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The Land Testifies
Indigenous Resistance in a World on Fire
Each April, Earth Month invites reflection on our planet’s worsening conditions. Yet too often, these discussions remain detached from the histories of violence that continue to shape our relationship with nature. Dominant narratives tend to emphasize either individual responsibility or technological fixes, overlooking the structural forces—colonialism, capitalism, and militarization—that dispossess Indigenous peoples and drive the ongoing destruction of our planet in pursuit of profit.
Across the globe, Indigenous communities have long resisted these forces, defending their lands and their reciprocal ways of being with nature. Their struggles expose the enduring violence of today’s global system and offer alternatives rooted in care for the Earth. If Earth Month is to carry any meaningful significance, it must confront the systems that endanger both people and planet, re-center the conversation on those at the forefront of these battles and affirm that environmental justice is inseparable from anti-colonial struggle.
The Colonial Basis of Environmental Exploitation
European colonialism, beginning in the 15th century, unleashed a violent global system built on conquest, resource extraction, genocide, and enslavement. Through massacres and the dispossession of Indigenous populations, colonial powers established extractive economies that drained the land of life, depleted its resources, and reshaped entire landscapes. The result was widespread deforestation, biodiversity loss, and environmental degradation, devastating ecosystems in the pursuit of imperial profit.
This system commodified nature, reducing it to a limitless reservoir for accumulation. In the pursuit of imperial interests, both human life and the environment were exploited without restraint. For many Indigenous communities, land is not a resource to be owned or consumed, but a living relative—deeply woven into identity, spirituality, and culture. The violent severing of these relationships disrupted entire ways of life grounded in reciprocity with plants, animals, rivers, and soil. Though the tools of domination may differ across contexts, the colonial logic that fuels them endures.
The Inuit and Arctic Geopolitics
Greenland, home to the Inuit who constitute the majority of the population, has been under Danish colonial occupation for centuries. Although it gained home rule in 1979, Denmark continues to control key areas such as defense and foreign policy. Throughout the 20th century, colonial policies sought to forcibly assimilate the Inuit through relocations, involuntary sterilizations, and the systematic erasure of Inuit language and spiritual traditions, amounting to systemic cultural disruption.
One particularly harrowing example took place in 1951, when Inuit children were removed from their families and sent to Denmark in an effort to “re-educate” them as Danish citizens, forcing their assimilation into Danish society. This racist social engineering project reflected broader colonial assumptions that Indigenous ways of life were inferior and in need of erasure.
More recently, renewed U.S. interest in Greenland—most notably Donald Trump’s headline-making proposal to “buy” the Arctic Island—illustrates the enduring imperial mindset that views Indigenous land as property to be claimed. This mindset is embedded in a long history of U.S. attempts to control the island. In fact, this is not new: in 1946, the Truman administration offered Denmark $100 million to purchase Greenland. A few years later, in 1953, the U.S. forcibly displaced Indigenous families to construct the Thule Air Base, a military installation that remains active today. These actions reflect a consistent pattern of dispossession in which Greenland’s Inuit population has been uprooted, underscoring the recurring pattern of militarization and geopolitical interests overriding Indigenous sovereignty.
Greenland is not only strategic due to its position between North America, Europe, and Russia, but it is also rich in rare earth minerals, uranium, and oil. Today, it faces intensifying challenges as Arctic ice melts due to climate change. New shipping routes are emerging, and previously inaccessible resources are becoming increasingly reachable. But tapping into them threatens both the region’s ecosystems and the Inuit people, whose deep relationship with the environment is shaped by Sila—a concept that translates to “a great spirit, supporting the world and the weather and all life on earth, a force so mighty that its voice reaches humanity not through ordinary words, but through storm, snow, rain, and the fury of the sea.”
The Mapuche and Neoliberal Colonization
Thousands of kilometers to the south, the Mapuche—whose name means “people of the land”—are the largest Indigenous group in Chile. Their ancestral territory spans south-central Chile and parts of Patagonia in Argentina. Although they resisted Spanish conquest for over three centuries, the 19th century brought military campaigns—most notably the “Pacification of Araucanía” in Chile and the “Conquest of the Desert” in Argentina—that resulted in massive territorial loss, forced displacement, the massacre of thousands, and systematic efforts to suppress Mapuche culture.
Today, Mapuche territory is once again under relentless assault—this time by corporate timber plantations. Native forests are being razed and replaced with ecologically destructive monocultures of eucalyptus and pine, non-native species that deplete water, degrade soil, and disrupt local ecosystems by devastating biodiversity. Worse still, these corporate practices are subsidized by the state, perpetuating a model that rewards the destruction of Indigenous territory.
In Chile, this dispossession can be traced back to the neoliberal policies imposed during Augusto Pinochet’s dictatorship from 1973 to 1990. Backed strongly by the United States, his regime privatized ancestral Mapuche lands and sold them to multinational corporations, fueling extractive industries such as forestry and mining. Resistance was brutally repressed, and systematic efforts were made to erase Indigenous languages, cultural traditions, and identity.
In Argentina, U.S.-backed dictator José Alfredo Martínez de Hoz implemented similar neoliberal policies under his military regime, with equally devastating consequences for Mapuche communities.
Additionally, the proliferation of hydroelectric dams in Chile—often marketed as part of a sustainable energy transition—has further disrupted Mapuche lifeways by polluting rivers and desecrating sacred water sources. These developments exemplify a form of internal colonialism that continues to prioritize elite and foreign capitalist interests, standing in stark contrast to the Mapuche connection to the Ñukemapu (Mother Earth). For the Mapuche, water and other living forces of nature are sacred beings inhabited by protective spirits such as Kintuantü, who is intimately connected to the Pilmaiquén River.
The Aymara and Toxic Mining
In Chile, Argentina, Peru, and Bolivia, the Aymara people continue to endure the long legacy of extractive colonialism—a system that dates back to Spanish occupation. During colonization, silver mining, carried out under brutal forced labor conditions, helped finance the expansion of the Spanish Empire. Today, these exploitative dynamics persist in new forms: silver remains a key export, along with copper, zinc, and other critical minerals deemed essential to the global supply chains of so-called “green” technologies—reinforcing historical patterns of plunder.
The impacts on local communities are severe. In Peru’s Puno province, 57.8% of residents have elevated levels of toxic heavy metals in their blood; in the village of Coata, that number rises to 83.5%, according to data from Peru’s Ministry of Health. This public health crisis is a direct consequence of industrial mining, which pollutes the air and water, degrades the soil, destroys agricultural systems, and devastates biodiverse habitats.
The framing of mining as essential for economic “growth” and higher GDP not only obscures its true cost on nature, but also to the rights of Indigenous communities. Those who resist are often criminalized under anti-terrorism legislation, facing sentences of up to 20 years. These punitive measures reflect the continuity of colonial governance, one that views Indigenous ways of life as an obstacle to state and corporate wealth accumulation.
For the Aymara, the defense of Pachamama—the highest divinity, revered as the goddess of Earth and fertility—is a sacred duty, akin to protecting one’s own mother. She is believed to bring harmony and balance to all life.
The Marind-Anim and Palm Oil Expansion
In West Papua, Indonesia, the Marind-Anim people confront yet another front of ecological imperialism. Although Dutch colonial rule ended in the mid-20th century, Indigenous communities continue to face widespread land grabs driven by the state and multinational corporations. West Papua has become a hotspot for industrial agriculture, particularly the expansion of palm oil plantations.
The Marind-Anim hold an animist worldview in which human beings are inseparable from the natural world. For them, nature is alive, sentient, and filled with presence—they recognize forests, rivers, and animals as kin. Their relationship to the land is mediated through dema, ancestral and spiritual beings who inhabit nature. The deforestation of their territory, primarily for monoculture palm oil plantations, is therefore not only ecological devastation but also a profound act of cultural erasure.
The native sago palm, for example, is regarded as amai—an elder figure embodying sustenance and wisdom. Its loss, to make way for alien and invasive crops, is radically transforming ecosystems—displacing native flora and fauna that not only provide nourishment but are also honored through rituals of celebration and respect. State militarization of the land, accompanying oil palm expansion, extends beyond environmental devastation. On one hand, it endangers the resources that Marind-Anim communities rely on for sustenance; on the other, it obliterates the stories woven into the land and dismantles their deep-rooted connection to it. This transformation deeply affects their sense of being, which is both rooted in and derived from these forests.
Reclaiming the Land Through Resistance
Across these diverse geographies, Indigenous resistance reveals a common thread: the defense of life against a system that profits from the destruction of the land. While shaped by distinct histories, each community’s struggle affirms alternative ways of relating to the Earth that are rooted in reciprocity with nature.
Reviving Indigenous languages, for instance, is about more than preserving words—it is about restoring entire ways of seeing and understanding the world. These languages carry deep ecological knowledge, developed over thousands of years, and reflect ways of living in harmony with nature.
Likewise, food systems rooted in ancestral practices—whether planting native crops, saving seeds, or hunting sustainably—are acts of resistance that reject the commodification of nature.
The weaving of sacred symbols into fabric, the wearing of traditional clothing, tattooing practices, and ceremonies honoring Mother Earth through storytelling, chants, and dances are not merely cultural expressions. They are powerful assertions of identity that challenge colonial and capitalist attempts to erase Indigenous ways of life.
However, the burden of resistance should not fall solely on Indigenous peoples. They must not be left to carry this weight alone. The system we are all up against is massive, aggressive, and violent. A truly decolonial future—one in which both Indigenous peoples and nature are protected—demands collective action across continents to dismantle these global structures. Solidarity must move beyond symbolic gestures and take the form of organized, sustained, and unapologetic resistance through direct action, mass mobilization, and the building of transnational alliances committed to tearing down this oppressive system.
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"title" : "The Land Testifies: Indigenous Resistance in a World on Fire",
"author" : "Sarah Sinno",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/the-land-testifies-indigenous-resistance-in-a-world-on-fire",
"date" : "2025-05-12 12:50:00 -0400",
"img" : "https://everythingispolitical.com/uploads/vlad-hilitanu-pt7QzB4ZLWw-unsplash.jpg",
"excerpt" : "Each April, Earth Month invites reflection on our planet’s worsening conditions. Yet too often, these discussions remain detached from the histories of violence that continue to shape our relationship with nature. Dominant narratives tend to emphasize either individual responsibility or technological fixes, overlooking the structural forces—colonialism, capitalism, and militarization—that dispossess Indigenous peoples and drive the ongoing destruction of our planet in pursuit of profit.",
"content" : "Each April, Earth Month invites reflection on our planet’s worsening conditions. Yet too often, these discussions remain detached from the histories of violence that continue to shape our relationship with nature. Dominant narratives tend to emphasize either individual responsibility or technological fixes, overlooking the structural forces—colonialism, capitalism, and militarization—that dispossess Indigenous peoples and drive the ongoing destruction of our planet in pursuit of profit.Across the globe, Indigenous communities have long resisted these forces, defending their lands and their reciprocal ways of being with nature. Their struggles expose the enduring violence of today’s global system and offer alternatives rooted in care for the Earth. If Earth Month is to carry any meaningful significance, it must confront the systems that endanger both people and planet, re-center the conversation on those at the forefront of these battles and affirm that environmental justice is inseparable from anti-colonial struggle.The Colonial Basis of Environmental ExploitationEuropean colonialism, beginning in the 15th century, unleashed a violent global system built on conquest, resource extraction, genocide, and enslavement. Through massacres and the dispossession of Indigenous populations, colonial powers established extractive economies that drained the land of life, depleted its resources, and reshaped entire landscapes. The result was widespread deforestation, biodiversity loss, and environmental degradation, devastating ecosystems in the pursuit of imperial profit.This system commodified nature, reducing it to a limitless reservoir for accumulation. In the pursuit of imperial interests, both human life and the environment were exploited without restraint. For many Indigenous communities, land is not a resource to be owned or consumed, but a living relative—deeply woven into identity, spirituality, and culture. The violent severing of these relationships disrupted entire ways of life grounded in reciprocity with plants, animals, rivers, and soil. Though the tools of domination may differ across contexts, the colonial logic that fuels them endures.The Inuit and Arctic GeopoliticsGreenland, home to the Inuit who constitute the majority of the population, has been under Danish colonial occupation for centuries. Although it gained home rule in 1979, Denmark continues to control key areas such as defense and foreign policy. Throughout the 20th century, colonial policies sought to forcibly assimilate the Inuit through relocations, involuntary sterilizations, and the systematic erasure of Inuit language and spiritual traditions, amounting to systemic cultural disruption.One particularly harrowing example took place in 1951, when Inuit children were removed from their families and sent to Denmark in an effort to “re-educate” them as Danish citizens, forcing their assimilation into Danish society. This racist social engineering project reflected broader colonial assumptions that Indigenous ways of life were inferior and in need of erasure.More recently, renewed U.S. interest in Greenland—most notably Donald Trump’s headline-making proposal to “buy” the Arctic Island—illustrates the enduring imperial mindset that views Indigenous land as property to be claimed. This mindset is embedded in a long history of U.S. attempts to control the island. In fact, this is not new: in 1946, the Truman administration offered Denmark $100 million to purchase Greenland. A few years later, in 1953, the U.S. forcibly displaced Indigenous families to construct the Thule Air Base, a military installation that remains active today. These actions reflect a consistent pattern of dispossession in which Greenland’s Inuit population has been uprooted, underscoring the recurring pattern of militarization and geopolitical interests overriding Indigenous sovereignty.Greenland is not only strategic due to its position between North America, Europe, and Russia, but it is also rich in rare earth minerals, uranium, and oil. Today, it faces intensifying challenges as Arctic ice melts due to climate change. New shipping routes are emerging, and previously inaccessible resources are becoming increasingly reachable. But tapping into them threatens both the region’s ecosystems and the Inuit people, whose deep relationship with the environment is shaped by Sila—a concept that translates to “a great spirit, supporting the world and the weather and all life on earth, a force so mighty that its voice reaches humanity not through ordinary words, but through storm, snow, rain, and the fury of the sea.”The Mapuche and Neoliberal ColonizationThousands of kilometers to the south, the Mapuche—whose name means “people of the land”—are the largest Indigenous group in Chile. Their ancestral territory spans south-central Chile and parts of Patagonia in Argentina. Although they resisted Spanish conquest for over three centuries, the 19th century brought military campaigns—most notably the “Pacification of Araucanía” in Chile and the “Conquest of the Desert” in Argentina—that resulted in massive territorial loss, forced displacement, the massacre of thousands, and systematic efforts to suppress Mapuche culture.Today, Mapuche territory is once again under relentless assault—this time by corporate timber plantations. Native forests are being razed and replaced with ecologically destructive monocultures of eucalyptus and pine, non-native species that deplete water, degrade soil, and disrupt local ecosystems by devastating biodiversity. Worse still, these corporate practices are subsidized by the state, perpetuating a model that rewards the destruction of Indigenous territory.In Chile, this dispossession can be traced back to the neoliberal policies imposed during Augusto Pinochet’s dictatorship from 1973 to 1990. Backed strongly by the United States, his regime privatized ancestral Mapuche lands and sold them to multinational corporations, fueling extractive industries such as forestry and mining. Resistance was brutally repressed, and systematic efforts were made to erase Indigenous languages, cultural traditions, and identity.In Argentina, U.S.-backed dictator José Alfredo Martínez de Hoz implemented similar neoliberal policies under his military regime, with equally devastating consequences for Mapuche communities.Additionally, the proliferation of hydroelectric dams in Chile—often marketed as part of a sustainable energy transition—has further disrupted Mapuche lifeways by polluting rivers and desecrating sacred water sources. These developments exemplify a form of internal colonialism that continues to prioritize elite and foreign capitalist interests, standing in stark contrast to the Mapuche connection to the Ñukemapu (Mother Earth). For the Mapuche, water and other living forces of nature are sacred beings inhabited by protective spirits such as Kintuantü, who is intimately connected to the Pilmaiquén River.The Aymara and Toxic MiningIn Chile, Argentina, Peru, and Bolivia, the Aymara people continue to endure the long legacy of extractive colonialism—a system that dates back to Spanish occupation. During colonization, silver mining, carried out under brutal forced labor conditions, helped finance the expansion of the Spanish Empire. Today, these exploitative dynamics persist in new forms: silver remains a key export, along with copper, zinc, and other critical minerals deemed essential to the global supply chains of so-called “green” technologies—reinforcing historical patterns of plunder.The impacts on local communities are severe. In Peru’s Puno province, 57.8% of residents have elevated levels of toxic heavy metals in their blood; in the village of Coata, that number rises to 83.5%, according to data from Peru’s Ministry of Health. This public health crisis is a direct consequence of industrial mining, which pollutes the air and water, degrades the soil, destroys agricultural systems, and devastates biodiverse habitats.The framing of mining as essential for economic “growth” and higher GDP not only obscures its true cost on nature, but also to the rights of Indigenous communities. Those who resist are often criminalized under anti-terrorism legislation, facing sentences of up to 20 years. These punitive measures reflect the continuity of colonial governance, one that views Indigenous ways of life as an obstacle to state and corporate wealth accumulation.For the Aymara, the defense of Pachamama—the highest divinity, revered as the goddess of Earth and fertility—is a sacred duty, akin to protecting one’s own mother. She is believed to bring harmony and balance to all life.The Marind-Anim and Palm Oil ExpansionIn West Papua, Indonesia, the Marind-Anim people confront yet another front of ecological imperialism. Although Dutch colonial rule ended in the mid-20th century, Indigenous communities continue to face widespread land grabs driven by the state and multinational corporations. West Papua has become a hotspot for industrial agriculture, particularly the expansion of palm oil plantations.The Marind-Anim hold an animist worldview in which human beings are inseparable from the natural world. For them, nature is alive, sentient, and filled with presence—they recognize forests, rivers, and animals as kin. Their relationship to the land is mediated through dema, ancestral and spiritual beings who inhabit nature. The deforestation of their territory, primarily for monoculture palm oil plantations, is therefore not only ecological devastation but also a profound act of cultural erasure.The native sago palm, for example, is regarded as amai—an elder figure embodying sustenance and wisdom. Its loss, to make way for alien and invasive crops, is radically transforming ecosystems—displacing native flora and fauna that not only provide nourishment but are also honored through rituals of celebration and respect. State militarization of the land, accompanying oil palm expansion, extends beyond environmental devastation. On one hand, it endangers the resources that Marind-Anim communities rely on for sustenance; on the other, it obliterates the stories woven into the land and dismantles their deep-rooted connection to it. This transformation deeply affects their sense of being, which is both rooted in and derived from these forests.Reclaiming the Land Through Resistance Across these diverse geographies, Indigenous resistance reveals a common thread: the defense of life against a system that profits from the destruction of the land. While shaped by distinct histories, each community’s struggle affirms alternative ways of relating to the Earth that are rooted in reciprocity with nature.Reviving Indigenous languages, for instance, is about more than preserving words—it is about restoring entire ways of seeing and understanding the world. These languages carry deep ecological knowledge, developed over thousands of years, and reflect ways of living in harmony with nature.Likewise, food systems rooted in ancestral practices—whether planting native crops, saving seeds, or hunting sustainably—are acts of resistance that reject the commodification of nature.The weaving of sacred symbols into fabric, the wearing of traditional clothing, tattooing practices, and ceremonies honoring Mother Earth through storytelling, chants, and dances are not merely cultural expressions. They are powerful assertions of identity that challenge colonial and capitalist attempts to erase Indigenous ways of life.However, the burden of resistance should not fall solely on Indigenous peoples. They must not be left to carry this weight alone. The system we are all up against is massive, aggressive, and violent. A truly decolonial future—one in which both Indigenous peoples and nature are protected—demands collective action across continents to dismantle these global structures. Solidarity must move beyond symbolic gestures and take the form of organized, sustained, and unapologetic resistance through direct action, mass mobilization, and the building of transnational alliances committed to tearing down this oppressive system."
}
,
"relatedposts": [
{
"title" : "Skims, Shapewear, and the Shape of Power: When a Brand Expands Into Occupied Territory",
"author" : "Louis Pisano",
"category" : "",
"url" : "https://everythingispolitical.com/readings/skims-shapewear-and-the-shape-of-power",
"date" : "2025-11-17 07:13:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_Skims_Israel.jpg",
"excerpt" : "On the evening of November 11, Kris Jenner celebrated her 70th birthday inside the fortified sprawl of Jeff Bezos’s $175 million Beverly Hills compound, hidden behind hedges so tall they violate city regulations, a rule he bypasses with a monthly $1,000 fine that functions more like a subscription fee than a penalty. The theme was James Bond, black tie and martini glasses, a winking acknowledgment of Amazon’s new ownership of the 007 franchise. Guests surrendered their phones upon arrival, a formality as unremarkable as valet check-in. Whatever managed to slip beyond the gates came in stray fragments: a long-lens photograph of Oprah Winfrey stepping out of a black SUV, Mariah Carey caught mid-laugh on the curb, Kylie Jenner offering a middle finger through the window of a chauffeured car. The rest appeared hours later in the form of carefully curated photos released by an official photographer, images softened and perfected until they resembled an ad campaign more than documentation. Nothing inside was witnessed on anyone’s own terms.",
"content" : "On the evening of November 11, Kris Jenner celebrated her 70th birthday inside the fortified sprawl of Jeff Bezos’s $175 million Beverly Hills compound, hidden behind hedges so tall they violate city regulations, a rule he bypasses with a monthly $1,000 fine that functions more like a subscription fee than a penalty. The theme was James Bond, black tie and martini glasses, a winking acknowledgment of Amazon’s new ownership of the 007 franchise. Guests surrendered their phones upon arrival, a formality as unremarkable as valet check-in. Whatever managed to slip beyond the gates came in stray fragments: a long-lens photograph of Oprah Winfrey stepping out of a black SUV, Mariah Carey caught mid-laugh on the curb, Kylie Jenner offering a middle finger through the window of a chauffeured car. The rest appeared hours later in the form of carefully curated photos released by an official photographer, images softened and perfected until they resembled an ad campaign more than documentation. Nothing inside was witnessed on anyone’s own terms.The guest list felt less like a party roster and more like an index of contemporary American power. Tyler Perry arrived early, Snoop Dogg later in the evening, Paris Hilton shimmering in a silver column that clung like liquid metal. Hailey Bieber drifted past in a slinky black dress, while Prince Harry and Meghan Sussex appeared in images that were quietly scrubbed from the family grid a day later. Nine billionaires circulated among the luminaries, their combined wealth brushing toward $600 billion. Mark Zuckerberg and Priscilla Chan joined Bill Gates at the poker table, while Bezos himself wandered through the party with Lauren Sánchez, doing the kind of effortless hosting that comes with having $245B in the bank.Jenner, dressed in red vintage Givenchy by Alexander McQueen, floated from conversation to conversation. She paused for a warm embrace with Perry, raised a glass with Hilton, and eventually made her way to the dance floor with Justin Bieber. At 70, she remains the family’s central command center, equal parts mother, manager, strategist, and brand steward. The celebration functioned as a kind of coronation, a reaffirmation that the Kardashian-Jenner empire is not stagnating but expanding, stretching itself into new sectors and new narratives with the same relentless ease that has defined its last decade.Just two weeks earlier, on a bright Monday in late October, a very different scene unfolded at the SKIMS flagship on the Sunset Strip. That morning, the boutique had been cleared to host Hagiborim, the Israeli nonprofit that supports children of fallen IDF soldiers and orphans of the October 7 attacks. Around a dozen girls wandered the store, laughing among themselves, perusing tank tops, and snapping selfies before assembling outside with those unmistakable beige SKIMS shopping bags. The images of the visit were sparse and easily missed unless one went searching; they appeared only on Hagiborim’s Instagram highlights. The event took place on October 28, less than a week before news began to circulate about SKIMS’s upcoming entry into the Israeli market.The launch itself unfolded with clinical precision. On November 10th in partnership with Irani Corp, SKIMS went live on Factory 54’s Israeli website, with in-store boutiques planned for December and ten to fifteen standalone stores projected to open across Israel by 2026. The company’s official language remained on brand, warm and relentlessly forward-looking. It spoke of “inclusivity,” of “community presence,” of broadening the global market. Nowhere did it acknowledge the war in Gaza, though the border sits just over an hour away and the headlines that week were filled with rising casualty counts and allegations of cease-fire violations, an entirely different reality unfolding parallel to the brand’s expansion.Hours after the SKIMS launch, Kardashian’s Instagram shifted into overdrive. She posted a carousel of herself in a gray bikini, captioned with a single emoji racking up millions of likes. The images came just two days after news of her fourth unsuccessful attempt at the California Bar had broken, a reminder that in the Kardashian ecosystem, social media momentum often outweighs any setback.Beneath the SKIMS machine which just raised $225M in funding is a quieter network of capital. Joshua Kushner, Jared’s younger brother, the polished, soft-spoken investor whose firm helped seed Instagram, owns a 10 percent stake and a board seat in SKIMS, a detail that surfaces only in required filings and the occasional business-page profile. The Kushner family’s ties to Israel run far deeper than the brand’s marketing conveys: long-standing real-estate ventures in Tel Aviv, and a family foundation that has funneled at least $342,000 to Friends of the IDF and another $58,500 to West Bank settlement groups and yeshivas in places like Beit El and Efrat. Jared Kushner’s diplomatic work on the Abraham Accords carved geopolitical corridors that SKIMS now moves through. The brand may position itself as apolitical, but the infrastructure of its Israel expansion is built on deeply political ground.Fashion media, however, showed little interest in any of this. A wide sweep through the archives of Business of Fashion, WWD, and Vogue Business yields nothing, not a single headline, not even a line buried in a retail digest. The launch through Factory 54, the long-term plan for as many as fifteen stores, the philanthropic event with Hagiborim, all of it passed in silence in the sector that usually treats Kardashian business moves as reliable traffic drivers.Instead, their coverage was devoted wholly to Kris Jenner’s birthday. Harper’s Bazaar published three separate pieces. W Magazine dubbed it “the Kardashians’ own Met Gala.” Vogue broke down the night with a dutifully detailed recap that leaned heavily on Harry and Meghan’s brief presence, clearly recognizing their value as SEO gold.The Kardashians operate with a level of intentionality that has outpaced many political campaigns. They understand the choreography of public-facing narratives better than any other family in American media. The Hagiborim visit, girls only, modest branding, no Kim in sight, served as a small preemptive gesture, a way to soften potential critique before the Israel launch rolled out. While the party dominated the feed, the expansion passed unnoticed and the charity event remained strictly confined to the margins, a calculated sequence, not chaos, the kind of PR mastery we’ve come to expect from Kris Jenner.The same instinct shapes their political signaling. On Inauguration Day 2025, as Donald Trump took the oath of office for a second term, Kim posted a silent Instagram Story of Melania Trump stepping out in a navy ensemble and wide-brimmed hat. She offered no caption, no endorsement, no framing. The image disappeared within 24 hours, but not before sparking a brief firestorm. It is the same familiar pattern, presence without explanation, the kind of ambiguity that allows the public to fill in the blanks while the family remains insulated.Beyond their insulated world, the conflict continues. Inside the bubble, the champagne is crisp, the Hulu cameras are rolling and the narrative is intact. What remains for the public is the split-screen: Kris Jenner blowing out seventy candles beneath a ceiling of crystals, surrounded by some of the wealthiest people alive; and Kim Kardashian posing in a studded bikini, eyes locked on the lens, hinting at the next product drop. Between the two lies a series of transactions, commercial, political, and moral, that the audience is never invited to examine.As for Kris Jenner’s birthday, it will be remembered. The launch will fade. The girls who posed with their new SKIMS pajamas will grow older; the war will either end or shift into some new phase. And the Kardashian-Jenner machine will keep moving, calculating every image, every post, every angle, ensuring the story that matters most is always the one they control."
}
,
{
"title" : "Unpublished, Erased, Unarchived: Why Arab-Led Publishing Matters More Than Ever",
"author" : "Céline Semaan",
"category" : "",
"url" : "https://everythingispolitical.com/readings/unpublished-erased-unarchived",
"date" : "2025-11-13 10:25:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_Unpublished.jpg",
"excerpt" : "At a moment when news of Gaza, West Bank, South Lebanon, and Beirut are slowly disappearing from the headlines—and from public consciousness—Arab writers face a singular burden: We must write the stories that no one else will print. We live in a media landscape that refuses to see us as fully human. A recent analysis from Giving Compass suggests that traditional media skews Palestinian news: seven major U.S. news outlets found that Palestinian stories were 13.6% to 38.9% less likely to be individualized than Israeli ones. Meaning, Palestinians appear as abstractions—statistics, masses, “civilians”—not as people with names, losses, or lives. Meanwhile, reports from the Centre for Media Monitoring (CfMM) show that UK outlets had a fourfold increase in coverage only when Gaza was framed through the lens of “criticism of Israel,” not Palestinian experience itself.",
"content" : "At a moment when news of Gaza, West Bank, South Lebanon, and Beirut are slowly disappearing from the headlines—and from public consciousness—Arab writers face a singular burden: We must write the stories that no one else will print. We live in a media landscape that refuses to see us as fully human. A recent analysis from Giving Compass suggests that traditional media skews Palestinian news: seven major U.S. news outlets found that Palestinian stories were 13.6% to 38.9% less likely to be individualized than Israeli ones. Meaning, Palestinians appear as abstractions—statistics, masses, “civilians”—not as people with names, losses, or lives. Meanwhile, reports from the Centre for Media Monitoring (CfMM) show that UK outlets had a fourfold increase in coverage only when Gaza was framed through the lens of “criticism of Israel,” not Palestinian experience itself.Against this backdrop of erasure, the scarcity of Arab women’s voices in publishing is even more alarming. A bibliometric study spanning 1.7 million publications across the Middle East and North Africa shows that men publish 11% to 51% more than women. What’s more, women’s authorship is less persistent, and men reach senior authorship far faster. Arab women are not only under-published but also systematically written out of the global record.This is why Slow Factory has founded Books for Collective Liberation, an Arab-led, independent imprint committed to telling Arab stories the way they should be told: authentically, empathetically, and wholly. We publish work that would never survive the filters of legacy publishing: the political hesitation, the “market concerns,” the fear of touching Arab grief, joy, or its future. Independence is not an aesthetic choice; it is the only way to protect our stories from being softened, sanitized, or structurally erased.Our forthcoming title, On the Zero Line, created in partnership with Isolarii, is a testament to that mission. It stands on the knife’s edge where memory is threatened with extinction—a book that documents what official archives will not. It is a testimony that refuses to disappear.But books alone are not enough. Stories need a home that is alive, responsive, and politically unafraid. That is the work of Everything is Political (EIP), our independent media platform and growing archive of essays, investigations, and first-person journalism. In an era where Big Tech throttles dissenting voices and newsrooms avoid political risk, EIP protects the creative freedom of Arab writers and journalists. We publish what mainstream outlets won’t—because our lives, our histories, and our communities, dead or alive, should not depend on editorial courage elsewhere.Together, Books for Collective Liberation and Everything is Political form an ecosystem of resistance: literature and journalism that feed each other, strengthening each other, building memory as infrastructure—a new archive. We refuse the fragmentation imposed on us: that books are separate from news, that culture is separate from politics, that our narratives exist only within Western frameworks. This archive is not static; it is a living, breathing record of a people determined to write themselves into the future.When stories from Gaza, Beirut, and the broader Levant fail to make the news—or make it only as geopolitical abstractions—the result breeds distortion and public consent to eliminate us. It is a wound to historical truth. It erases whole worlds. We will not let that happen.Independent, Arab-led publishing is how we repair that wound. It is how we record what happened, in our own voice. It is how we ensure that no empire, no newsroom, and no algorithm gets to decide which of our stories survive.Tonight, we gather at Palestine House to celebrate the launch of On the Zero Line, a collection of stories, essays, and poems from Gaza, translated in English for the first time. This evening, we are centering the lived experiences of Palestinians from Gaza who have been displaced in London. I have the honor of interviewing journalist Yara Eid and Ahmed Alnaouq, project manager of the platform “We are not Just Numbers.” Here, we will discuss how mainstream literature and journalism have censored us—and how we can keep our stories alive in response."
}
,
{
"title" : "The British Museum Gala and the Deep Echoes of Colonialism",
"author" : "Ana Beatriz Reitz do Valle Gameiro",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/the-british-museum-gala-and-the-deep-echoes-of-colonialism",
"date" : "2025-11-11 11:59:00 -0500",
"img" : "https://everythingispolitical.com/uploads/the-younger-memnon-statue-british-museum%20copy.jpg",
"excerpt" : "When it comes to fashion, few things are as overblown, overanalyzed, and utterly irresistible as a gala. For instance: hear the name “Met Gala”, and any fashionista’s spine will tingle while every publicist in New York breaks into a cold sweat. While New York has been hosting the original event at the Metropolitan Museum since 1948 and Paris had its Louvre moment in 2024, London finally decided to answer with an event at the British Museum on 18 October this year.",
"content" : "When it comes to fashion, few things are as overblown, overanalyzed, and utterly irresistible as a gala. For instance: hear the name “Met Gala”, and any fashionista’s spine will tingle while every publicist in New York breaks into a cold sweat. While New York has been hosting the original event at the Metropolitan Museum since 1948 and Paris had its Louvre moment in 2024, London finally decided to answer with an event at the British Museum on 18 October this year.The invitation-only event drew high-profile guests such as Naomi Campbell, Mick Jagger, Edward Enninful, Janet Jackson, Alexa Chung, and James Norton. With a theme of ‘Pink Ball,’ the night drew inspiration from the vibrant colors of India and walked hand-in-hand with the museum’s ‘Ancient India: Living Traditions’ exhibition, adding a touch of colonial irony à la British tradition.Unlike its always-talked-about New York counterpart, or Paris’s star-studded affair last year that reunited figures like Doechii, Tyra Banks, Gigi Hadid, and Victoria Beckham, London’s event felt less memorable fashion-wise. With little buzz surrounding it - whether due to a less star-studded guest list, unremarkable fashion, or its clash with the Academy Museum Gala - it ultimately felt more like an ordinary night than a headline-making affair.But the event was not entirely irrelevant. In fact, it prompted reflections rarely discussed in mainstream media. Notably, because in spite of the museum’s sprawling collection of objects from other marginalized countries, the event ‘‘celebrated’’ Indian artifacts looted during colonial rule. Equally noteworthy is the institution’s partnership with BP - the British oil giant whose exports reach Israel, a state that, in the twenty-first century, stands as a symbol of colonialism and the ongoing genocide of Palestinians. And, of course, every penny raised went to the museum’s international initiatives, including an excavation project in Benin City, Nigeria, and other archaeological digs in Iraq.Although excavation is often portrayed as a means of preserving the past, archaeologists acknowledge that it is inherently destructive - albeit justifiable if it provides people with a deeper understanding of the human past. As Geoffrey Scarre discusses in Ethics of Digging, a chapter in Cultural Heritage Ethics: Between Theory and Practice, it matters who has the authority to decide what is removed from the ground, how it is treated, whether it should be retained or reburied, and who ultimately controls it. Something that feels especially relevant when discussing the objects of marginalized communities and the legacies of countries shaped by European colonialism, now just laid bare as trophies to embellish the gilded halls of Euro-American institutions.That the British Museum’s collections were built on the wealth of its nation imperialism is hardly news. Yet the institution, like so many others, from the Louvre to the Met, continues to thrive on those very foundations. As Robert J. C. Young observes in Postcolonial Remains, “the desire to pronounce postcolonial theory dead on both sides of the Atlantic suggests that its presence continues to disturb and provoke anxiety: the real problem lies in the fact that the postcolonial remains.”Although postcolonialism is often mistakenly associated with the period after a country gained independence from colonial rule, academics like Young, Edward Said, Gayatri Chakravorty Spivak, and Frantz Fanon acknowledge that our world is still a postcolonial one, with cultural, political, and economic issues reflecting the lasting effects of colonization. Its aftermath extends beyond labels like “Third World” or the lingering sense of superiority that still marks the Global North; it also fuels a persistent entitlement to our art, culture, and legacy.This entitlement can be seen in the halls of many museums worldwide. And though looting may not always be illegal - as in how these institutions acquire those objects - it is certainly unethical. For decades, scholars and activists have debated that these institutions should restitute the legacies taken from other lands, objects stolen through wars of aggression and exploitation. Still, these museums deliberately choose to hold them, artifacts that bear little cultural resonance for their current keepers, but profound meaning for the people from whom they were taken.But these debates are no longer confined to academic circles. Take Egypt, for instance. Its long-awaited Grand Museum finally opened its doors three decades after its initial proposal in 1992 and nearly twenty years since construction began in 2005. Now fully operational, breathing fresh life into Egypt’s storied past through showcasing Tutankhamun’s tomb among other relics of the country, it is demanding the return of its legacy. Egypt’s former and famously outspoken Minister of Tourism and Antiquities, Dr. Zahi Hawass, for instance, recently told the BBC: “Now I want two things, number one, museums to stop buying stolen artefacts, and number two, I need three objects to come back: the Rosetta Stone from the British Museum, the Zodiac from the Louvre, and the Bust of Nefertiti from Berlin.” Beyond the direct call-out, Dr. Hawass has initiated online petitions demanding the return of the artifacts, amassing hundreds of thousands of signatures. Nevertheless, the world’s great museums remain silent, and the precious Egyptian treasures are still very much on display.With African, Asian, and Latin American legacies still held captive within Euro-American institutions, the echoes of colonialism linger well into the 21st century, keeping the postcolonial order intact. Even fashion, an industry that loves to believe it exists beyond politics, proves such. Whether through events that claim to celebrate certain things but end up being meaningless, the current Eurocentrism that still dominates the industry, or how many labels still profit from the aesthetics of marginalized nations without acknowledgment, fashion, much like museums, reproduces the very hierarchies postcolonial theory seeks to expose.Ultimately, the British Museum’s latest event does not celebrate Indian culture or Nigerian history through its excavation in Benin City. Like so many Euro-American institutions, it reinforces imperial power - masquerading cultural theft as preservation.In fashion as in museums, spectacle too often conceals empire - and beauty, unexamined, can become complicity."
}
]
}