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In the Eye of the Storm
Resistance, Rest, and the Legacy of Oya

In Yoruba spirituality, Oya is a force to be reckoned with. Known as the Orisha (divine spirits in the Yoruba religion of West Africa) of storms, winds, and transformation, she is a deity of immense power. Oya embodies resistance and renewal, capable of blowing away what no longer serves and ushering in the new. In my novel, The Wind on Her Tongue, the second standalone installment of the Daughter of Three Waters trilogy after my debut, Shallow Waters, I reimagine Oya as a young woman grappling with her place in a tumultuous 19th-century America, navigating personal and collective struggles with grace, strength, and fury.
But Oya’s energy is more than just a metaphor for change. She is a reminder that in the fight for liberation—whether personal or societal—there is both a need for relentless effort and a necessity for rest. Even in Oya’s storm, there is an eye—a calm center where restoration and reflection are possible.
Oya’s role as a warrior makes her a powerful deity to invoke in times of resistance. Whether facing personal battles or collective struggles for justice, Oya teaches us to channel her stormy energy to sweep away the debris of oppression, stagnation, and fear. She reminds us that resistance isn’t always loud; sometimes, it’s the quiet, determined resolve to stand firm in our truth.
Oya’s power extends beyond destruction. Her winds carry seeds of renewal, helping us plant the foundations for a better future. This duality—destruction and creation—is at the heart of her magic. It’s a cycle we see mirrored in nature: old leaves fall to the ground, decompose, and nourish new growth. Similarly, Oya’s energy helps us release what no longer serves us, making space for transformation.
In the whirlwind of activism, resistance, and personal growth, it’s easy to forget the importance of rest. Oya, however, teaches us balance. At the heart of every storm lies the eye—a place of stillness amid chaos. This is where Oya invites us to pause, reflect, and recharge.
Rest is not a retreat from resistance; it is a revolutionary act in itself. In a society that glorifies productivity and burnout, choosing to rest is a radical affirmation of our worth beyond what we produce. Rest allows us to heal, to connect with our joy, and to cultivate the love and relationships that sustain us.
Oya’s storms remind us that while the winds of change are necessary, they cannot blow indefinitely. There must be a moment of calm, a space to regroup and realign. This rhythm— action and rest, resistance and renewal—is essential for the long fight for liberation.
Part of Oya’s transformative power comes from her connection to the ancestors. In Yoruba cosmology, she guards the gates between the living and the dead, bridging the worlds in a way that reminds us of our own lineage and heritage.
Remembering our ancestors and the knowledge of the global south is an act of resistance. For too long, colonialism and oppression have sought to erase these histories, discrediting the wisdom of indigenous peoples and enslaved communities. Yet, these ancestors carried profound knowledge about healing, community, and survival. By reconnecting with their stories and practices, we reclaim a part of ourselves and resist the erasure of our history.
Honoring the ancestors is also deeply personal. It can help us find strength in their resilience, guidance in their wisdom, and comfort in their enduring presence. In The Wind on Her Tongue, Oya’s connection to her lineage is a source of power, reminding her—and us—that we are never alone in our struggles.
How to Create an Ancestor Altar
One way to honor the ancestors and invite their wisdom into your life is by creating an ancestor altar. This sacred space can serve as a daily reminder of your connection to those who came before you and a focal point for reflection and gratitude. Here are a few tips to get started:
CHOOSE A LOCATION: Find a place in your home where you can set up the altar. It doesn’t have to be large—what matters most is intention.
GATHER ITEMS OF MEANING: Include photos, heirlooms, or other items that remind you of your ancestors. If you don’t have physical mementos, symbolic objects that represent them or their values work just as well.
ADD THE ELEMENTS: Incorporate representations of the natural elements. For example, a candle for fire, a small bowl of water, a plant or flower for earth, and incense or a feather for air.
OFFERINGS: Place offerings on the altar as a gesture of respect and gratitude. These can be as simple as fresh flowers, food, alcohol, weed, or a cup of coffee or tea—whatever feels meaningful to you.
PERSONAL TOUCHES: Make the altar your own by including items that reflect your heritage or spiritual practices, such as sacred texts, crystals, or artwork.
DAILY PRACTICE: Spend a few moments each day at the altar, whether in meditation, prayer, or simply in quiet reflection. Speak to your ancestors, share your thoughts, or ask for their guidance.
Oya’s story is one of power, transformation, and balance. She reminds us that the work of liberation requires both fierce action and tender care. By invoking her energy, we can find the strength to confront injustice and the wisdom to know when to rest.
In honoring Oya, the ancestors, and the discredited knowledge of the global south, we reclaim a legacy of resilience and renewal. This is not just a spiritual act but a revolutionary one. It reminds us that we are part of a lineage that has faced unimaginable hardships and yet continues to rise.
Through The Wind on Her Tongue, I hope to share a small part of this legacy, offering a space for readers to reflect, heal, and feel the winds of Oya at their backs. Together, we can navigate the storms of life, finding moments of calm and connection amid the chaos.

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"title" : "In the Eye of the Storm: Resistance, Rest, and the Legacy of Oya",
"author" : "Anita Kopacz",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/eye-of-the-storm-resistance-rest-legacy-oya",
"date" : "2025-02-04 15:33:00 -0500",
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"excerpt" : "",
"content" : "In Yoruba spirituality, Oya is a force to be reckoned with. Known as the Orisha (divine spirits in the Yoruba religion of West Africa) of storms, winds, and transformation, she is a deity of immense power. Oya embodies resistance and renewal, capable of blowing away what no longer serves and ushering in the new. In my novel, The Wind on Her Tongue, the second standalone installment of the Daughter of Three Waters trilogy after my debut, Shallow Waters, I reimagine Oya as a young woman grappling with her place in a tumultuous 19th-century America, navigating personal and collective struggles with grace, strength, and fury.But Oya’s energy is more than just a metaphor for change. She is a reminder that in the fight for liberation—whether personal or societal—there is both a need for relentless effort and a necessity for rest. Even in Oya’s storm, there is an eye—a calm center where restoration and reflection are possible.Oya’s role as a warrior makes her a powerful deity to invoke in times of resistance. Whether facing personal battles or collective struggles for justice, Oya teaches us to channel her stormy energy to sweep away the debris of oppression, stagnation, and fear. She reminds us that resistance isn’t always loud; sometimes, it’s the quiet, determined resolve to stand firm in our truth.Oya’s power extends beyond destruction. Her winds carry seeds of renewal, helping us plant the foundations for a better future. This duality—destruction and creation—is at the heart of her magic. It’s a cycle we see mirrored in nature: old leaves fall to the ground, decompose, and nourish new growth. Similarly, Oya’s energy helps us release what no longer serves us, making space for transformation.In the whirlwind of activism, resistance, and personal growth, it’s easy to forget the importance of rest. Oya, however, teaches us balance. At the heart of every storm lies the eye—a place of stillness amid chaos. This is where Oya invites us to pause, reflect, and recharge. Rest is not a retreat from resistance; it is a revolutionary act in itself. In a society that glorifies productivity and burnout, choosing to rest is a radical affirmation of our worth beyond what we produce. Rest allows us to heal, to connect with our joy, and to cultivate the love and relationships that sustain us.Oya’s storms remind us that while the winds of change are necessary, they cannot blow indefinitely. There must be a moment of calm, a space to regroup and realign. This rhythm— action and rest, resistance and renewal—is essential for the long fight for liberation.Part of Oya’s transformative power comes from her connection to the ancestors. In Yoruba cosmology, she guards the gates between the living and the dead, bridging the worlds in a way that reminds us of our own lineage and heritage.Remembering our ancestors and the knowledge of the global south is an act of resistance. For too long, colonialism and oppression have sought to erase these histories, discrediting the wisdom of indigenous peoples and enslaved communities. Yet, these ancestors carried profound knowledge about healing, community, and survival. By reconnecting with their stories and practices, we reclaim a part of ourselves and resist the erasure of our history.Honoring the ancestors is also deeply personal. It can help us find strength in their resilience, guidance in their wisdom, and comfort in their enduring presence. In The Wind on Her Tongue, Oya’s connection to her lineage is a source of power, reminding her—and us—that we are never alone in our struggles.How to Create an Ancestor AltarOne way to honor the ancestors and invite their wisdom into your life is by creating an ancestor altar. This sacred space can serve as a daily reminder of your connection to those who came before you and a focal point for reflection and gratitude. Here are a few tips to get started:CHOOSE A LOCATION: Find a place in your home where you can set up the altar. It doesn’t have to be large—what matters most is intention.GATHER ITEMS OF MEANING: Include photos, heirlooms, or other items that remind you of your ancestors. If you don’t have physical mementos, symbolic objects that represent them or their values work just as well.ADD THE ELEMENTS: Incorporate representations of the natural elements. For example, a candle for fire, a small bowl of water, a plant or flower for earth, and incense or a feather for air.OFFERINGS: Place offerings on the altar as a gesture of respect and gratitude. These can be as simple as fresh flowers, food, alcohol, weed, or a cup of coffee or tea—whatever feels meaningful to you.PERSONAL TOUCHES: Make the altar your own by including items that reflect your heritage or spiritual practices, such as sacred texts, crystals, or artwork.DAILY PRACTICE: Spend a few moments each day at the altar, whether in meditation, prayer, or simply in quiet reflection. Speak to your ancestors, share your thoughts, or ask for their guidance.Oya’s story is one of power, transformation, and balance. She reminds us that the work of liberation requires both fierce action and tender care. By invoking her energy, we can find the strength to confront injustice and the wisdom to know when to rest.In honoring Oya, the ancestors, and the discredited knowledge of the global south, we reclaim a legacy of resilience and renewal. This is not just a spiritual act but a revolutionary one. It reminds us that we are part of a lineage that has faced unimaginable hardships and yet continues to rise.Through The Wind on Her Tongue, I hope to share a small part of this legacy, offering a space for readers to reflect, heal, and feel the winds of Oya at their backs. Together, we can navigate the storms of life, finding moments of calm and connection amid the chaos."
}
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{
"title" : "Miu Miu Transforms the Apron From Trad Wife to Boss Lady: The sexiest thing in Paris was a work garment",
"author" : "Khaoula Ghanem",
"category" : "",
"url" : "https://everythingispolitical.com/readings/miu-miu-transforms-the-apron-from-trad-wife-to-boss-lady",
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"img" : "https://everythingispolitical.com/uploads/Cover_EIP_MiuMiu_Apron.jpg",
"excerpt" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.",
"content" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.From the opening look—German actress Sandra Hüller in a utilitarian deep-blue apron layered over a barn jacket and neat blue shirting—the thesis was loud: the “cover” becomes the thing itself. As silhouettes marched on, aprons multiplied and mutated—industrial drill cotton with front pockets, raw canvas, taffeta and cloqué silk, lace-edged versions that flirted with lingerie, even black leather and crystal-studded incarnations that reframed function as ornament. What the apron traditionally shields (clothes, bodies, “the good dress”) was inverted; the protection became the prized surface. Prada herself spelled it out: “The apron is my favorite piece of clothing… it symbolizes women, from factories through to serving to the home.”Miu Miu Spring 2026 Ready-to-Wear. SuppliedThis inversion matters historically. The apron’s earliest fashion-adjacent life was industrial. It served as a barrier against grease, heat, stain. It was a token of paid and unpaid care. Miu Miu tapped that lineage directly (canvas, work belts, D-ring hardware), then sliced it against domestic codes (florals, ruffles, crochet), and finally pushed into nightlife with bejeweled and leather bibs. The garment’s migration across materials made its social migrations visible. 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In that context, the apron here is a quiet manifesto for the strength that goes unrecorded, unthanked, and yet keeps civilization running.The algorithmic rise of the “tradwife,” the influencer economy that packages domesticity as soft power, is the contemporary cultural shadow here. Miu Miu’s apron refuses that rehearsal. In fact, it’s intentionally awkward—oversized, undone, worn over bikinis or with sturdy shoes—so the viewer can’t flatten it into Pinterest-ready nostalgia. Critics noted the collection as a reclamation, a rebuttal to the flattening forces of the feed: the apron as a uniform for endurance rather than submission. The show notes framed it simply as “a consideration of the work of women,” a reminder that the invisible economies of effort—paid, unpaid, emotional—still structure daily life.If that sounds unusually explicit for a luxury runway, consider the designer. Prada trained as a mime at Milan’s Piccolo Teatro, earned a PhD in political science, joined the Italian Communist Party, and was active in the women’s rights movement in 1970s Milan. Those facts are not trivia; they are the grammar of her clothes. Decades of “ugly chic” were, essentially, a slow campaign against easy consumption and default beauty. In 2026, the apron becomes the newest dialect. An emblem drawn from leftist feminist history, recoded into a product that still has to sell. That tension—belief versus business—is the Miuccia paradox, and it’s precisely why these aprons read as statements, not trends.The runway narrative traced a journey from function to fetish. Early looks were squarely utilitarian—thick cottons, pocketed bibs—before migrating toward fragility and sparkle. Lace aprons laid transparently over swimmers; crystal-studded aprons slipped across cocktail territory; leather apron-dresses stiffened posture into armor. The sequencing proposed the same silhouette can encode labor, intimacy, and spectacle depending on fabrication. If most brands smuggle “workwear” in as set dressing, Miu Miu forced it onto the body as the central garment and an unmissable reminder that the feminine is often asked to be both shield and display at once.It’s instructive to read this collection against the house’s last mega-viral object: the micro-mini of Spring 2022, a pleated, raw-hem wafer that colonized timelines and magazine covers. That skirt’s thesis was exposure—hip bones and hemlines as post-lockdown spectacle, Y2K nostalgia framed as liberation-lite. The apron, ironically, covers. Where the micro-mini trafficked in the optics of freedom (and the speed of virality), the apron asks about the conditions that make freedom possible: who launders, who cooks, who cares? To move from “look at me” to “who is working here?” is a pivot from optics to ethics, without abandoning desire. (The aprons are, after all, deeply covetable.) In a platform economy that still rewards the shortest hemline with the biggest click-through, this is a sophisticated counter-program.Yet the designer is not romanticizing toil. There’s wit in the ruffles and perversity in the crystals; neither negate labor, they metabolize it. The most striking image is the apron treated as couture-adjacent. Traditionally, an apron protects the precious thing beneath; here, the apron is the precious thing. You could call that hypocrisy—luxurizing the uniform of workers. Or, strategy, insisting that the symbols of care and effort deserve visibility and investment.Of course, none of this exists in a vacuum. The “tradwife” script thrives because it is aesthetically legible and commercially scalable. It packages gender ideology as moodboard. Miu Miu counters with garments whose legibility flickers. The collection’s best looks ask viewers to reconcile tenderness with toughness, convenience with care, which is exactly the mental choreography demanded of women in every context from office to home to online.If you wanted a season-defining “It” item, you’ll still find it. The apron is poised to proliferate across fast-fashion and luxury alike. But the deeper success is structural: Miu Miu re-centered labor as an aesthetic category. That’s rarer than a viral skirt. It’s a reminder that clothes don’t merely decorate life, they describe and negotiate it. In making the apron the subject rather than the prop, Prada turned a garment of service into a platform for agency. It’s precisely the kind of cultural recursion you’d expect from a designer shaped by feminist politics, who never stopped treating fashion as an instrument of thought as much as style.The last image to hold onto is deceptively simple: a woman in an apron, neither fetishized nor infantilized, striding, hands free. Not a costume for nostalgia, not a meme for the feed, but a working uniform reframed, respected, and suddenly, undeniably beautiful. That is Miu Miu’s provocation for Spring 2026: the work behind the work, made visible at last."
}
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