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The Culture of Artificial Intelligence
Céline Semaan: It is being reported that AI will make humans dumber than ever, that it is here to rule the world, and to subjugate us all by bringing on a climate apocalypse. Being an AI and tech expert, how can you help people better understand AI as a phenomenon that will impact us but that we shouldn’t necessarily fear?
Sinead Bovell: It depends on where you are… in the Global North, and particularly in the US, perspectives on artificial intelligence and advanced technologies are more broadly negative. When you look at regions in the Global South, when you look at regions in Asia, AI is seen in a much more positive light. Their societies tend to focus on the benefits new technology can bring and what it can do for their quality of life. The social media ecosystem thrives on negative content, but it really does depend on where you are in the world as to how negatively you’re going to view AI. When it comes to the actual fears and the threats themselves, most of them have some validity.
Humans could become less intelligent over time if they’re overly reliant on artificial intelligence systems, and the data does show that AI can erode core cognitive capacities.
For example, most of us can’t read maps anymore. If you are in the military and your satellite gets knocked down and you need to understand your coordinates, that might be a problem. But for the average person, not reading a map has allowed us to optimize our time; we can get from A to B much more quickly. What do we fill the time with that AI gives us back with? That’s a really important question.
Another important question is: How do we purposely engineer cognitive friction into the learning and thinking environment so we don’t erode that core capability? That’s not something that is just going to happen. We are humans, we take the path of least resistance, like all evolutionary species do. If you look at the printing press, the chaotic abundance of information eventually led to the scientific method and the peer review. Educators, academics, scientists, and creators needed to figure out a way to sort through the valuable information and the nonsense, and that led to more cognitive friction. Those pathways haven’t been developed yet for AI. How we use and assimilate AI depends on the actions we take when it comes to the climate apocalypse, for instance. As of now, how AI uses water and energy is nothing short of a nightmare. However, it’s not really AI in isolation. It’s our social media habits in general. When you look at them in aggregate and globally, our digital habits and patterns aren’t good for the climate in general. And then AI just exacerbates all of that.
AI is not a technology that you are going to tap into and tap out of. It’s not like Uber where maybe you don’t use the app because you would prefer to bike, and that’s the choice that you make. AI is a general-purpose technology, and it’s important that we get that distinction, because general-purpose technologies, over time, become infrastructure, like the steam engine, electricity, and the internet. We rebuild our societies on top of them, and it’s important that we see it that way, so people don’t just unsubscribe out of protest. That only impedes their ability to make sure they keep up with the technology, and give adequate feedback and critiques of the technology.
Céline Semaan: I recently saw you on stage and heard your response to a question about whether AI and its ramifications could be written into an episode of the TV show Black Mirror. Would you be able to repeat the answer you gave?
Sinead Bovell: The stories we see and read about AI are usually dystopian. Arguably, there are choices we continue to make over and over again that we know will lead to negative outcomes, yet we don’t make different choices. To me, that’s the real Black Mirror episode… can we rely on ourselves? In some circumstances, we continually pick the more harmful thing. Most of the big challenges we face are complicated but not unsolvable. Even with climate, a lot of the solutions exist, and actually most of them are grounded in technology. What isn’t happening is the choice to leverage them, or the choice to subsidize them so they become more accessible, or the choice to even believe in them. That scares me a lot more than a particular use case of technology. Most of the biggest challenges we face are down to human choices, and we’re not making the right choices.
Céline Semaan: Are you afraid of AI taking over the world and rendering all of our jobs useless? How do you see that?
Sinead Bovell: There’s AI taking over the world, and that’s AI having its own desire and randomly rising up out of the laptop or out of some robot. I’m not necessarily concerned about that. You can’t say anything is a 0% chance, right? We don’t know. There are so many things you can’t say with 100% certainty. I mean, are we alone the universe? It’s really hard to prove or disprove those types of things. Where I stand on that is… sure allocate research dollars to a select group of scientists who can work on that problem. However, I am quite concerned about the impact AI is going to have on the workforce. We can see the destruction of certain jobs coming. It’s going to happen quickly, and we’re not preparing for it properly. Every general-purpose technology has led to automation and reconfiguration of the shape of the workforce. Let’s look at the first industrial revolution which lasted from approximately 1760-1840. If we were to zoom in on people working in agriculture, by the end of the 19th Century, around 70-80% of those people were doing something different. That is an astounding change. People had jobs, they just looked very different from working on the farm. But what if that happens in seven years rather than 80 years? That’s what scares me.
I think the transition will be quite chaotic because it’s going to be quite quick, but it doesn’t have to be. History isn’t a great predictor of the future, but it does give you a lot of examples of what you don’t need to do again.
The reason the industrial revolution turned out to be a good thing in the end, in terms of the life we all live, is that, for instance, we have MRIs and don’t have to have our blood drained to see if we’re sick. But people were just left to fend for themselves. It was chaos, and it turned into this kind of every person for themselves. Kind of figure it out. Get to the city. Bring your family. Don’t bring your family. It was really chaotic. How are we going to not repeat that? I don’t know if we are putting the security measures in place to make sure people are protecting that transition.
The most obvious one to me is health care in the United States. I don’t know the exact number, maybe it’s around 60% of people, but don’t quote me on that, are reliant on their job for health care. That’s where their insurance comes from. What is going to happen to their insurance if their job goes away or if they transition to being self-employed? How do we help people transition? People don’t even dare go down that road, but those are the types of conversations that need to happen.
Céline Semaan: In 10 years from now, will we look at AI as just another super calculator. And we will be asking the same questions that we are asking today, meaning that the change we’re seeking is not necessarily technological, but philosophical and cultural. How do you see that?
Sinead Bovell: AI will look like much more of a philosophical, cultural, and social transition than solely a technological one. This is true of a lot of general-purpose technologies.
The inventions in technology lead to how we organize our societies and how we govern them. If you look at the printing press, it led to a secular movement and gave power to that engine. You get big social, philosophical, cultural changes, and revolutions in society when you experience this scale of technical disruption. I think we will look back on the AI inflection point as one of the most pivotal transitions in human history in the past couple 100 years. I would say it’s going to be as disruptive as the printing press and maybe steam engine combined. And we made it through both of those. There was a lot of turmoil and chaos, but we did make it through both of those.
We are a much more vibrant, healthy society now. We live longer and, relatively speaking, we have much more equality. There is a path where it works out, but we have to be making the decisions to make that happen. However, it’s not practical that a subset of the population makes the decisions on behalf of everyone. And that’s why I think it’s so important for people to get in the game and not see AI as this really technical device or technology, but instead, as a big social, cultural and philosophical transition. Your lived experience qualifies you to participate in these conversations; there’s nobody who can carry the weight of this on their own.
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"title" : "The Culture of Artificial Intelligence",
"author" : "Sinead Bovell, Céline Semaan",
"category" : "interviews",
"url" : "https://everythingispolitical.com/readings/sinead-bovell-on-ai-artifial-intelligence",
"date" : "2025-07-20 21:35:46 -0400",
"img" : "https://everythingispolitical.com/uploads/sinead-bovell-headshot.jpg",
"excerpt" : "Céline Semaan: It is being reported that AI will make humans dumber than ever, that it is here to rule the world, and to subjugate us all by bringing on a climate apocalypse. Being an AI and tech expert, how can you help people better understand AI as a phenomenon that will impact us but that we shouldn’t necessarily fear?",
"content" : "Céline Semaan: It is being reported that AI will make humans dumber than ever, that it is here to rule the world, and to subjugate us all by bringing on a climate apocalypse. Being an AI and tech expert, how can you help people better understand AI as a phenomenon that will impact us but that we shouldn’t necessarily fear?Sinead Bovell: It depends on where you are… in the Global North, and particularly in the US, perspectives on artificial intelligence and advanced technologies are more broadly negative. When you look at regions in the Global South, when you look at regions in Asia, AI is seen in a much more positive light. Their societies tend to focus on the benefits new technology can bring and what it can do for their quality of life. The social media ecosystem thrives on negative content, but it really does depend on where you are in the world as to how negatively you’re going to view AI. When it comes to the actual fears and the threats themselves, most of them have some validity. Humans could become less intelligent over time if they’re overly reliant on artificial intelligence systems, and the data does show that AI can erode core cognitive capacities.For example, most of us can’t read maps anymore. If you are in the military and your satellite gets knocked down and you need to understand your coordinates, that might be a problem. But for the average person, not reading a map has allowed us to optimize our time; we can get from A to B much more quickly. What do we fill the time with that AI gives us back with? That’s a really important question.Another important question is: How do we purposely engineer cognitive friction into the learning and thinking environment so we don’t erode that core capability? That’s not something that is just going to happen. We are humans, we take the path of least resistance, like all evolutionary species do. If you look at the printing press, the chaotic abundance of information eventually led to the scientific method and the peer review. Educators, academics, scientists, and creators needed to figure out a way to sort through the valuable information and the nonsense, and that led to more cognitive friction. Those pathways haven’t been developed yet for AI. How we use and assimilate AI depends on the actions we take when it comes to the climate apocalypse, for instance. As of now, how AI uses water and energy is nothing short of a nightmare. However, it’s not really AI in isolation. It’s our social media habits in general. When you look at them in aggregate and globally, our digital habits and patterns aren’t good for the climate in general. And then AI just exacerbates all of that.AI is not a technology that you are going to tap into and tap out of. It’s not like Uber where maybe you don’t use the app because you would prefer to bike, and that’s the choice that you make. AI is a general-purpose technology, and it’s important that we get that distinction, because general-purpose technologies, over time, become infrastructure, like the steam engine, electricity, and the internet. We rebuild our societies on top of them, and it’s important that we see it that way, so people don’t just unsubscribe out of protest. That only impedes their ability to make sure they keep up with the technology, and give adequate feedback and critiques of the technology.Céline Semaan: I recently saw you on stage and heard your response to a question about whether AI and its ramifications could be written into an episode of the TV show Black Mirror. Would you be able to repeat the answer you gave?Sinead Bovell: The stories we see and read about AI are usually dystopian. Arguably, there are choices we continue to make over and over again that we know will lead to negative outcomes, yet we don’t make different choices. To me, that’s the real Black Mirror episode… can we rely on ourselves? In some circumstances, we continually pick the more harmful thing. Most of the big challenges we face are complicated but not unsolvable. Even with climate, a lot of the solutions exist, and actually most of them are grounded in technology. What isn’t happening is the choice to leverage them, or the choice to subsidize them so they become more accessible, or the choice to even believe in them. That scares me a lot more than a particular use case of technology. Most of the biggest challenges we face are down to human choices, and we’re not making the right choices.Céline Semaan: Are you afraid of AI taking over the world and rendering all of our jobs useless? How do you see that?Sinead Bovell: There’s AI taking over the world, and that’s AI having its own desire and randomly rising up out of the laptop or out of some robot. I’m not necessarily concerned about that. You can’t say anything is a 0% chance, right? We don’t know. There are so many things you can’t say with 100% certainty. I mean, are we alone the universe? It’s really hard to prove or disprove those types of things. Where I stand on that is… sure allocate research dollars to a select group of scientists who can work on that problem. However, I am quite concerned about the impact AI is going to have on the workforce. We can see the destruction of certain jobs coming. It’s going to happen quickly, and we’re not preparing for it properly. Every general-purpose technology has led to automation and reconfiguration of the shape of the workforce. Let’s look at the first industrial revolution which lasted from approximately 1760-1840. If we were to zoom in on people working in agriculture, by the end of the 19th Century, around 70-80% of those people were doing something different. That is an astounding change. People had jobs, they just looked very different from working on the farm. But what if that happens in seven years rather than 80 years? That’s what scares me. I think the transition will be quite chaotic because it’s going to be quite quick, but it doesn’t have to be. History isn’t a great predictor of the future, but it does give you a lot of examples of what you don’t need to do again.The reason the industrial revolution turned out to be a good thing in the end, in terms of the life we all live, is that, for instance, we have MRIs and don’t have to have our blood drained to see if we’re sick. But people were just left to fend for themselves. It was chaos, and it turned into this kind of every person for themselves. Kind of figure it out. Get to the city. Bring your family. Don’t bring your family. It was really chaotic. How are we going to not repeat that? I don’t know if we are putting the security measures in place to make sure people are protecting that transition.The most obvious one to me is health care in the United States. I don’t know the exact number, maybe it’s around 60% of people, but don’t quote me on that, are reliant on their job for health care. That’s where their insurance comes from. What is going to happen to their insurance if their job goes away or if they transition to being self-employed? How do we help people transition? People don’t even dare go down that road, but those are the types of conversations that need to happen.Céline Semaan: In 10 years from now, will we look at AI as just another super calculator. And we will be asking the same questions that we are asking today, meaning that the change we’re seeking is not necessarily technological, but philosophical and cultural. How do you see that?Sinead Bovell: AI will look like much more of a philosophical, cultural, and social transition than solely a technological one. This is true of a lot of general-purpose technologies.The inventions in technology lead to how we organize our societies and how we govern them. If you look at the printing press, it led to a secular movement and gave power to that engine. You get big social, philosophical, cultural changes, and revolutions in society when you experience this scale of technical disruption. I think we will look back on the AI inflection point as one of the most pivotal transitions in human history in the past couple 100 years. I would say it’s going to be as disruptive as the printing press and maybe steam engine combined. And we made it through both of those. There was a lot of turmoil and chaos, but we did make it through both of those.We are a much more vibrant, healthy society now. We live longer and, relatively speaking, we have much more equality. There is a path where it works out, but we have to be making the decisions to make that happen. However, it’s not practical that a subset of the population makes the decisions on behalf of everyone. And that’s why I think it’s so important for people to get in the game and not see AI as this really technical device or technology, but instead, as a big social, cultural and philosophical transition. Your lived experience qualifies you to participate in these conversations; there’s nobody who can carry the weight of this on their own."
}
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"relatedposts": [
{
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"author" : "EIP Editors",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/black-liberation-on-palestine",
"date" : "2025-10-17 09:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/mandela-keffiyeh.jpg",
"excerpt" : "",
"content" : "In understanding global politics, it is important to look at Black liberation struggles as one important source of moral perspective. So, when looking at Palestine, we look to Black leaders to see how they perceived the Palestinian struggle in relation to theirs, from the 1960’s to today.Why must we understand where the injustice lies? Because, as Desmond Tutu famously said, “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”{% for person in site.data.quotes-black-liberation-palestine %}{{ person.name }}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
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{
"title" : "First Anniversary Celebration of EIP",
"author" : "EIP Editors",
"category" : "events",
"url" : "https://everythingispolitical.com/readings/1st-anniversary-of-eip",
"date" : "2025-10-14 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/WSA_EIP_Launch_Cover.jpg",
"excerpt" : "Celebrating One Year of Independent Publishing",
"content" : "Celebrating One Year of Independent PublishingJoin Everything is Political on November 21st for the launch of our End-of-Year Special Edition Magazine.This members-only evening will feature a benefit dinner, cocktails, and live performances in celebration of a year of independent media, critical voices, and collective resistance.The EventNovember 21, 2025, 7-11pmLower Manhattan, New YorkLaunching our End-of-Year Special Edition MagazineSpecial appearances and performancesFood & Drink includedTickets are extremely limited, reserve yours now!Become an annual print member: get x back issues of EIP, receive the End-of-Year Special Edition Magazine, and come to the Anniversary Celebration.$470Already a member? Sign in to get your special offer. Buy Ticket $150 Just $50 ! and get the End-of-Year Special Edition Magazine Buy ticket $150 and get the End-of-Year Special Edition Magazine "
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,
{
"title" : "Miu Miu Transforms the Apron From Trad Wife to Boss Lady: The sexiest thing in Paris was a work garment",
"author" : "Khaoula Ghanem",
"category" : "",
"url" : "https://everythingispolitical.com/readings/miu-miu-transforms-the-apron-from-trad-wife-to-boss-lady",
"date" : "2025-10-14 13:05:00 -0400",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_MiuMiu_Apron.jpg",
"excerpt" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.",
"content" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.From the opening look—German actress Sandra Hüller in a utilitarian deep-blue apron layered over a barn jacket and neat blue shirting—the thesis was loud: the “cover” becomes the thing itself. As silhouettes marched on, aprons multiplied and mutated—industrial drill cotton with front pockets, raw canvas, taffeta and cloqué silk, lace-edged versions that flirted with lingerie, even black leather and crystal-studded incarnations that reframed function as ornament. What the apron traditionally shields (clothes, bodies, “the good dress”) was inverted; the protection became the prized surface. Prada herself spelled it out: “The apron is my favorite piece of clothing… it symbolizes women, from factories through to serving to the home.”Miu Miu Spring 2026 Ready-to-Wear. SuppliedThis inversion matters historically. The apron’s earliest fashion-adjacent life was industrial. It served as a barrier against grease, heat, stain. It was a token of paid and unpaid care. Miu Miu tapped that lineage directly (canvas, work belts, D-ring hardware), then sliced it against domestic codes (florals, ruffles, crochet), and finally pushed into nightlife with bejeweled and leather bibs. The garment’s migration across materials made its social migrations visible. It is a kitchen apron, yes, but also one for labs, hospitals, and factories; the set and styling insisted on that plurality.What makes the apron such a loaded emblem is not just what it covers, but what it reveals about who has always been working. Before industrialization formalized labor into factory shifts and wages, women were already performing invisible labour, the kind that doesn’t exist on payrolls but sits at the foundation of every functioning society. They were cooking, cleaning, raising children, nursing the ill. These tasks were foundational to every economy and yet absent from every ledger. Even when women entered the industrial workforce, from textile plants to wartime assembly lines, their domestic responsibilities did not disappear, they doubled. In that context, the apron here is a quiet manifesto for the strength that goes unrecorded, unthanked, and yet keeps civilization running.The algorithmic rise of the “tradwife,” the influencer economy that packages domesticity as soft power, is the contemporary cultural shadow here. Miu Miu’s apron refuses that rehearsal. In fact, it’s intentionally awkward—oversized, undone, worn over bikinis or with sturdy shoes—so the viewer can’t flatten it into Pinterest-ready nostalgia. Critics noted the collection as a reclamation, a rebuttal to the flattening forces of the feed: the apron as a uniform for endurance rather than submission. The show notes framed it simply as “a consideration of the work of women,” a reminder that the invisible economies of effort—paid, unpaid, emotional—still structure daily life.If that sounds unusually explicit for a luxury runway, consider the designer. Prada trained as a mime at Milan’s Piccolo Teatro, earned a PhD in political science, joined the Italian Communist Party, and was active in the women’s rights movement in 1970s Milan. Those facts are not trivia; they are the grammar of her clothes. Decades of “ugly chic” were, essentially, a slow campaign against easy consumption and default beauty. In 2026, the apron becomes the newest dialect. An emblem drawn from leftist feminist history, recoded into a product that still has to sell. That tension—belief versus business—is the Miuccia paradox, and it’s precisely why these aprons read as statements, not trends.The runway narrative traced a journey from function to fetish. Early looks were squarely utilitarian—thick cottons, pocketed bibs—before migrating toward fragility and sparkle. Lace aprons laid transparently over swimmers; crystal-studded aprons slipped across cocktail territory; leather apron-dresses stiffened posture into armor. The sequencing proposed the same silhouette can encode labor, intimacy, and spectacle depending on fabrication. If most brands smuggle “workwear” in as set dressing, Miu Miu forced it onto the body as the central garment and an unmissable reminder that the feminine is often asked to be both shield and display at once.It’s instructive to read this collection against the house’s last mega-viral object: the micro-mini of Spring 2022, a pleated, raw-hem wafer that colonized timelines and magazine covers. That skirt’s thesis was exposure—hip bones and hemlines as post-lockdown spectacle, Y2K nostalgia framed as liberation-lite. The apron, ironically, covers. Where the micro-mini trafficked in the optics of freedom (and the speed of virality), the apron asks about the conditions that make freedom possible: who launders, who cooks, who cares? To move from “look at me” to “who is working here?” is a pivot from optics to ethics, without abandoning desire. (The aprons are, after all, deeply covetable.) In a platform economy that still rewards the shortest hemline with the biggest click-through, this is a sophisticated counter-program.Yet the designer is not romanticizing toil. There’s wit in the ruffles and perversity in the crystals; neither negate labor, they metabolize it. The most striking image is the apron treated as couture-adjacent. Traditionally, an apron protects the precious thing beneath; here, the apron is the precious thing. You could call that hypocrisy—luxurizing the uniform of workers. Or, strategy, insisting that the symbols of care and effort deserve visibility and investment.Of course, none of this exists in a vacuum. The “tradwife” script thrives because it is aesthetically legible and commercially scalable. It packages gender ideology as moodboard. Miu Miu counters with garments whose legibility flickers. The collection’s best looks ask viewers to reconcile tenderness with toughness, convenience with care, which is exactly the mental choreography demanded of women in every context from office to home to online.If you wanted a season-defining “It” item, you’ll still find it. The apron is poised to proliferate across fast-fashion and luxury alike. But the deeper success is structural: Miu Miu re-centered labor as an aesthetic category. That’s rarer than a viral skirt. It’s a reminder that clothes don’t merely decorate life, they describe and negotiate it. In making the apron the subject rather than the prop, Prada turned a garment of service into a platform for agency. It’s precisely the kind of cultural recursion you’d expect from a designer shaped by feminist politics, who never stopped treating fashion as an instrument of thought as much as style.The last image to hold onto is deceptively simple: a woman in an apron, neither fetishized nor infantilized, striding, hands free. Not a costume for nostalgia, not a meme for the feed, but a working uniform reframed, respected, and suddenly, undeniably beautiful. That is Miu Miu’s provocation for Spring 2026: the work behind the work, made visible at last."
}
]
}