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Chris Cook


EIP: What’s your earliest memory related to your passion for painting and photography?
CHRIS: My earliest memory of my passion for painting and photography dates back to my childhood. Back then, I always had a sense of observing the world around me and kept a notebook to record all my sketches. I was captivated by my family photo albums and the way they told stories beyond words—how a single image could evoke emotions and preserve histories. Painting, likewise, became a space where I could translate my thoughts and observations into something tangible, using layers of color and texture to reflect my perspective of the world. Over time, I came to realize that both mediums provided me with a voice—one that I could use to explore identity, memory, and the social realities that shape us.
EIP: How has politics changed the way you view and approach your craft?
CHRIS: Politics has greatly affected my approach to my craft, making me more intentional about my work and the messages I choose to convey. I have come to realize that art is never created in isolation; every brushstroke and photograph is influenced by the cultural and social climate in which we live. My work often reflects the intersections of race, identity, and power. It questions dominant narratives while presenting alternative perspectives rooted in lived experiences. In many ways, politics has heightened my awareness of the responsibilities that artists hold—to document, critique, and envision new possibilities. Whether through satire, symbolism, or direct commentary, my practice now serves as both a mirror and a call to action.
EIP: Your paintings seem like they are a cultural commentary by extension, is this true? If so, please elaborate on why or why not.
CHRIS: My paintings serve as a commentary on culture and reflect the times we live in. I draw from historical references and contemporary realities to create pieces that engage viewers in meaningful conversations. Through the lens of pop culture, propaganda, and personal narratives, my art explores how media, history, and societal structures shape our collective consciousness. I am particularly interested in how visual media, such as magazines, posters, and advertisements, influences our understanding of identity and politics. My goal is to encourage viewers to question what they see and to reflect on why they perceive it that way. Ultimately, my work seeks to bridge the past and present, encouraging people to reflect on the systems that govern our lives and how we can navigate them with awareness and agency. •


Chris Cook is a fine artist who was born and raised in Brooklyn, New York. He dedicates himself to preserving stories and experiences that capture the beauty and complexity of the human experience for future generations.
More from: Chris Cook
Keep reading:
Global Echoes of Resistance:
Artists Harnessing Art, Culture, and Ancestry
Diana Carla Rowe
Global Echoes of Resistance:
Artists Harnessing Art, Culture, and Ancestry
Samar Younes
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"title" : "Chris Cook",
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"date" : "2025-02-04 15:33:00 -0500",
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"content" : "EIP: What’s your earliest memory related to your passion for painting and photography?CHRIS: My earliest memory of my passion for painting and photography dates back to my childhood. Back then, I always had a sense of observing the world around me and kept a notebook to record all my sketches. I was captivated by my family photo albums and the way they told stories beyond words—how a single image could evoke emotions and preserve histories. Painting, likewise, became a space where I could translate my thoughts and observations into something tangible, using layers of color and texture to reflect my perspective of the world. Over time, I came to realize that both mediums provided me with a voice—one that I could use to explore identity, memory, and the social realities that shape us.EIP: How has politics changed the way you view and approach your craft?CHRIS: Politics has greatly affected my approach to my craft, making me more intentional about my work and the messages I choose to convey. I have come to realize that art is never created in isolation; every brushstroke and photograph is influenced by the cultural and social climate in which we live. My work often reflects the intersections of race, identity, and power. It questions dominant narratives while presenting alternative perspectives rooted in lived experiences. In many ways, politics has heightened my awareness of the responsibilities that artists hold—to document, critique, and envision new possibilities. Whether through satire, symbolism, or direct commentary, my practice now serves as both a mirror and a call to action.EIP: Your paintings seem like they are a cultural commentary by extension, is this true? If so, please elaborate on why or why not.CHRIS: My paintings serve as a commentary on culture and reflect the times we live in. I draw from historical references and contemporary realities to create pieces that engage viewers in meaningful conversations. Through the lens of pop culture, propaganda, and personal narratives, my art explores how media, history, and societal structures shape our collective consciousness. I am particularly interested in how visual media, such as magazines, posters, and advertisements, influences our understanding of identity and politics. My goal is to encourage viewers to question what they see and to reflect on why they perceive it that way. Ultimately, my work seeks to bridge the past and present, encouraging people to reflect on the systems that govern our lives and how we can navigate them with awareness and agency. •"
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"title" : "100+ Years of Genocidal Intent in Palestine",
"author" : "Collis Browne",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/100-years-of-genocidal-intent",
"date" : "2025-10-07 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/1920-jerusalem.jpg",
"excerpt" : "Every single Israeli prime minister, president, and major Zionist leader has voiced clear intent to erase the Palestinian people from their lands, either by forced expulsion, or military violence. From Herzl and Chaim Weizmann to Ben-Gurion to Netanyahu, the record is not ambiguous:",
"content" : "Every single Israeli prime minister, president, and major Zionist leader has voiced clear intent to erase the Palestinian people from their lands, either by forced expulsion, or military violence. From Herzl and Chaim Weizmann to Ben-Gurion to Netanyahu, the record is not ambiguous:{% for person in site.data.genocidalquotes %}{{ person.name }}{% if person.title %}<p class=\"title-xs\">{{ person.title }}</p>{% endif %}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
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"title" : "Dignity Before Stadiums:: Morocco’s Digital Uprising",
"author" : "Cheb Gado",
"category" : "",
"url" : "https://everythingispolitical.com/readings/dignity-before-stadiums",
"date" : "2025-10-02 09:08:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover_Morocco_GenZ.jpg",
"excerpt" : "No one expected a generation raised on smartphones and TikTok clips to ignite a spark of protest shaking Morocco’s streets. But Gen Z, the children of the internet and speed, have stepped forward to write a new chapter in the history of uprisings, in their own style.The wave of anger began with everyday struggles that cut deep into young people’s lives: soaring prices, lack of social justice, and the silencing of their voices in politics. They didn’t need traditional leaders or party manifestos; the movement was born out of a single hashtag that spread like wildfire, transforming individual frustration into collective momentum.",
"content" : "No one expected a generation raised on smartphones and TikTok clips to ignite a spark of protest shaking Morocco’s streets. But Gen Z, the children of the internet and speed, have stepped forward to write a new chapter in the history of uprisings, in their own style.The wave of anger began with everyday struggles that cut deep into young people’s lives: soaring prices, lack of social justice, and the silencing of their voices in politics. They didn’t need traditional leaders or party manifestos; the movement was born out of a single hashtag that spread like wildfire, transforming individual frustration into collective momentum.One of the sharpest contradictions fueling the protests was the billions poured into World Cup-related preparations, while ordinary citizens remained marginalized when it came to healthcare and education.This awareness quickly turned into chants and slogans echoing through the streets: “Dignity begins with schools and hospitals, not with putting on a show for the world.”What set this movement apart was not only its presence on the streets, but also the way it reinvented protest itself:Live filming: Phone cameras revealed events moment by moment, exposing abuses instantly.Memes and satire: A powerful weapon to dismantle authority’s aura, turning complex political discourse into viral, shareable content.Decentralized networks: No leader, no party, just small, fast-moving groups connected online, able to appear and disappear with agility.This generation doesn’t believe in grand speeches or delayed promises. They demand change here and now. Moving seamlessly between the physical and digital realms, they turn the street into a stage of revolt, and Instagram Live into an alternative media outlet.What’s happening in Morocco strongly recalls the Arab Spring of 2011, when young people flooded the streets with the same passion and spontaneity, armed only with belief in their power to spark change. But Gen Z added their own twist, digital tools, meme culture, and the pace of a hyper-connected world.Morocco’s Gen Z uprising is not just another protest, but a living experiment in how a digital generation can redefine politics itself. The spark may fade, but the mark it leaves on young people’s collective consciousness cannot be erased.Photo credits: Mosa’ab Elshamy, Zacaria Garcia, Abdel Majid Bizouat, Marouane Beslem"
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{
"title" : "A Shutdown Exposes How Fragile U.S. Governance Really Is",
"author" : "EIP Editors",
"category" : "",
"url" : "https://everythingispolitical.com/readings/a-shutdown-exposes-how-fragile-us-governance-really-is",
"date" : "2025-10-01 22:13:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover_Gov_ShutDown.jpg",
"excerpt" : "Each time the federal government shutters its doors, we hear the same reassurances: essential services will continue, Social Security checks will still arrive, planes won’t fall from the sky. This isn’t the first Governmental shutdown, they’ve happened 22 times since 1976, and their toll is real.",
"content" : "Each time the federal government shutters its doors, we hear the same reassurances: essential services will continue, Social Security checks will still arrive, planes won’t fall from the sky. This isn’t the first Governmental shutdown, they’ve happened 22 times since 1976, and their toll is real.Shutdowns don’t mean the government stops functioning. They mean millions of federal workers are asked to keep the system running without pay. Air traffic controllers, border patrol agents, food inspectors — people whose jobs underpin both public safety and economic life — are told their labor matters, but their livelihoods don’t. People have to pay the price of bad bureaucracy in the world’s most powerful country, if governance is stalled, workers must pay with their salaries and their groceries.In 1995 and 1996, clashes between President Bill Clinton and House Speaker Newt Gingrich triggered two shutdowns totaling 27 days. In 2013, a 16-day standoff over the Affordable Care Act furloughed 850,000 workers. And in 2018–2019, the longest shutdown in U.S. history stretched 35 days, as President Trump refused to reopen the government without funding for a border wall. That impasse left 800,000 federal employees without paychecks and cost the U.S. economy an estimated $11 billion — $3 billion of it permanently lost.More troubling is what happens when crises strike during shutdowns. The United States is living in an age of accelerating climate disasters: historic floods in Vermont, wildfire smoke choking New York, hurricanes pounding Florida. These emergencies do not pause while Congress fights over budgets. Yet a shutdown means furloughed NOAA meteorologists, suspended EPA enforcement, and delayed FEMA programs. In the most climate-vulnerable decade of our lifetimes, we are choosing paralysis over preparedness.This vulnerability didn’t emerge overnight. For decades, the American state has been hollowed out under the logic of austerity and privatization, while military spending has remained sacrosanct. That imbalance is why budgets collapse under the weight of endless resources for war abroad, too few for resilience at home.Shutdowns send a dangerous message. They normalize instability. They tell workers they are disposable. They make clear that in our system, climate resilience and public health aren’t pillars of our democracy but rather insignificant in the face of power and greed. And each time the government closes, it becomes easier to imagine a future where this isn’t the exception but the rule.The United States cannot afford to keep running on shutdown politics. The climate crisis, economic inequality, and the challenges of sustaining democracy itself demand continuity, not collapse. We need a politics that treats stability and resilience not as partisan victories, but as basic commitments to one another. Otherwise, the real shutdown isn’t just of the government — it’s of democracy itself."
}
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