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Kashmir and Manufacturing Consent in Real Time
In the last two days alone, over 1,500 Kashmiris have been arrested by Indian forces across the occupied Kashmiri territories as a form of collective punishment for the attack against Indian tourists.
Kashmir is the most heavily militarized region on earth.
Over the past three and a half decades, nearly 100,000 Kashmiris have been killed by Indian occupation forces, while approximately 10,000 have been forcibly disappeared. The Kashmiri Muslim population continues to endure systematic violence, including sexual assault, abductions, and torture—deliberate instruments of war deployed to subjugate and silence. Meanwhile, Indian forces operate with near-total impunity, shielded by draconian laws such as the Armed Forces Special Powers Act, which grants them sweeping powers and legal immunity.
In August 2019, the Indian government unilaterally abrogated Articles 35A and 370 of its constitution—provisions that had granted Jammu and Kashmir a measure of semi-autonomy. Though India had long failed to uphold its promises of genuine autonomy, these constitutional articles had at least enabled Kashmiris to safeguard their Muslim-majority character by restricting residency rights—such as the ability to purchase land or hold government employment—to permanent residents of the region.
Since then, India has pursued a sweeping settler-colonial agenda aimed at entrenching Hindu supremacy in Kashmir. Through a series of calculated legal and administrative changes, the state seeks to facilitate the influx of Indian Hindu settlers, alter the region’s demography, and dilute its Muslim identity. This project is not only an assault on the cultural and religious fabric of Kashmir but also a deliberate attempt to silence calls for self-determination.
Over 178,000 acres in the Kashmir Valley and more than 25,000 acres in Jammu have been earmarked for state appropriation—an alarming expansion that threatens to economically disempower and geographically uproot the Indigenous population. Under newly enacted laws, the Indian government now possesses sweeping authority to seize land for military installations, settler colonies, highways, railways, and industrial corridors, all without the consent of the people who have lived there for generations.
Tourism has become a strategic tool in India’s attempt to normalize its occupation of Kashmir. By aggressively promoting an image of peace, development, and investment, the Indian state seeks to construct a façade of “normalcy” that obscures the realities of military repression and settler-colonial expansion. Central to this illusion is the systematic silencing of Kashmiri civil society, journalism, and academia—voices that might otherwise challenge the state’s narrative and expose the ongoing violence and dispossession. The repression of these vital spaces ensures that the spectacle of normalcy remains uncontested, allowing occupation to be rebranded as progress.
In this moment, we are witnessing a deliberate effort by the Indian right to manufacture consent for intensified colonial violence in Kashmir. Calls for brutal retaliation by the occupying forces are growing louder, amplified by a media landscape that dehumanizes the Kashmiri people through familiar, insidious language—labeling them “terrorists,” “barbarians,” and “inhumane.” These rhetorical strategies are not new; they echo the language of empire used to justify domination and erasure.
India’s occupation of Kashmir is emboldened by its deepening alliance with Israel—a relationship rooted not only in shared ideology, but in robust diplomatic, military, and economic ties. **The two nations have forged a strategic partnership that spans their **intelligence agencies, surveillance industries, and defense sectors.
Israel is now India’s largest supplier of arms, providing drones, missile systems, radar, sensors, and advanced electro-optic technologies that enable and intensify the repression of Kashmir.
The occupation of Kashmir is not an isolated injustice—it is part of a global architecture of settler-colonialism, surveillance, and militarized control. Enabled by foreign powers and legitimized through propaganda, India’s actions in Kashmir mirror other colonial projects that seek to erase indigenous identities and suppress demands for self-determination.
From Kashmir to Palestine, occupation is a crime.
{
"article":
{
"title" : "Kashmir and Manufacturing Consent in Real Time",
"author" : "Disorientalizing",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/kashmir-and-manufacturing-consent-in-real-time",
"date" : "2025-04-25 14:15:00 -0400",
"img" : "https://everythingispolitical.com/uploads/2025_EIP_COver4_24_Kashmir.jpg",
"excerpt" : "In the last two days alone, over 1,500 Kashmiris have been arrested by Indian forces across the occupied Kashmiri territories as a form of collective punishment for the attack against Indian tourists.",
"content" : "In the last two days alone, over 1,500 Kashmiris have been arrested by Indian forces across the occupied Kashmiri territories as a form of collective punishment for the attack against Indian tourists.Kashmir is the most heavily militarized region on earth.Over the past three and a half decades, nearly 100,000 Kashmiris have been killed by Indian occupation forces, while approximately 10,000 have been forcibly disappeared. The Kashmiri Muslim population continues to endure systematic violence, including sexual assault, abductions, and torture—deliberate instruments of war deployed to subjugate and silence. Meanwhile, Indian forces operate with near-total impunity, shielded by draconian laws such as the Armed Forces Special Powers Act, which grants them sweeping powers and legal immunity.In August 2019, the Indian government unilaterally abrogated Articles 35A and 370 of its constitution—provisions that had granted Jammu and Kashmir a measure of semi-autonomy. Though India had long failed to uphold its promises of genuine autonomy, these constitutional articles had at least enabled Kashmiris to safeguard their Muslim-majority character by restricting residency rights—such as the ability to purchase land or hold government employment—to permanent residents of the region.Since then, India has pursued a sweeping settler-colonial agenda aimed at entrenching Hindu supremacy in Kashmir. Through a series of calculated legal and administrative changes, the state seeks to facilitate the influx of Indian Hindu settlers, alter the region’s demography, and dilute its Muslim identity. This project is not only an assault on the cultural and religious fabric of Kashmir but also a deliberate attempt to silence calls for self-determination.India’s settler-colonial ambitions in Kashmir have taken a material form through widespread land grabs and the forced eviction of local residents.Over 178,000 acres in the Kashmir Valley and more than 25,000 acres in Jammu have been earmarked for state appropriation—an alarming expansion that threatens to economically disempower and geographically uproot the Indigenous population. Under newly enacted laws, the Indian government now possesses sweeping authority to seize land for military installations, settler colonies, highways, railways, and industrial corridors, all without the consent of the people who have lived there for generations.Tourism has become a strategic tool in India’s attempt to normalize its occupation of Kashmir. By aggressively promoting an image of peace, development, and investment, the Indian state seeks to construct a façade of “normalcy” that obscures the realities of military repression and settler-colonial expansion. Central to this illusion is the systematic silencing of Kashmiri civil society, journalism, and academia—voices that might otherwise challenge the state’s narrative and expose the ongoing violence and dispossession. The repression of these vital spaces ensures that the spectacle of normalcy remains uncontested, allowing occupation to be rebranded as progress.In this moment, we are witnessing a deliberate effort by the Indian right to manufacture consent for intensified colonial violence in Kashmir. Calls for brutal retaliation by the occupying forces are growing louder, amplified by a media landscape that dehumanizes the Kashmiri people through familiar, insidious language—labeling them “terrorists,” “barbarians,” and “inhumane.” These rhetorical strategies are not new; they echo the language of empire used to justify domination and erasure.Disturbingly, many Indian commentators are explicitly invoking Israel’s assault on Gaza as a model for how Kashmir should be “handled,” drawing a direct parallel between two settler-colonial regimes and using the imagery of devastation to legitimize further brutalization.India’s occupation of Kashmir is emboldened by its deepening alliance with Israel—a relationship rooted not only in shared ideology, but in robust diplomatic, military, and economic ties. **The two nations have forged a strategic partnership that spans their **intelligence agencies, surveillance industries, and defense sectors.Israel is now India’s largest supplier of arms, providing drones, missile systems, radar, sensors, and advanced electro-optic technologies that enable and intensify the repression of Kashmir.The occupation of Kashmir is not an isolated injustice—it is part of a global architecture of settler-colonialism, surveillance, and militarized control. Enabled by foreign powers and legitimized through propaganda, India’s actions in Kashmir mirror other colonial projects that seek to erase indigenous identities and suppress demands for self-determination.From Kashmir to Palestine, occupation is a crime."
}
,
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{
"title" : "Black Liberation Views on Palestine",
"author" : "EIP Editors",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/black-liberation-on-palestine",
"date" : "2025-10-17 09:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/mandela-keffiyeh.jpg",
"excerpt" : "",
"content" : "In understanding global politics, it is important to look at Black liberation struggles as one important source of moral perspective. So, when looking at Palestine, we look to Black leaders to see how they perceived the Palestinian struggle in relation to theirs, from the 1960’s to today.Why must we understand where the injustice lies? Because, as Desmond Tutu famously said, “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”{% for person in site.data.quotes-black-liberation-palestine %}{{ person.name }}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
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{
"title" : "First Anniversary Celebration of EIP",
"author" : "EIP Editors",
"category" : "events",
"url" : "https://everythingispolitical.com/readings/1st-anniversary-of-eip",
"date" : "2025-10-14 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/WSA_EIP_Launch_Cover.jpg",
"excerpt" : "Celebrating One Year of Independent Publishing",
"content" : "Celebrating One Year of Independent PublishingJoin Everything is Political on November 21st for the launch of our End-of-Year Special Edition Magazine.This members-only evening will feature a benefit dinner, cocktails, and live performances in celebration of a year of independent media, critical voices, and collective resistance.The EventNovember 21, 2025, 7-11pmLower Manhattan, New YorkLaunching our End-of-Year Special Edition MagazineSpecial appearances and performancesFood & Drink includedTickets are extremely limited, reserve yours now!Become an annual print member: get x back issues of EIP, receive the End-of-Year Special Edition Magazine, and come to the Anniversary Celebration.$470Already a member? Sign in to get your special offer. Buy Ticket $150 Just $50 ! and get the End-of-Year Special Edition Magazine Buy ticket $150 and get the End-of-Year Special Edition Magazine "
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{
"title" : "Miu Miu Transforms the Apron From Trad Wife to Boss Lady: The sexiest thing in Paris was a work garment",
"author" : "Khaoula Ghanem",
"category" : "",
"url" : "https://everythingispolitical.com/readings/miu-miu-transforms-the-apron-from-trad-wife-to-boss-lady",
"date" : "2025-10-14 13:05:00 -0400",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_MiuMiu_Apron.jpg",
"excerpt" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.",
"content" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.From the opening look—German actress Sandra Hüller in a utilitarian deep-blue apron layered over a barn jacket and neat blue shirting—the thesis was loud: the “cover” becomes the thing itself. As silhouettes marched on, aprons multiplied and mutated—industrial drill cotton with front pockets, raw canvas, taffeta and cloqué silk, lace-edged versions that flirted with lingerie, even black leather and crystal-studded incarnations that reframed function as ornament. What the apron traditionally shields (clothes, bodies, “the good dress”) was inverted; the protection became the prized surface. Prada herself spelled it out: “The apron is my favorite piece of clothing… it symbolizes women, from factories through to serving to the home.”Miu Miu Spring 2026 Ready-to-Wear. SuppliedThis inversion matters historically. The apron’s earliest fashion-adjacent life was industrial. It served as a barrier against grease, heat, stain. It was a token of paid and unpaid care. Miu Miu tapped that lineage directly (canvas, work belts, D-ring hardware), then sliced it against domestic codes (florals, ruffles, crochet), and finally pushed into nightlife with bejeweled and leather bibs. The garment’s migration across materials made its social migrations visible. It is a kitchen apron, yes, but also one for labs, hospitals, and factories; the set and styling insisted on that plurality.What makes the apron such a loaded emblem is not just what it covers, but what it reveals about who has always been working. Before industrialization formalized labor into factory shifts and wages, women were already performing invisible labour, the kind that doesn’t exist on payrolls but sits at the foundation of every functioning society. They were cooking, cleaning, raising children, nursing the ill. These tasks were foundational to every economy and yet absent from every ledger. Even when women entered the industrial workforce, from textile plants to wartime assembly lines, their domestic responsibilities did not disappear, they doubled. In that context, the apron here is a quiet manifesto for the strength that goes unrecorded, unthanked, and yet keeps civilization running.The algorithmic rise of the “tradwife,” the influencer economy that packages domesticity as soft power, is the contemporary cultural shadow here. Miu Miu’s apron refuses that rehearsal. In fact, it’s intentionally awkward—oversized, undone, worn over bikinis or with sturdy shoes—so the viewer can’t flatten it into Pinterest-ready nostalgia. Critics noted the collection as a reclamation, a rebuttal to the flattening forces of the feed: the apron as a uniform for endurance rather than submission. The show notes framed it simply as “a consideration of the work of women,” a reminder that the invisible economies of effort—paid, unpaid, emotional—still structure daily life.If that sounds unusually explicit for a luxury runway, consider the designer. Prada trained as a mime at Milan’s Piccolo Teatro, earned a PhD in political science, joined the Italian Communist Party, and was active in the women’s rights movement in 1970s Milan. Those facts are not trivia; they are the grammar of her clothes. Decades of “ugly chic” were, essentially, a slow campaign against easy consumption and default beauty. In 2026, the apron becomes the newest dialect. An emblem drawn from leftist feminist history, recoded into a product that still has to sell. That tension—belief versus business—is the Miuccia paradox, and it’s precisely why these aprons read as statements, not trends.The runway narrative traced a journey from function to fetish. Early looks were squarely utilitarian—thick cottons, pocketed bibs—before migrating toward fragility and sparkle. Lace aprons laid transparently over swimmers; crystal-studded aprons slipped across cocktail territory; leather apron-dresses stiffened posture into armor. The sequencing proposed the same silhouette can encode labor, intimacy, and spectacle depending on fabrication. If most brands smuggle “workwear” in as set dressing, Miu Miu forced it onto the body as the central garment and an unmissable reminder that the feminine is often asked to be both shield and display at once.It’s instructive to read this collection against the house’s last mega-viral object: the micro-mini of Spring 2022, a pleated, raw-hem wafer that colonized timelines and magazine covers. That skirt’s thesis was exposure—hip bones and hemlines as post-lockdown spectacle, Y2K nostalgia framed as liberation-lite. The apron, ironically, covers. Where the micro-mini trafficked in the optics of freedom (and the speed of virality), the apron asks about the conditions that make freedom possible: who launders, who cooks, who cares? To move from “look at me” to “who is working here?” is a pivot from optics to ethics, without abandoning desire. (The aprons are, after all, deeply covetable.) In a platform economy that still rewards the shortest hemline with the biggest click-through, this is a sophisticated counter-program.Yet the designer is not romanticizing toil. There’s wit in the ruffles and perversity in the crystals; neither negate labor, they metabolize it. The most striking image is the apron treated as couture-adjacent. Traditionally, an apron protects the precious thing beneath; here, the apron is the precious thing. You could call that hypocrisy—luxurizing the uniform of workers. Or, strategy, insisting that the symbols of care and effort deserve visibility and investment.Of course, none of this exists in a vacuum. The “tradwife” script thrives because it is aesthetically legible and commercially scalable. It packages gender ideology as moodboard. Miu Miu counters with garments whose legibility flickers. The collection’s best looks ask viewers to reconcile tenderness with toughness, convenience with care, which is exactly the mental choreography demanded of women in every context from office to home to online.If you wanted a season-defining “It” item, you’ll still find it. The apron is poised to proliferate across fast-fashion and luxury alike. But the deeper success is structural: Miu Miu re-centered labor as an aesthetic category. That’s rarer than a viral skirt. It’s a reminder that clothes don’t merely decorate life, they describe and negotiate it. In making the apron the subject rather than the prop, Prada turned a garment of service into a platform for agency. It’s precisely the kind of cultural recursion you’d expect from a designer shaped by feminist politics, who never stopped treating fashion as an instrument of thought as much as style.The last image to hold onto is deceptively simple: a woman in an apron, neither fetishized nor infantilized, striding, hands free. Not a costume for nostalgia, not a meme for the feed, but a working uniform reframed, respected, and suddenly, undeniably beautiful. That is Miu Miu’s provocation for Spring 2026: the work behind the work, made visible at last."
}
]
}