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Legalized Occupation: Dissecting Israel’s Plan to Seize Gaza
Israel’s newly approved plan to “take control” of Gaza City and other key areas of the enclave is being presented to the world as a security imperative. In reality, it is an extension of a long-standing settler-colonial project—another chapter in the ongoing dispossession of the Palestinian people.
The language of “control,” “buffer zones,” and “security perimeters” is not neutral. It is a calculated rhetorical strategy designed to obscure the material realities of occupation, annexation, and ethnic cleansing. This is not a temporary maneuver aimed at stability. It is the consolidation of power through the seizure of land, the dismantling of Palestinian civil society, and the deepening of Gaza’s humanitarian catastrophe—all in violation of international law.
The Political Calculus Behind the Operation
To understand the decision, we must first acknowledge its political function for Prime Minister Benjamin Netanyahu. Facing mounting domestic discontent, the collapse of public trust, and arrest warrants from the International Criminal Court for war crimes, Netanyahu is cornered. His far-right coalition partners demand an uncompromising expansionist agenda, and his own political survival depends on delivering it.
Occupation has always been a cornerstone of this political project. By launching a military campaign to seize Gaza’s largest urban center, Netanyahu signals strength to his base while sidestepping accountability for the escalating humanitarian disaster. That disaster is not collateral damage—it is a form of collective punishment meant to force submission. It is also a bargaining chip: an occupied, starved, and displaced population is easier to control and harder to resist.
A Continuation of the Nakba
This plan is not an anomaly; it is the latest manifestation of a decades-long pattern. Since the Nakba of 1948, the forced displacement of Palestinians and the destruction of their communities have been central tools of state policy. In Gaza today, we see the same logic: empty the land of its people, destroy the infrastructure of life, and claim it under the guise of security.
International law is explicit: annexation through military force is illegal. The Fourth Geneva Convention prohibits collective punishment and the transfer of an occupying power’s civilian population into occupied territory. Yet, as with the occupation of the West Bank and East Jerusalem, Israel has consistently acted with impunity—shielded by the political, financial, and military backing of powerful allies.
The Humanitarian Front
Gaza has already been described by UN officials as a “graveyard for children.” The enclave’s population has endured a near-total blockade for 18 years, compounded by repeated bombardments that have destroyed hospitals, schools, and basic infrastructure. According to the UN Office for the Coordination of Humanitarian Affairs (OCHA), the majority of Gaza’s 2.3 million residents have been displaced since the start of this latest escalation. Food insecurity is at catastrophic levels; medical supplies are almost nonexistent.
Israel’s seizure of Gaza City—home to hundreds of thousands—will further collapse what remains of civilian life. Humanitarian organizations warn that the move will trigger mass displacement, deepen famine, and cut off the few remaining supply routes. These are not accidental outcomes. They are part of a strategy that weaponizes deprivation as a means of political control.
Narrative as a Battlefield
The battle over Gaza is not only military—it is discursive. The words chosen by political leaders and media outlets shape how the world understands, or misunderstands, what is unfolding. In Netanyahu’s framing, Israel is not occupying Gaza; it is “liberating” it from Hamas. In this telling, Palestinian civilians become invisible, reduced to collateral casualties in a counterterrorism campaign.
This is why reframing is crucial. We must reject the sanitized vocabulary of “security zones” and “temporary control” and speak plainly: this is occupation, annexation, and the forcible seizure of Palestinian land. It is not liberation, it is domination. And it is not about peace, it is about power.
Global Connections
Israel’s actions in Gaza are not isolated from broader global struggles. From the forced removal of Indigenous peoples in North America to the apartheid regime in South Africa, the tactics of dispossession, militarization, and narrative control follow a familiar pattern. This is why solidarity movements around the world—led by Indigenous, Black, and other colonized peoples—see their own struggles reflected in Palestine’s.
The link is not merely symbolic. Israel’s military technology, surveillance systems, and counterinsurgency tactics are exported globally, often marketed as “field-tested” in Gaza and the West Bank. These technologies underpin policing, border control, and repression from Ferguson to Kashmir. In this way, Gaza is both a site of profound local suffering and a laboratory for global authoritarianism.
Discrediting the Plan
If the goal is to discredit this plan in the eyes of the international public, the strategy must be twofold: expose contradictions and center Palestinian agency.
Expose contradictions
Netanyahu insists Israel does not seek to govern Gaza permanently, yet the seizure of land, establishment of military perimeters, and destruction of civilian infrastructure point toward long-term control.
Israel claims to act in self-defense, yet the scale and method of its campaign far exceed any proportional response under international law.
Center Palestinian agency
Elevate Palestinian voices—journalists, doctors, teachers—who are documenting life under siege.
Highlight grassroots forms of resilience and resistance that defy the portrayal of Palestinians as passive victims or inevitable threats.
Name the enablers
Identify the governments, corporations, and financial institutions providing material or diplomatic cover for the occupation.
Show how this complicity undermines their stated commitments to human rights and international law.
Connect to global struggles
Frame Gaza as part of a worldwide resistance to settler colonialism, authoritarianism, and militarized capitalism.
Build coalitions across movements to break the isolation that occupation depends upon.
Everything Is Political
From a political-analyst perspective, the key insight is that this is not simply a geopolitical crisis—it is a crisis of narrative. If we accept the occupying power’s framing, we have already conceded the first battle. That is why the work of reframing—naming what is happening, connecting it to historical patterns, and centering the perspectives of the colonized—is not ancillary to the struggle; it is the struggle.
In the end, Israel’s plan to seize Gaza is not about security—it is about sovereignty. Not Palestinian sovereignty, but the sovereignty of a state built on the denial of another people’s right to exist on their land. That is the truth the world must see clearly, and that is the truth we must continue to tell, relentlessly, until occupation becomes not a political fact but a historical memory.
{
"article":
{
"title" : "Legalized Occupation: Dissecting Israel’s Plan to Seize Gaza",
"author" : "EIP Editors",
"category" : "",
"url" : "https://everythingispolitical.com/readings/legalized-occupation-dissecting-israels-plan-to-seize-gaza",
"date" : "2025-08-09 10:13:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover-Legalized_Occupation.jpg",
"excerpt" : "Israel’s newly approved plan to “take control” of Gaza City and other key areas of the enclave is being presented to the world as a security imperative. In reality, it is an extension of a long-standing settler-colonial project—another chapter in the ongoing dispossession of the Palestinian people.",
"content" : "Israel’s newly approved plan to “take control” of Gaza City and other key areas of the enclave is being presented to the world as a security imperative. In reality, it is an extension of a long-standing settler-colonial project—another chapter in the ongoing dispossession of the Palestinian people.The language of “control,” “buffer zones,” and “security perimeters” is not neutral. It is a calculated rhetorical strategy designed to obscure the material realities of occupation, annexation, and ethnic cleansing. This is not a temporary maneuver aimed at stability. It is the consolidation of power through the seizure of land, the dismantling of Palestinian civil society, and the deepening of Gaza’s humanitarian catastrophe—all in violation of international law.The Political Calculus Behind the OperationTo understand the decision, we must first acknowledge its political function for Prime Minister Benjamin Netanyahu. Facing mounting domestic discontent, the collapse of public trust, and arrest warrants from the International Criminal Court for war crimes, Netanyahu is cornered. His far-right coalition partners demand an uncompromising expansionist agenda, and his own political survival depends on delivering it.Occupation has always been a cornerstone of this political project. By launching a military campaign to seize Gaza’s largest urban center, Netanyahu signals strength to his base while sidestepping accountability for the escalating humanitarian disaster. That disaster is not collateral damage—it is a form of collective punishment meant to force submission. It is also a bargaining chip: an occupied, starved, and displaced population is easier to control and harder to resist.A Continuation of the NakbaThis plan is not an anomaly; it is the latest manifestation of a decades-long pattern. Since the Nakba of 1948, the forced displacement of Palestinians and the destruction of their communities have been central tools of state policy. In Gaza today, we see the same logic: empty the land of its people, destroy the infrastructure of life, and claim it under the guise of security.International law is explicit: annexation through military force is illegal. The Fourth Geneva Convention prohibits collective punishment and the transfer of an occupying power’s civilian population into occupied territory. Yet, as with the occupation of the West Bank and East Jerusalem, Israel has consistently acted with impunity—shielded by the political, financial, and military backing of powerful allies.The Humanitarian FrontGaza has already been described by UN officials as a “graveyard for children.” The enclave’s population has endured a near-total blockade for 18 years, compounded by repeated bombardments that have destroyed hospitals, schools, and basic infrastructure. According to the UN Office for the Coordination of Humanitarian Affairs (OCHA), the majority of Gaza’s 2.3 million residents have been displaced since the start of this latest escalation. Food insecurity is at catastrophic levels; medical supplies are almost nonexistent.Israel’s seizure of Gaza City—home to hundreds of thousands—will further collapse what remains of civilian life. Humanitarian organizations warn that the move will trigger mass displacement, deepen famine, and cut off the few remaining supply routes. These are not accidental outcomes. They are part of a strategy that weaponizes deprivation as a means of political control.Narrative as a BattlefieldThe battle over Gaza is not only military—it is discursive. The words chosen by political leaders and media outlets shape how the world understands, or misunderstands, what is unfolding. In Netanyahu’s framing, Israel is not occupying Gaza; it is “liberating” it from Hamas. In this telling, Palestinian civilians become invisible, reduced to collateral casualties in a counterterrorism campaign.This is why reframing is crucial. We must reject the sanitized vocabulary of “security zones” and “temporary control” and speak plainly: this is occupation, annexation, and the forcible seizure of Palestinian land. It is not liberation, it is domination. And it is not about peace, it is about power.Global ConnectionsIsrael’s actions in Gaza are not isolated from broader global struggles. From the forced removal of Indigenous peoples in North America to the apartheid regime in South Africa, the tactics of dispossession, militarization, and narrative control follow a familiar pattern. This is why solidarity movements around the world—led by Indigenous, Black, and other colonized peoples—see their own struggles reflected in Palestine’s.The link is not merely symbolic. Israel’s military technology, surveillance systems, and counterinsurgency tactics are exported globally, often marketed as “field-tested” in Gaza and the West Bank. These technologies underpin policing, border control, and repression from Ferguson to Kashmir. In this way, Gaza is both a site of profound local suffering and a laboratory for global authoritarianism.Discrediting the PlanIf the goal is to discredit this plan in the eyes of the international public, the strategy must be twofold: expose contradictions and center Palestinian agency.Expose contradictionsNetanyahu insists Israel does not seek to govern Gaza permanently, yet the seizure of land, establishment of military perimeters, and destruction of civilian infrastructure point toward long-term control.Israel claims to act in self-defense, yet the scale and method of its campaign far exceed any proportional response under international law.Center Palestinian agencyElevate Palestinian voices—journalists, doctors, teachers—who are documenting life under siege.Highlight grassroots forms of resilience and resistance that defy the portrayal of Palestinians as passive victims or inevitable threats.Name the enablersIdentify the governments, corporations, and financial institutions providing material or diplomatic cover for the occupation.Show how this complicity undermines their stated commitments to human rights and international law.Connect to global strugglesFrame Gaza as part of a worldwide resistance to settler colonialism, authoritarianism, and militarized capitalism.Build coalitions across movements to break the isolation that occupation depends upon.Everything Is PoliticalFrom a political-analyst perspective, the key insight is that this is not simply a geopolitical crisis—it is a crisis of narrative. If we accept the occupying power’s framing, we have already conceded the first battle. That is why the work of reframing—naming what is happening, connecting it to historical patterns, and centering the perspectives of the colonized—is not ancillary to the struggle; it is the struggle.In the end, Israel’s plan to seize Gaza is not about security—it is about sovereignty. Not Palestinian sovereignty, but the sovereignty of a state built on the denial of another people’s right to exist on their land. That is the truth the world must see clearly, and that is the truth we must continue to tell, relentlessly, until occupation becomes not a political fact but a historical memory."
}
,
"relatedposts": [
{
"title" : "To Do the Greatest Harm: Cornell University’s Complicity in International Violence & Destruction",
"author" : "Eliza Salamon & MB",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/cornell-complicity",
"date" : "2025-08-20 12:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/greg-daines-A37V-7GyDDg-unsplash.jpg",
"excerpt" : " This independent research shown in this report, show that the US and Israeli military, the largest military and weapons corporations, and technology companies have invested over $180 million in Cornell researchers and departments, mostly from 2023-2024.",
"content" : " This independent research shown in this report, show that the US and Israeli military, the largest military and weapons corporations, and technology companies have invested over $180 million in Cornell researchers and departments, mostly from 2023-2024.Discussion of the military-industrial complex often leaves out its third arm: academia. For many decades, the American defense industry, weapons manufacturers, and universities have collaborated in a profitable pattern that turn students and academics into cogs of the American war machine. 1 2 The Department of Defense (D.o.D.) is the branch of government that distributes taxpayer funds, generally through direct and indirect contracts, to research universities.This report unmasks Cornell University’s participation in this system and its complicity in global violence, destruction, and human rights violations while it enjoys a $10.7b endowment. In particular, our analysis, largely based on Office of Sponsored Research files from 2001-2024, finds that Cornell has been complicit in the U.S.-backed Saudi genocide of Yemen and the U.S.-backed Israeli genocide of Gaza. This complicity has been established through two forms of collaboration: Direct collaboration, through tens of millions of dollars in funding, with weapons manufacturers and fossil fuel companies. These include companies from which the student undergraduate and graduate bodies have adopted divestment resolutions (BAE Systems, Boeing, Elbit Systems, General Dynamics, L3Harris Technologies, Leonardo, Lockheed Martin, Northrop Grumman, RTX, Technion Institute, and ThyssenKrupp). 3 4 Direct collaboration with Saudi ARAMCO and the Israeli Ministry of Defense (I.M.o.D.), including millions of dollars in funding. In addition, Cornell’s partnership with the Israeli university Technion (Israel Institute of Technology) through the New York City Cornell Tech Campus is uniquely egregious and a direct form of collaboration. 5 Much of the data supporting this has been aggregated into an excel file attached here 6 with the original files. 7 Hundreds of these sponsored research projects are listed in the linked table in addition to D.o.D. work that is included in our larger report. 8 The projects vary in subject from vaccines to cyber to hardware to policy. The table should be treated as a largely representative but incomplete list of Cornell’s involvement with the most prominent weapons manufacturing-related entities.Israeli Funding and Cornell’s Role in Apartheid and GenocideIn 2007, Harold Craighead, Professor in Applied and Engineering Physics, secured $300k from the I.M.o.D. The funded project focused on the development and fabrication of nanodevices. Though we were unable to obtain papers specifically citing this funding other than the official reporting, we present here the most plausible outcome of the proposed research. In 2006, Craighead received a visit from former Israeli prime minister Shimon Peres.9 In a discussion with Peres, Craighead mentioned his collaboration with Tel Aviv University (T.A.U). Indeed, in the same year Craighead published a paper in collaboration with employees of T.A.U. focusing on the same topic of nanodevices.10 Military applications of the research include nano-meter scale robotics and biotechnologies along with optics/imaging. In a similar vein, the unaffiliated partnership between Lockheed Martin and Rice University documents other broad military applications of nano-tech.11In 2020, Robert F. Shepherd, an Associate Professor in Mechanical and Aerospace Engineering, solicited $100k from the I.M.o.D. for elastic metamaterials research. Like Craighead, this funding is not reported in any of Shepherd’s publications, though one can extrapolate on the basis of the research topic as to which papers of his were I.M.o.D. funded. In particular, a paper from 2020 focuses precisely on the use of fluid flow to modulate material shape.12 This field is largely concerned with the manufacturing of materials which can change properties like texture or rigidity as a modulated response. Such applications are useful for the development of robotic components which can manipulate or navigate the environment. In addition, Shepherd’s collaborator at Israeli university Technion, Amir Gat, lists a 2019-2020 $100k funding grant from Maffat (a joint administrative body of the I.M.o.D and the I.D.F.) under the same topic.13 Conference proceedings also fit under the same topic and Shepherd went to Technion to present his work at a conference in 2020.14 15Frank Wise, Professor of Engineering in Applied and Engineering Physics, also solicited $100k from the I.M.o.D. to research high-power lasers. Such terawatt fiber lasers have a variety of applications but are of particular military interest for destroying aircraft or infrastructure without the use of conventional kinetic weapons like missiles. Lockheed Martin, a weapons manufacturer, reports its own interests in high-power lasers and such weapons are already being applied aboard military ships.16 17 18 This funding resulted in a paper on lasers that can be modulated to use various modes of emission.19 Pavel Sidorenko, a post-doc within Wise’s group, is now holding a position at the Technion continuing research on the high-power fiber lasers “which are becoming increasingly important in a variety of fields ranging from military applications to healthcare”.20Qing Zhao, Professor of Electrical and Computer Engineering, also solicited $420k from the I.M.o.D. between 2021 and 2024. Zhao used this funding to research artificial intelligence and machine learning algorithms and cites the I.M.o.D. funding in two papers dealing with computer vision and decision-making algorithms.21 22 Focusing on the former, Zhao’s work on computer vision enables cameras to more effectively identify objects, persons and notice patterns.23 Indeed, such computer vision algorithms have been implemented by the Israeli military to identify Palestinians from Gaza at checkpoints targeting forcibly displaced refugees.24Zhao’s work also has applications in the development of efficient autonomous drone swarms, by producing algorithms that lead to effective decision-making.25 Suppose a swarm of drones is navigating an area, each with its own sensors or cameras learning about its environment, then the data has to be processed leading to a decision. Zhao’s work creates an algorithm that processes this information in a centralized way and then makes a decision. This research can be applied to make decisions such as whether or not to kill an individual or bomb a building. Per a Booz Allen Hamilton report, Israel has been to date the first to use machine learning, including drone swarms successfully in military campaigns:“Israel’s victory over Hamas in 2021 was the first war to be won via the asymmetric advantage provided by AI, and the conflict in Gaza that started in 2023 continues to be characterized by AI as well as information warfare in the cognitive domain… Israel became the first country to use true drone swarms, deploying them in its 2021 conflict with Gaza, and is arguably the global leader in this technology because of their implementation of Elbit Systems’ Legion-X, a modular, heterogeneous, multi-domain C2 swarm system”.26 See also.27The use of these machine learning algorithms in Gaza has been documented in +972 magazine with the implementation of algorithms known as The Gospel, Lavender, and Where’s Daddy?28On the policy side, Sarah Kreps, Professor in Government, conducts public policy and supply chain studies for the D.o.D. and the Israeli government. In 2024, she published a study on the best surveillance practices for governments to engage in.29 The study was in part funded by the Israel National Cyber Directorate.Given Israel’s ongoing genocide of Palestinians, Cornell’s collaboration with Technion University in Israel is another blatant example of its active complicity. With the establishment of the Cornell Tech campus on Roosevelt Island in NYC in 2012, Cornell has doubled down on its commitment to its Israeli collaborations, despite the efforts of its activist student body and the protest of NYC communities.30 31 At the announcement of the partnership, the Israeli consul expressed the “strategic importance” of the project to change the state’s association with conflict and violence, and instead associate it with innovation.32 Cornell consistently touts its collaboration with Technion in published articles: “The impact of the Technion on Israel’s economy, society and defense is unmatched”.33Further, the word “defense” is often used by weapons manufacturers and governments as a euphemism for offensive capabilities. The Technion has also been instrumental in advancing technological capabilities of the Israeli Ministry of Defense.34 35 36 It also had several programs and scholarships sponsored by weapons manufacturers Rafael and Elbit Systems.37 In addition, Technion has been directly complicit through providing support to the Israeli military.38 As the Boycott, Divest, and Sanction (B.D.S.) movement has documented: “Technion has developed a course on marketing the Israeli weapons industry to the international market for export. Technion also has numerous joint academic programs with the Israeli military and developed the remote control capabilities for the Caterpillar D9 armored bulldozer used by the Israeli military to demolish Palestinian homes—considered collective punishment under international law.”39 40 41 42 Cornell Tech’s council includes Michael Bloomberg who once stated: “I’ll never condition aid to Israel.”43 This may reflect, in part, why Cornell’s leadership has refused to even consider divestment.Saudi Funding and Cornell’s Role in Climate Change and Human Rights AbusesCornell’s complicity with genocidal governments extends further through its substantial relationships with the Saudi government and its institutions. University programs and individual faculty benefit from Saudi funds despite the many violations of human rights carried out by Mohammed Bin Salman, the Saudi totalitarian Crown Prince and Prime Minister. These include but are not limited to the following: the U.S.-backed genocide in Yemen, the assassination and dismemberment of Washington Post journalist Jamal Khashoggi, the country’s limitless production of fossil fuels, and its persistent crackdowns on its own activists, including feminists. The Yemeni genocide claimed the lives of hundreds of thousands of civilians from 2015 to 2022.44 [^45] American-made weapons were used and made the U.S. complicit.45 46 47 48 At no point did Cornell, as an institution, take action to break ties with the Saudi dictatorship. Cornell’s former president Frank H. T. Rhodes served as a trustee at the King Abdullah University of Science Technology along with former M.I.T. president Charles M. Vest.49Over the past few years, faculty have also been subsidized through research funding from Saudi ARAMCO, the majority state-owned petroleum and natural gas company responsible for almost 4.5% of all global CO2 and methane emissions between 1965 and 2017.50 The company has a long history of obstructing action against climate change through aggressive lobbying and funding of Western research, especially at American universities.51 The work financed by Saudi ARAMCO at Cornell is focused on oil refinement and energy generation broadly, a problematic venture, especially considering academia’s knowledge of the human role in perpetuating climate change.Amongst the employees who received funds from ARAMCO are Lawrence Cathles, Lynden Archer and Emmanuel Giannelis, professors in Earth and Atmospheric Sciences, Chemical and Biomolecular Engineering, and Materials Science, respectively, who received $1.3m from 2009 to 2011 through the KAUST-Cornell Center for Energy and Sustainability. Despite its name, this center, a collaboration between Cornell and King Abdullah University of Science and Technology (K.A.U.S.T.) in Saudi Arabia from 2008-2015, was committed to research on oil and gas production.52 53 Further K.A.U.S.T. funding followed: Giannelis also received $531k between 2012 and 2014. Archer, current Dean of the School of Engineering, received $84k in 2017. In 2023, $250k went to Professor in Chemical and Biomolecular Engineering, Yong Joo and $400k to a professor in Chemistry and Chemical Biology, Geoffrey Coates. Yong Joo also solicited $200k in funding along with Associate Professor in Civil and Environmental Engineering Greeshma Gadikota’s $300k in 2024.Collaboration With Weapons ManufacturersIn addition to collaborating with violent regimes, Cornell has received millions of dollars in research funding that have come directly from weapons manufacturers. Publicly available documents dating from 2001 show this funding includes the “primes”54: Lockheed Martin [~$3m], Raytheon [~$6.5m], Boeing [~$1.4m], Northrop Grumman [~$2.3m] and General Dynamics [~$240k]. B.A.E. Systems [~$2.3m], L3Harris [~$1.4m], Shell [$500k], Exxon [~$1.2m], Intel Corporation [~$16.4m], I.B.M. [~$7.2m], M.I.T. Lincoln Laboratory [~$250k], Teledyne [~$700k] and others have also given considerable research funding to the Cornell employees.The group of studies are far too extensive to discuss in one document but demonstrate the ultimate functioning of so-called “academic” research. The funding has been for machine learning and artificial intelligence development, software and computer language platforms, silicon chip and battery development, miniature satellites, robotics, data visualization, 3-D rendering and much more. All of these are components that are often declared as being “dual use” but are used by militaries and states well beyond any stated consumer use. As one example, Raytheon has published articles on its web page touting its collaboration with Cornell on gallium-nitride materials and refinement radio-frequency technologies.55These collaborations extend to student life. Cornell has overtly partnered with Lockheed Martin to create a Masters of Engineering program in Systems Engineering.56 On the front page of the program is stated: “Lockheed Martin Employees - Welcome!”. Standards are lowered for Lockheed Martin employees by waiving GRE scores and requiring only one recommendation letter. Similarly, Cornell has an identical partnership with Boeing for a Masters program along with a 5% tuition discount and waiving of application fee.57The university also holds a key laboratory for the Northeast Regional Defense Technology Hub (N.O.R.D.T.E.C.H.) along with a plethora of other universities and weapons manufacturers.58 Though its aims include a wide array of technologies, they are highly focused on the development of computer chips. The basis of the organization is to create a collaborative space between weapons manufacturers, the D.o.D., and academia.The Cornell Tech campus in N.Y.C. also does its own collaborations, including with DefenseArk.59 Through its startup award it has helped sustain autonomous robotics companies like Aatonomy which are looking to do business with the D.o.D.60OutlookIn the midst of foreign catastrophes including the Yemeni genocide, the ongoing Palestinian genocide and the assassination of hundreds of reporters in Gaza, Cornell has never ceased nor paused its collaboration with regimes or the weapons manufacturers supplying them. Not only does this demonstrate its institutional and individual collaboration with actors that consistently violate international law, but also reveals that its professed human values are ultimately hollow calls. In our non-comprehensive analysis of Cornell research funding from 2001-2024, we found that researchers and institutes received hundreds of millions of dollars from the D.o.D, weapons manufacturers, and international governments committing vast human rights violations. Further investigation would also reveal indirect transfers of technology and weaponry from Cornell to U.A.E.’s fueling of the Sudanese genocide by means of weapons manufacturing sales.61Cornell feigns its research to be merely theoretical, non-applied, or done for the sake of “knowledge production.” David Gray Widder, post-doctoral researcher at Cornell Tech has recently written about the impossibility of making a distinction between basic and applied research when such research is funded by entities whose explicit purpose is to enact harm: “this mutual enlistment is crucial to the perpetuation of the military-industrial-commercial-academic complex, and to the technopolitical imaginaries of security through military domination that keep public funds flowing to projects in more efficient killing and destruction”.62Political scientist Neve Gordon and medical anthropologist Guy Shalev published a recent article titled “The Shame of Israeli Medicine”, which concludes that Israeli academics are not doing their part in preventing the genocide and therefore require external pressure and sanctioned from outside Israel. Despite these findings, Cornell Tech’s president Michael Kotlikoff recently stated proudly in a speech that “at Cornell Tech, we have the most intensive and meaningful collaboration with an Israeli university of any institution in this country”.63As Cornell reportedly prepares to reach a $100 million settlement with the Trump administration over allegations of anti-semitism, it draws ever closer to the belly of the beast.64 The Trump administration’s blatant weaponization of anti-semitism is one of its many tactics designed to manufacture consent for its crackdown on higher education and prompt capitulation. With this settlement, Cornell’s alliances with repressive regimes are only continuing to expand. An institution that continues to tie itself to the destruction of international communities can only degrade and devolve into a symbol of oppression.This report finds that Cornell’s purported goals in sustaining human-centred values are not only lacking, but are egregiously contrary to them. On an institutional and individual level, Cornell is intimately complicit in the act of genocide. And though Cornell has its own unique forms of complicity, the academic-military-industrial complex permeates the entire American system of higher education. If these institutions, as they have demonstrated thus far, do not have the moral capacity to make ethical and just decisions, it is the responsibility of students, faculty, staff, and the broader international academic community to put pressure, sanctions, and boycotts on them. Ultimately, the contradictions revealed within academia, both over decades of violent complicity and the ongoing starvation and annihilation of Gaza, make clear the necessity of breaking apart and reshaping an academia divorced from the military, and truly committed to a greater, ethical, and just future. https://universities.icanw.org/ ↩ https://www.thenation.com/article/world/the-pentagons-quest-for-academic-intelligence-ai/ ↩ https://assembly.cornell.edu/shared-governance/get-involved/input-issues/spring-2024-undergraduate-referendum/submitted?utm_source%3Drss%26utm_medium%3Drss ↩ https://www.instagram.com/p/DI_mRUeOtKr/?img_index%3D3 ↩ https://www.instagram.com/p/DI_mRUeOtKr/?img_index%3D3 ↩ https://docs.google.com/spreadsheets/d/1SbjxsSRFFNKQTe0typvAR3KjKo0IZmdmBTpkMht6Ets/edit?usp%3Dsharing ↩ https://drive.google.com/file/d/1S6NHD1w-828udkjH6mfYe0whBGoD0YZg/view?usp%3Ddrive_link ↩ https://antiwar.io/cornell ↩ https://news.cornell.edu/stories/2006/11/shimon-peres-calls-science-and-technology-key-peace ↩ https://ieeexplore.ieee.org/stamp/stamp.jsp?tp%3D%26arnumber%3D4159973 ↩ https://investors.lockheedmartin.com/news-releases/news-release-details/lockheed-martin-and-rice-partner-nanotech-research ↩ https://pmc.ncbi.nlm.nih.gov/articles/PMC7071869/%23fn-group1 ↩ https://gat.net.technion.ac.il/files/2019/07/AmirGatResume-1.pdf ↩ https://ui.adsabs.harvard.edu/abs/2019APS..DFDG23001P/abstract ↩ https://yizhar.net.technion.ac.il/files/2021/09/MSRC2020_booklet.pdf ↩ https://news.lockheedmartin.com/2023-07-28-Lockheed-Martin-to-Scale-Its-Highest-Powered-Laser-to-500-Kilowatts-Power-Level ↩ https://newatlas.com/military/us-navy-uses-ai-train-laser-weapons-against-drones/ ↩ https://newatlas.com/military/us-navy-delivery-tactical-lockheed-martin-laser-weapon/ ↩ https://arxiv.org/pdf/2110.03571 ↩ https://zuckermanstem.org/scholars/dr-pavel-sidorenko/ ↩ https://arxiv.org/pdf/2301.08869 ↩ https://proceedings.mlr.press/v202/salgia23b/salgia23b.pdf ↩ https://arxiv.org/pdf/2301.08869 ↩ https://www.nytimes.com/2024/03/27/technology/israel-facial-recognition-gaza.html ↩ https://proceedings.mlr.press/v202/salgia23b/salgia23b.pdf ↩ https://www.boozallen.com/content/dam/home/docs/natsec/top-ten-emerging-technologies.pdf ↩ https://www.newscientist.com/article/2282656-israel-used-worlds-first-ai-guided-combat-drone-swarm-in-gaza-attacks/ ↩ https://www.972mag.com/lavender-ai-israeli-army-gaza/ ↩ https://journals.sagepub.com/doi/abs/10.1177/00223433241233960 ↩ https://www.thenation.com/article/archive/cornell-nyc-techs-alarming-ties-israeli-occupation/ ↩ https://www.ipetitions.com/petition/in-opposition-to-cornell-universitys/ ↩ https://www.jta.org/2011/12/20/ny/israeli-schools-strategic-move ↩ https://tech.cornell.edu/news/israel-cidon-joins-cornell-tech-as-director-of-the-joan-irwin-jacobs-technion-cornell-institute/ ↩ https://ats.org/our-impact/the-technion-protecting-israel-for-100-years/ ↩ https://covertactionmagazine.com/2024/07/02/israeli-military-institute-technion-is-at-the-heart-of-the-military-industrial-academic-complex/ ↩ https://ats.org/our-impact/technion-students-paying-it-forward/ ↩ https://bdsmovement.net/news/israeli-universities-attacking-campus-uprisings-uphold-israels-crimes-against-palestinians ↩ https://www.technion.ac.il/en/blog/article/defense-ministers-shield-to-be-awarded-to-the-technion/ ↩ https://www.mitgaisim.idf.il/%25D7%259B%25D7%25AA%25D7%2591%25D7%2595%25D7%25AA/%25D7%25A8%25D7%2590%25D7%25A9%25D7%2599/%25D7%25A2%25D7%25AA%25D7%2595%25D7%2593%25D7%2594/%25D7%25AA%25D7%259B%25D7%25A0%25D7%2599%25D7%25AA-%25D7%25A1%25D7%2599%25D7%259C%25D7%2595%25D7%259F/ ↩ https://materials.technion.ac.il/en/studies/undergraduate-programs/gvishim-program-for-outstanding-academic-idf-reservists ↩ https://www.mitgaisim.idf.il/%25D7%259B%25D7%25AA%25D7%2591%25D7%2595%25D7%25AA/%25D7%25A8%25D7%2590%25D7%25A9%25D7%2599/%25D7%25A2%25D7%25AA%25D7%2595%25D7%2593%25D7%2594/%25D7%25AA%25D7%259B%25D7%25A0%25D7%2599%25D7%25AA-%25D7%25A1%25D7%2599%25D7%259C%25D7%2595%25D7%259F/ ↩ https://www.972mag.com/top-israeli-university-marketing-countys-arms-industry-to-the-world ↩ https://www.timesofisrael.com/bloomberg-to-aipac-ill-never-condition-aid-to-israel-no-matter-whos-pm/ ↩ https://www.genocidewatch.com/single-post/yemen-genocide-emergency ↩ https://www.nytimes.com/2020/05/16/us/arms-deals-yemen.html ↩ https://www.nytimes.com/2020/05/16/us/arms-deals-raytheon-yemen.html ↩ https://www.nytimes.com/2020/09/14/us/politics/us-war-crimes-yemen-saudi-arabia.html ↩ https://edition.cnn.com/interactive/2018/09/world/yemen-airstrikes-intl/ ↩ https://www.kaust.edu.sa/en/about/administration/board-trustees ↩ https://www.theguardian.com/environment/2019/oct/09/revealed-20-firms-third-carbon-emissions ↩ https://www.nytimes.com/2022/11/21/climate/saudi-arabia-aramco-oil-solar-climate.html ↩ https://ecommons.cornell.edu/communities/9de3b5de-53b7-4098-a8e9-e611323f790a ↩ https://news.cornell.edu/stories/2008/04/25-million-cu-saudi-link-will-boost-nanoscale-research ↩ https://ventureoutsource.com/contract-manufacturing/top-military-electronic-defense-primes-diversify-de-risk-win-dod-pentagon-procurement-budget ↩ https://www.rtx.com/news/news-center/2023/11/16/rtx-and-darpa-to-revolutionize-gallium-nitride-technology-for-improved-radio-freq ↩ ttps://www.engineering.cornell.edu/sys/distance-learning-meng-systems-engineering/corporate-partners/lockheed-martin-employees/ ↩ https://www.engineering.cornell.edu/sys/distance-learning-meng-systems-engineering/corporate-partners/boeing-employees/ ↩ https://www.nordtechub.org/members ↩ https://tech.cornell.edu/news/bridging-academia-and-industry-innovation-meet-cornell-techs-first-venture-fellow/ ↩ https://tech.cornell.edu/news/how-to-easily-make-any-robot-autonomous/ ↩ https://www.politico.com/news/2025/03/07/arms-sales-uae-00217874 ↩ https://arxiv.org/pdf/2411.17840 ↩ https://president.cornell.edu/speeches-writings/2025-state-of-the-university-address/ ↩ https://www.bloomberg.com/news/articles/2025-08-01/cornell-close-to-white-house-settlement-of-up-to-100-million ↩ "
}
,
{
"title" : "Ziad Rahbani and the Art of Creative Rebellion",
"author" : "Céline Semaan",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/ziad-rahbani-creative-rebellion",
"date" : "2025-07-28 07:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/2025_7_for-EIP-ziad-rahbani.jpg",
"excerpt" : "When I turned fourteen in Beirut, I came across Ziad Rahbani’s groundbreaking work. I immediately felt connected to him, his words, his perspective and his unflinching commitment to liberation for our people and for Palestine. My first love introduced me to his revolutionary plays, his unique contributions to Arab music and very soon I had listened to all of his plays and expanded my understanding of our own culture and history.",
"content" : "When I turned fourteen in Beirut, I came across Ziad Rahbani’s groundbreaking work. I immediately felt connected to him, his words, his perspective and his unflinching commitment to liberation for our people and for Palestine. My first love introduced me to his revolutionary plays, his unique contributions to Arab music and very soon I had listened to all of his plays and expanded my understanding of our own culture and history.Ziad Rahbani’s passing marks more than the end of a brilliant life—it marks the closing of a chapter in the cultural history of our region. His funeral wasn’t just a ceremony, it was a collective reckoning; crowds following his exit from the hospital to the cemetery. The streets knew what many governments tried to forget: that he gave voice to the people’s truths, to our frustrations, our absurdities, our grief, and our undying hope for justice. Yet he died as an unsung hero.Born into a family that shaped the musical soul of Lebanon, Ziad could have taken the easy path of replication. Instead, he shattered the mold. From his early plays like Sahriyye and Nazl el-Surour, he upended the elitism of classical Arabic theatre by placing the working class, the absurdity of war, and the contradictions of society at the center of his work. He spoke like the people spoke. He made art in the language of the taxi driver, the student, the mother waiting for news of her son.In his film work Film Ameriki Tawil, Ziad used satire not only as critique, but as rebellion. He exposed the rot of sectarian politics in Lebanon with surgical precision, never sparing anyone, including the leftist circles he moved in. He saw clearly: that political purity was a myth, and liberation required uncomfortable truths. His work, deeply rooted in class consciousness, refused to glorify any side of a war that tore his country apart.And yet, Ziad Rahbani never lost his clarity on Palestine. While others wavered, diluted their positions, or folded into diplomacy, Ziad remained steadfast. His support for the Palestinian struggle was not an aesthetic position—it was a political and ethical commitment. And he did so not as an outsider or savior, but as someone who understood that our futures are intertwined. That the liberation of Palestine is integral to the liberation of Lebanon. That anti-sectarianism and anti-Zionism are not contradictions, but extensions of each other.He brought jazz into Arabic music not as a novelty, but as a defiant act of cultural fusion—proof that our identities are not fixed, but fluid, diasporic, ever-evolving. He blurred the lines between Western musical forms and Arabic lyricism with intention, not mimicry. His collaborations with his mother, the legendary Fairuz, carried the weight of generational dialogue, but his own voice always broke through—wry, melancholic, grounded in the everyday.Ziad taught us that being a revolutionary doesn’t require a uniform or a slogan. It requires listening. It requires holding complexity, laughing in the face of despair, and making room for joy even when the world is on fire. He reminded us that culture is the deepest infrastructure of any resistance movement. He refused to be sanitized, censored, or simplified.As we mourn him, we also inherit his clarity. For artists, for organizers, for thinkers: Ziad Rahbani gave us a blueprint. Create without permission. Tell the truth. Fight for Palestine without compromising your own roots. And never forget that the people will always hear what is real.He was, and will always be, a compass for creative rebellion."
}
,
{
"title" : "Saul Williams: Nothing is Just a Song",
"author" : "Saul Williams, Collis Browne",
"category" : "interviews",
"url" : "https://everythingispolitical.com/readings/saul-williams-interview",
"date" : "2025-07-21 21:35:46 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_SaulWilliams_Shot_7_0218.jpg",
"excerpt" : "Saul Williams: Many artists would like to believe that there is some sort of sublime neutrality that art can deliver, that it is beyond or above the idea of politics. However, art is sometimes used as a tool of Empire, and if we are not careful, then our art is used as propaganda, and thus, it becomes essential for us to arm our art with our viewpoints, with our perspective, so that it cannot be misused. I have always operated from the position that all my work carries politics in it, that there are politics embedded in it. And I’ve never really understood, if you are aiming to be an artist, why you wouldn’t aim to speak directly to the times. Addressing the political doesn’t have to take away from the personal intimacy of your work.",
"content" : "Collis Browne: Is all music and art really political?Saul Williams: Many artists would like to believe that there is some sort of sublime neutrality that art can deliver, that it is beyond or above the idea of politics. However, art is sometimes used as a tool of Empire, and if we are not careful, then our art is used as propaganda, and thus, it becomes essential for us to arm our art with our viewpoints, with our perspective, so that it cannot be misused. I have always operated from the position that all my work carries politics in it, that there are politics embedded in it. And I’ve never really understood, if you are aiming to be an artist, why you wouldn’t aim to speak directly to the times. Addressing the political doesn’t have to take away from the personal intimacy of your work.Even now, we are reading the writings of Palestinian poets in Gaza and the West Bank, not to mention those who are part of the diaspora, who are charting their feelings and intimate experiences while living through a genocide. These works of art are all politically charged because they are charged with a reality that is fully suppressed by oppressive networks and powers that control them.Shakespeare’s work was always political. He found a way to speak about power to the face of power, knowing they would be in the audience. But also found a way to play with and talk to the “groundlings,” the common people who were in the audience as well.Collis Browne: Was there a moment when you realized that your music could be used as a tool of resistance?Saul Williams: Yeah, I was in third grade, about eight or nine years old. I had been cast in a play in my elementary school. I loved the process of not only performing, but of sitting around the table and breaking down what the language meant and what the objective and the psychology of the character was, and what that meant during the time it was written. I came home and told my parents that I wanted to be an actor when I grew up. My father had the typical response: “I’ll support you as an actor if you get a law degree.” My mother responded by saying, “You should do your next school report on Paul Robeson, he was an actor and a lawyer.”So I did my next school report on Paul Robeson. And what I discovered was that here was an African American man, born in 1898, who had come to an early realization as an actor that the messages of the films he was being cast in—and he was a huge star—went against his own beliefs, his own anti-colonial and anti-imperial beliefs. In the 1930s, he started talking about why we needed to invest in independent cinema. In 1949, during the McCarthy era, he had his passport taken from him so he could no longer travel outside of the US, because he refused to acknowledge that the enemies of the US were his enemies as well. He felt there was no reason Black people should be signing up to fight for the US Empire when they were going home and getting lynched.In 1951, he presented a mandate to the UN called “We Charge Genocide.” In it he charged the US Government with the genocide of African Americans because of the white mobs who were lynching Black Americans on a regular basis. [Editor’s note: the petition charges the US Government with genocide through the endorsement of both racism and “monopoly capitalism,” without which “the persistent, constant, widespread, institutionalized commission of the crime of genocide would be impossible.”] When Robeson met with President Truman, Truman said, “I’d like to respond, but there’s an election coming up, so I have to be careful.”Paul Robeson sang songs of working-class people, songs that trade unionists sang, songs that miners sang, songs that all types of workers sang across the world. He identified with the workers and with the working class, regardless of his fame. He was ridiculed by the American Government and even had his passport revoked for his activism. At that early age, I learned that you could sing songs that could get you labeled as an enemy of the state.I grew up in Newburgh, New York, which is about an hour upstate from New York City. One of my neighbors would often come sing at my father’s church. At the time, I did not understand why my dad would allow this white guy with his guitar or banjo to come sing at our church when we had an amazing gospel choir. I couldn’t understand why we were singing these school songs with this dude. When I finally asked my parents, they said, “You have to understand that Pete—they were talking about Pete Seeger—is responsible for popularizing some of the songs you sing in school.” He wrote songs like “If I Had a Hammer,” and he too was blacklisted by the US government because of the songs he chose to sing and the people he chose to sing them for, and the people he chose to sing them with. I learned at a very early age that music and art were full of politics. Enough politics to get you labeled as the enemy of the state. Enough politics to get your passport taken, or to be imprisoned.I was also learning about my parents’ peers, artists whom they loved and adored. Artists like Sonia Sanchez, Amiri Baraka, and Nikki Giovanni, all from the Black Arts Movement. Larry Neal and Amiri Baraka made a statement when they started the Black Arts Repertory Theatre School in Harlem that said essentially that all art should serve a function, and that function should be to liberate Black minds.It is from that movement that hip-hop was born. I was lucky enough to witness the birth of hip-hop. At first, it was playful, it was fun, but by the mid to late 1980s, it began finding its voice with groups like Public Enemy, KRS-One, Queen Latifa, Rakim, and the Jungle Brothers. These are groups that started using and expressing Black Liberation politics in the music, which uplifted it, made it sound better, and made it hit harder. The first gangster rap was that… when it was gangster, when it was directly challenging the country it was being born in.As a teenager, I identified as a rapper and an actor. I would argue with school kids who insisted, “It’s not even music. They’re just talking.” I would have to defend hip-hop as music, sometimes even to my parents, who found the language crass. But when I played artists like KRS-One and Public Enemy for my parents, they said, “Oh, I see what they’re doing here.”When Public Enemy rapped, “Elvis was a hero to most, But he never meant shit to me you see, Straight up racist that sucker was, Simple and plain, Motherfuck him and John Wayne, ‘Cause I’m Black and I’m proud, I’m ready and hyped plus I’m amped, Most of my heroes don’t appear on no stamps,” my parents were like Amen. They understood. They understood why I needed to blast that music in my room 24/7. They understood.When the music spoke to me in that way, suddenly I could pull off moves on the dance floor like doing a flip that I couldn’t do before. That’s the power of music. That’s power embedded in music. That’s why Fela Kuti said that music is the weapon of the future. And, of course, there’s Nina Simone and Billie Holiday. What’s Billie Holiday’s most memorable song? “Strange Fruit.” That voice connected, was speaking directly to the times she was living in. It transcended the times, where to this day, when you hear this song and you understand that the “strange fruit” hanging from Southern trees are Black people who have been lynched, you understand how the power of the voice, when you connect it to something that is charged with the reality of the times, takes on a greater shape.Collis Browne: Public Enemy broke open so much. I grew up in Toronto, in a mostly white community, but I was into some of the bigger American hip-hop acts who were coming out. Public Enemy rose to a new level. Before them, we were only connecting with punk and hardcore music as the music of rebellion.Saul Williams: Public Enemy laid down the groundwork for what hip-hop is: “the voice of the voiceless.” It was only after Public Enemy that you saw the emergence of huge groups in France, Germany, Bulgaria, Egypt, and across the world. There were big acts before them. Run DMC, for instance, but when Public Enemy came out, marginalized groups heard their music and said, “That’s for us. Yes, that’s for us.” It was immediately understood as music of resistance.Collis Browne: What have you seen or listened to out in the world that has a clear political goal, but has been appropriated and watered down?Saul Williams: We can stay on Public Enemy for that. Under Secretary Blinken, Chuck D became a US Global Music Ambassador during the genocide in Gaza. There are photos of him standing beside Secretary Blinken, accepting that role, while understanding that the US has always used music as a cultural propaganda tool to express soft power. I remember learning about how the US uses this “soft power” when I was working in the mid-2000s with a Swiss composer, who has now passed, named Thomas Kessler. He wrote a symphony based on one of my books, Said the Shotgun to the Head, and we were performing it with the Cologne, Germany symphony orchestra, when I heard from the head of the orchestra that, in fact, their main financier was the US Government through the CIA.During the Cold War, it was crucial for the American Government to put money into the arts throughout Western Europe to try to express this idea of “freedom,” as opposed to what was happening in the Eastern (Communist) Bloc. So it was a long time between when the US Government started enlisting musicians and other artists in their propaganda campaigns and when I encountered this information.There’s a documentary called Soundtrack to a Coup d’État, which talks about how the US Government used (uses) music and musicians to co-opt movements and propagate the idea of American freedom and democracy outside the US in the hope of winning over the citizens of other countries without them even realizing that so much of that art is there to question the system itself, not to celebrate it. Unfortunately, there are situations in which an artist’s work is co-opted to be used as propaganda, and the artist buys into it. They become indoctrinated, and you realize that we’re all susceptible to the possibility of taking that bait."
}
]
}
