories and nostalgia, to take you back to a specific moment and place. I absolutely love that about color, the deep significance it holds over us, the way dressing in certain hues can change our mood and affect our entire day. Color is the unifying theme in my work as a designer, photographer, artist, and even as a cook. I’ve always been deeply inspired by color, saturation, and the pairing of different hues. I sometimes say that color runs in my blood. I grew up in the Midwest in the ‘80s and ‘90s, and during my childhood, I would sometimes be allowed to travel to India in the summer to visit family. I distinctly remember how starkly different the use of color in style and fashion was there, and I remember feeling at home with my instinctive clothing and décor choices. The use of maximalism, the juxtaposition of colors, patterns, fabrics, details, textures, embroideries, and the vast variety of weaves and handmade processes in the custom-made garments are a huge part of what fueled my love for fashion and my interest in becoming a designer. One of my early collections was about color itself, titled “Color is a Cure.” It was about the healing power of color. I believe that different colors hold deep meaning and power over us; there is a reason we are each attracted to certain shades and sometimes even repelled by others. What is more luxurious than the power of color and craftsmanship?I never understood the appeal of “quiet luxury,” a trend that arose around 2020 and became very popular in 2023. But make no mistake, this idea of elevating a neutral, white and beige palette to a higher status is not new; it is connected to the ideals of white supremacy and colonialism. White and neutrals too are colors, and all colors can and should have their moments, but the dominance of a white aesthetic is classist and bores me. The erasure of color, and the concept of quiet luxury, have everything to do with the false idea of the superiority of Western culture; the fear of color represents the fear of non-Western cultures. This fear of color has existed throughout time in art and fashion in the West. The idea of a neutral palette being more “elevated” is a distinctly colonial perspective, a mindset that still pervades the world of fashion and design today. In his book Chromophobia, David Batchelor argues that “colour is bound up with the fate of Western culture,” and that “colour has been the object of extreme prejudice in Western culture. For the most part, this prejudice has remained unchecked and passed unnoticed… As with all prejudices its manifest form, its loathing, masks a fear: a fear of contamination and corruption by something that is unknown or appears unknowable. This loathing of colour, this fear of corruption through colour, needs a name: chromophobia.”Batchelor also writes, “Chromophobia manifests itself in the many and varied attempts to purge colour from culture, to devalue colour, to diminish its significance, to deny its complexity.” Over the years of running my fashion brand, abacaxi, there were times when I was confronted with chromophobia, or fear of color, though I didn’t always realize what it was in real time. I’ve occasionally gotten feedback from store buyers that my brand was too colorful for them or listened to salespeople explaining that they didn’t know how to merchandise my line, saying that it was not yet ready or “elevated enough,” or watched them display it in the back of the store.Truthfully, I’m much more interested in the kind of luxury that embraces the deep significance of color, and that considers cultural history and craft to be the height of elevated style and worthy of status. What is more luxurious than garments that hold history and healing energy within them?I want an instinctive maximalism and loud luxury, rather than minimalism and quiet luxury. I’m seeking bold, saturated, unabashed color. If you feel called to bring more color and hand-crafted, naturally dyed luxury into your wardrobe, abacaxi and I are here for you."
}
,
"relatedposts": [
{
"title" : "100+ Years of Genocidal Intent in Palestine",
"author" : "Collis Browne",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/100-years-of-genocidal-intent",
"date" : "2025-10-07 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/1920-jerusalem.jpg",
"excerpt" : "Every single Israeli prime minister, president, and major Zionist leader has voiced clear intent to erase the Palestinian people from their lands, either by forced expulsion, or military violence. From Herzl and Chaim Weizmann to Ben-Gurion to Netanyahu, the record is not ambiguous:",
"content" : "Every single Israeli prime minister, president, and major Zionist leader has voiced clear intent to erase the Palestinian people from their lands, either by forced expulsion, or military violence. From Herzl and Chaim Weizmann to Ben-Gurion to Netanyahu, the record is not ambiguous:{% for person in site.data.genocidalquotes %}{{ person.name }}{% if person.title %}<p class=\"title-xs\">{{ person.title }}</p>{% endif %}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
}
,
{
"title" : "Dignity Before Stadiums:: Morocco’s Digital Uprising",
"author" : "Cheb Gado",
"category" : "",
"url" : "https://everythingispolitical.com/readings/dignity-before-stadiums",
"date" : "2025-10-02 09:08:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover_Morocco_GenZ.jpg",
"excerpt" : "No one expected a generation raised on smartphones and TikTok clips to ignite a spark of protest shaking Morocco’s streets. But Gen Z, the children of the internet and speed, have stepped forward to write a new chapter in the history of uprisings, in their own style.The wave of anger began with everyday struggles that cut deep into young people’s lives: soaring prices, lack of social justice, and the silencing of their voices in politics. They didn’t need traditional leaders or party manifestos; the movement was born out of a single hashtag that spread like wildfire, transforming individual frustration into collective momentum.",
"content" : "No one expected a generation raised on smartphones and TikTok clips to ignite a spark of protest shaking Morocco’s streets. But Gen Z, the children of the internet and speed, have stepped forward to write a new chapter in the history of uprisings, in their own style.The wave of anger began with everyday struggles that cut deep into young people’s lives: soaring prices, lack of social justice, and the silencing of their voices in politics. They didn’t need traditional leaders or party manifestos; the movement was born out of a single hashtag that spread like wildfire, transforming individual frustration into collective momentum.One of the sharpest contradictions fueling the protests was the billions poured into World Cup-related preparations, while ordinary citizens remained marginalized when it came to healthcare and education.This awareness quickly turned into chants and slogans echoing through the streets: “Dignity begins with schools and hospitals, not with putting on a show for the world.”What set this movement apart was not only its presence on the streets, but also the way it reinvented protest itself:Live filming: Phone cameras revealed events moment by moment, exposing abuses instantly.Memes and satire: A powerful weapon to dismantle authority’s aura, turning complex political discourse into viral, shareable content.Decentralized networks: No leader, no party, just small, fast-moving groups connected online, able to appear and disappear with agility.This generation doesn’t believe in grand speeches or delayed promises. They demand change here and now. Moving seamlessly between the physical and digital realms, they turn the street into a stage of revolt, and Instagram Live into an alternative media outlet.What’s happening in Morocco strongly recalls the Arab Spring of 2011, when young people flooded the streets with the same passion and spontaneity, armed only with belief in their power to spark change. But Gen Z added their own twist, digital tools, meme culture, and the pace of a hyper-connected world.Morocco’s Gen Z uprising is not just another protest, but a living experiment in how a digital generation can redefine politics itself. The spark may fade, but the mark it leaves on young people’s collective consciousness cannot be erased.Photo credits: Mosa’ab Elshamy, Zacaria Garcia, Abdel Majid Bizouat, Marouane Beslem"
}
,
{
"title" : "A Shutdown Exposes How Fragile U.S. Governance Really Is",
"author" : "EIP Editors",
"category" : "",
"url" : "https://everythingispolitical.com/readings/a-shutdown-exposes-how-fragile-us-governance-really-is",
"date" : "2025-10-01 22:13:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover_Gov_ShutDown.jpg",
"excerpt" : "Each time the federal government shutters its doors, we hear the same reassurances: essential services will continue, Social Security checks will still arrive, planes won’t fall from the sky. This isn’t the first Governmental shutdown, they’ve happened 22 times since 1976, and their toll is real.",
"content" : "Each time the federal government shutters its doors, we hear the same reassurances: essential services will continue, Social Security checks will still arrive, planes won’t fall from the sky. This isn’t the first Governmental shutdown, they’ve happened 22 times since 1976, and their toll is real.Shutdowns don’t mean the government stops functioning. They mean millions of federal workers are asked to keep the system running without pay. Air traffic controllers, border patrol agents, food inspectors — people whose jobs underpin both public safety and economic life — are told their labor matters, but their livelihoods don’t. People have to pay the price of bad bureaucracy in the world’s most powerful country, if governance is stalled, workers must pay with their salaries and their groceries.In 1995 and 1996, clashes between President Bill Clinton and House Speaker Newt Gingrich triggered two shutdowns totaling 27 days. In 2013, a 16-day standoff over the Affordable Care Act furloughed 850,000 workers. And in 2018–2019, the longest shutdown in U.S. history stretched 35 days, as President Trump refused to reopen the government without funding for a border wall. That impasse left 800,000 federal employees without paychecks and cost the U.S. economy an estimated $11 billion — $3 billion of it permanently lost.More troubling is what happens when crises strike during shutdowns. The United States is living in an age of accelerating climate disasters: historic floods in Vermont, wildfire smoke choking New York, hurricanes pounding Florida. These emergencies do not pause while Congress fights over budgets. Yet a shutdown means furloughed NOAA meteorologists, suspended EPA enforcement, and delayed FEMA programs. In the most climate-vulnerable decade of our lifetimes, we are choosing paralysis over preparedness.This vulnerability didn’t emerge overnight. For decades, the American state has been hollowed out under the logic of austerity and privatization, while military spending has remained sacrosanct. That imbalance is why budgets collapse under the weight of endless resources for war abroad, too few for resilience at home.Shutdowns send a dangerous message. They normalize instability. They tell workers they are disposable. They make clear that in our system, climate resilience and public health aren’t pillars of our democracy but rather insignificant in the face of power and greed. And each time the government closes, it becomes easier to imagine a future where this isn’t the exception but the rule.The United States cannot afford to keep running on shutdown politics. The climate crisis, economic inequality, and the challenges of sustaining democracy itself demand continuity, not collapse. We need a politics that treats stability and resilience not as partisan victories, but as basic commitments to one another. Otherwise, the real shutdown isn’t just of the government — it’s of democracy itself."
}
]
}