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On The Pleasures Of Living in Gaza
Extract from Chapter 5: Wisdom and Strength of On the Pleasures of Living in Gaza: Remembering a Way of Life Now Destroyed by Mohammed Omer Almoghayer
She dreams of working for a tourism agency to ensure that people with disabilities have full accessibility and can join in all touristic activities.
“I’m lucky to have the support of my father, who has always been there for me,” she says. “The love of a father is the first foundation upon which a daughter builds her world, a source of strength and confident support that shapes her into the per son she becomes. I want to use my passion for technology to make a difference in the lives of people with disabilities. I want to empower them to travel and explore the world without limitations.” She grins brightly as she sips a cup of tea behind her laptop. “My father has shown me anything is possible, and I want to pass on a message of perseverance and possibility to others like me around the world.”
Yasmine has formed a close-knit community of friends who understand her needs and experiences. For her, disability brings people together in a unique way by fostering deep bonds and a sense of empathy otherwise hard to find. Their shared experiences create a special feeling of camaraderie that goes beyond any physical limitation. Not every person with disabilities can meet in person, but they have become more aware of each other’s inspiring journeys through social media groups. There was a time in the past when physical disabilities were stigmatized and even viewed with shame by most families. Now, a shift has taken place in the dominant cultural perspective. People like Ahmed, Aya, Khamis, and Yasmine are part of a community taking root in Gaza that champions the rights and unique skills and wisdom of people with disabilities.
One of the most striking stories I’ve come across is the story of two disabled men who became like one.
On a beautiful spring day in Gaza, Adli and Mansour are in need of a new pair of shoes. Their economic backgrounds are quite divergent, but they have been close since their school days. They pull up on their shared motorcycle outside a local shoe shop and make their way inside on their crutches. Both are excited to try on the latest styles and quickly settle on a pair they both love. They split the cost. Adli pays for the left shoe, which is all he needs, and Mansour pays for the right. They love that they have the same taste in shoes and the same-sized feet, and they laugh and joke with the shop owner, who has never before seen two customers come in to buy a single pair of shoes.
They tell him about a chilly afternoon when Adli noticed Mansour’s shoe looked worn out. He offered to give Mansour his other sneaker, since he didn’t need it and they had lost opposite legs in successive Israeli attacks. Mansour was hesitant, but Adli assured him they had the same shoe size and that the shoe would be comfortable and supportive. After trying on the shoe, Mansour realized it was indeed very comfortable, and he accepted Adli’s kind offer. They’ve been sharing shoes ever since.
I later meet them at a falafel shop, and as they wait for their food, Adli shares his story of fearlessly acting as a first responder during an Israeli attack, only to become a victim him self in a second strike.11 He was brought into the hospital in a coma, and a medical crew pronounced him dead. His broken body was transferred to the morgue.
Adli looks disturbed as he recalls what he was told of these events. Mansour sits silently, listening to his friend tell the story. Adli’s father arrived at the morgue to say a final fare well to his son only to feel Adli’s hand and realize it was warm; his son was still alive. His screams of joy echoed through the hospital as he embraced his son. Miraculously, Adli regained consciousness in the morgue and was returned to the hospital.
The doctors were astonished. Adli needed several operations in various Gulf states to fully recover, with Mansour by his side. Little did Mansour know that he, too, would lose a leg just a few months later.
Mansour’s younger brother witnessed the bombing that maimed Mansour but did not know his own brother was among the victims. He ran back to his house, breathless and shaking, saying, “Someone has been killed!” His mother’s face turned pale and she whispered a solemn prayer for the victim’s family, wishing them patience during this difficult time. Hours later, she learned that the victim was her own son, who had lost a leg and some fingers and had shrapnel in his head.
After recalling such sad memories, the two men eat their falafel sandwiches—Adli’s favorite—in pensive silence. “The only positive thing about being injured has been how it’s strengthened my friendship with Adli,” says Mansour. “We share everything and split expenses—after all, we are one soul with two bodies.”
“My other leg is over there,” Adli jokes, pointing to Mansour. Mansour laughs and responds, “Yes, and that’s my other leg, and I can’t even think of going anywhere without it, or without Adli.”
Adli grins. “Together, we are better than before we were injured.”
Mansour nods, his eyes lively.
They enjoy spending time together, whether it’s shopping, eating, relaxing, strolling along the beach, running errands, or riding their one motorcycle. Living in Shujaiya, in East Gaza City, a region heavily impacted by war, the two men like to walk together from the far eastern border to the seafront in the far west, passing through Gaza’s fishing hub. Despite their physical challenges, the friends continue to do their daily activities together, taking pleasure in the simple joys of life.
Both men get on their motorcycle and head back home, laughing once again and sharing stories that never seem to come to an end.
In this town, people with disabilities are supported and understood in ways often hard to come by elsewhere. They don’t have to fight for access, inclusion, or representation because everyone has sympathy for people whose bodies have been dismembered by Israel’s military hardware, and because the situation is so common. Disability has been normalized. When Adli and Mansour sit on the seafront to chat for hours, people stop and greet them as they watch the rhythmic motion of the waves in the ocean. They find joy in daily life and inspire others in the community to do the same.
Years later I catch up with the two men as we walk under a sycamore tree on Al-Mintar Hill, an area near their homes that overlooks Gaza City. Despite the city’s changes, it still retains a serene beauty, and Gazans try not to let an atmosphere of defeat take hold. In Shujaiya, people’s mode of resilience is to stay, stand firm, and try to enjoy life as best they can despite the odds stacked against them.
Mansour is now married to a wonderful woman named Neda. To his great joy, they are expecting a baby, and his wife is thrilled to have found a job selling homemade sweets online. She’s also happy her husband has the support he needs through his friend Adli.
“We are able to find joy by sharing all we have and continuing to care for one another even through pain,” says Mansour. As for the motorcycle: Mansour handles the gears and Adli steers. Everyone who sees them fly by on the street is amazed by their degree of cooperation.
“When we share a ride, I feel like a whole human body with nothing missing,” Mansour says with a lighthearted laugh as they head toward home with the sunset behind them.
{
"article":
{
"title" : "On The Pleasures Of Living in Gaza",
"author" : "Mohammed Omer Almoghayer",
"category" : "excerpts",
"url" : "https://everythingispolitical.com/readings/on-the-pleasures-of-living-in-gaza",
"date" : "2025-06-18 14:26:00 -0400",
"img" : "https://everythingispolitical.com/uploads/81ia4Zbe0kL.jpg",
"excerpt" : "Extract from Chapter 5: Wisdom and Strength of On the Pleasures of Living in Gaza: Remembering a Way of Life Now Destroyed by Mohammed Omer Almoghayer",
"content" : "Extract from Chapter 5: Wisdom and Strength of On the Pleasures of Living in Gaza: Remembering a Way of Life Now Destroyed by Mohammed Omer AlmoghayerShe dreams of working for a tourism agency to ensure that people with disabilities have full accessibility and can join in all touristic activities.“I’m lucky to have the support of my father, who has always been there for me,” she says. “The love of a father is the first foundation upon which a daughter builds her world, a source of strength and confident support that shapes her into the per son she becomes. I want to use my passion for technology to make a difference in the lives of people with disabilities. I want to empower them to travel and explore the world without limitations.” She grins brightly as she sips a cup of tea behind her laptop. “My father has shown me anything is possible, and I want to pass on a message of perseverance and possibility to others like me around the world.”Yasmine has formed a close-knit community of friends who understand her needs and experiences. For her, disability brings people together in a unique way by fostering deep bonds and a sense of empathy otherwise hard to find. Their shared experiences create a special feeling of camaraderie that goes beyond any physical limitation. Not every person with disabilities can meet in person, but they have become more aware of each other’s inspiring journeys through social media groups. There was a time in the past when physical disabilities were stigmatized and even viewed with shame by most families. Now, a shift has taken place in the dominant cultural perspective. People like Ahmed, Aya, Khamis, and Yasmine are part of a community taking root in Gaza that champions the rights and unique skills and wisdom of people with disabilities.One of the most striking stories I’ve come across is the story of two disabled men who became like one.On a beautiful spring day in Gaza, Adli and Mansour are in need of a new pair of shoes. Their economic backgrounds are quite divergent, but they have been close since their school days. They pull up on their shared motorcycle outside a local shoe shop and make their way inside on their crutches. Both are excited to try on the latest styles and quickly settle on a pair they both love. They split the cost. Adli pays for the left shoe, which is all he needs, and Mansour pays for the right. They love that they have the same taste in shoes and the same-sized feet, and they laugh and joke with the shop owner, who has never before seen two customers come in to buy a single pair of shoes.They tell him about a chilly afternoon when Adli noticed Mansour’s shoe looked worn out. He offered to give Mansour his other sneaker, since he didn’t need it and they had lost opposite legs in successive Israeli attacks. Mansour was hesitant, but Adli assured him they had the same shoe size and that the shoe would be comfortable and supportive. After trying on the shoe, Mansour realized it was indeed very comfortable, and he accepted Adli’s kind offer. They’ve been sharing shoes ever since.I later meet them at a falafel shop, and as they wait for their food, Adli shares his story of fearlessly acting as a first responder during an Israeli attack, only to become a victim him self in a second strike.11 He was brought into the hospital in a coma, and a medical crew pronounced him dead. His broken body was transferred to the morgue.Adli looks disturbed as he recalls what he was told of these events. Mansour sits silently, listening to his friend tell the story. Adli’s father arrived at the morgue to say a final fare well to his son only to feel Adli’s hand and realize it was warm; his son was still alive. His screams of joy echoed through the hospital as he embraced his son. Miraculously, Adli regained consciousness in the morgue and was returned to the hospital.The doctors were astonished. Adli needed several operations in various Gulf states to fully recover, with Mansour by his side. Little did Mansour know that he, too, would lose a leg just a few months later.Mansour’s younger brother witnessed the bombing that maimed Mansour but did not know his own brother was among the victims. He ran back to his house, breathless and shaking, saying, “Someone has been killed!” His mother’s face turned pale and she whispered a solemn prayer for the victim’s family, wishing them patience during this difficult time. Hours later, she learned that the victim was her own son, who had lost a leg and some fingers and had shrapnel in his head.After recalling such sad memories, the two men eat their falafel sandwiches—Adli’s favorite—in pensive silence. “The only positive thing about being injured has been how it’s strengthened my friendship with Adli,” says Mansour. “We share everything and split expenses—after all, we are one soul with two bodies.”“My other leg is over there,” Adli jokes, pointing to Mansour. Mansour laughs and responds, “Yes, and that’s my other leg, and I can’t even think of going anywhere without it, or without Adli.”Adli grins. “Together, we are better than before we were injured.”Mansour nods, his eyes lively.They enjoy spending time together, whether it’s shopping, eating, relaxing, strolling along the beach, running errands, or riding their one motorcycle. Living in Shujaiya, in East Gaza City, a region heavily impacted by war, the two men like to walk together from the far eastern border to the seafront in the far west, passing through Gaza’s fishing hub. Despite their physical challenges, the friends continue to do their daily activities together, taking pleasure in the simple joys of life.Both men get on their motorcycle and head back home, laughing once again and sharing stories that never seem to come to an end.In this town, people with disabilities are supported and understood in ways often hard to come by elsewhere. They don’t have to fight for access, inclusion, or representation because everyone has sympathy for people whose bodies have been dismembered by Israel’s military hardware, and because the situation is so common. Disability has been normalized. When Adli and Mansour sit on the seafront to chat for hours, people stop and greet them as they watch the rhythmic motion of the waves in the ocean. They find joy in daily life and inspire others in the community to do the same.Years later I catch up with the two men as we walk under a sycamore tree on Al-Mintar Hill, an area near their homes that overlooks Gaza City. Despite the city’s changes, it still retains a serene beauty, and Gazans try not to let an atmosphere of defeat take hold. In Shujaiya, people’s mode of resilience is to stay, stand firm, and try to enjoy life as best they can despite the odds stacked against them.Mansour is now married to a wonderful woman named Neda. To his great joy, they are expecting a baby, and his wife is thrilled to have found a job selling homemade sweets online. She’s also happy her husband has the support he needs through his friend Adli.“We are able to find joy by sharing all we have and continuing to care for one another even through pain,” says Mansour. As for the motorcycle: Mansour handles the gears and Adli steers. Everyone who sees them fly by on the street is amazed by their degree of cooperation.“When we share a ride, I feel like a whole human body with nothing missing,” Mansour says with a lighthearted laugh as they head toward home with the sunset behind them."
}
,
"relatedposts": [
{
"title" : "Black Liberation Views on Palestine",
"author" : "EIP Editors",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/black-liberation-on-palestine",
"date" : "2025-10-17 09:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/mandela-keffiyeh.jpg",
"excerpt" : "",
"content" : "In understanding global politics, it is important to look at Black liberation struggles as one important source of moral perspective. So, when looking at Palestine, we look to Black leaders to see how they perceived the Palestinian struggle in relation to theirs, from the 1960’s to today.Why must we understand where the injustice lies? Because, as Desmond Tutu famously said, “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”{% for person in site.data.quotes-black-liberation-palestine %}{{ person.name }}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
}
,
{
"title" : "First Anniversary Celebration of EIP",
"author" : "EIP Editors",
"category" : "events",
"url" : "https://everythingispolitical.com/readings/1st-anniversary-of-eip",
"date" : "2025-10-14 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/WSA_EIP_Launch_Cover.jpg",
"excerpt" : "Celebrating One Year of Independent Publishing",
"content" : "Celebrating One Year of Independent PublishingJoin Everything is Political on November 21st for the launch of our End-of-Year Special Edition Magazine.This members-only evening will feature a benefit dinner, cocktails, and live performances in celebration of a year of independent media, critical voices, and collective resistance.The EventNovember 21, 2025, 7-11pmLower Manhattan, New YorkLaunching our End-of-Year Special Edition MagazineSpecial appearances and performancesFood & Drink includedTickets are extremely limited, reserve yours now!Become an annual print member: get x back issues of EIP, receive the End-of-Year Special Edition Magazine, and come to the Anniversary Celebration.$470Already a member? Sign in to get your special offer. Buy Ticket $150 Just $50 ! and get the End-of-Year Special Edition Magazine Buy ticket $150 and get the End-of-Year Special Edition Magazine "
}
,
{
"title" : "Miu Miu Transforms the Apron From Trad Wife to Boss Lady: The sexiest thing in Paris was a work garment",
"author" : "Khaoula Ghanem",
"category" : "",
"url" : "https://everythingispolitical.com/readings/miu-miu-transforms-the-apron-from-trad-wife-to-boss-lady",
"date" : "2025-10-14 13:05:00 -0400",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_MiuMiu_Apron.jpg",
"excerpt" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.",
"content" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.From the opening look—German actress Sandra Hüller in a utilitarian deep-blue apron layered over a barn jacket and neat blue shirting—the thesis was loud: the “cover” becomes the thing itself. As silhouettes marched on, aprons multiplied and mutated—industrial drill cotton with front pockets, raw canvas, taffeta and cloqué silk, lace-edged versions that flirted with lingerie, even black leather and crystal-studded incarnations that reframed function as ornament. What the apron traditionally shields (clothes, bodies, “the good dress”) was inverted; the protection became the prized surface. Prada herself spelled it out: “The apron is my favorite piece of clothing… it symbolizes women, from factories through to serving to the home.”Miu Miu Spring 2026 Ready-to-Wear. SuppliedThis inversion matters historically. The apron’s earliest fashion-adjacent life was industrial. It served as a barrier against grease, heat, stain. It was a token of paid and unpaid care. Miu Miu tapped that lineage directly (canvas, work belts, D-ring hardware), then sliced it against domestic codes (florals, ruffles, crochet), and finally pushed into nightlife with bejeweled and leather bibs. The garment’s migration across materials made its social migrations visible. It is a kitchen apron, yes, but also one for labs, hospitals, and factories; the set and styling insisted on that plurality.What makes the apron such a loaded emblem is not just what it covers, but what it reveals about who has always been working. Before industrialization formalized labor into factory shifts and wages, women were already performing invisible labour, the kind that doesn’t exist on payrolls but sits at the foundation of every functioning society. They were cooking, cleaning, raising children, nursing the ill. These tasks were foundational to every economy and yet absent from every ledger. Even when women entered the industrial workforce, from textile plants to wartime assembly lines, their domestic responsibilities did not disappear, they doubled. In that context, the apron here is a quiet manifesto for the strength that goes unrecorded, unthanked, and yet keeps civilization running.The algorithmic rise of the “tradwife,” the influencer economy that packages domesticity as soft power, is the contemporary cultural shadow here. Miu Miu’s apron refuses that rehearsal. In fact, it’s intentionally awkward—oversized, undone, worn over bikinis or with sturdy shoes—so the viewer can’t flatten it into Pinterest-ready nostalgia. Critics noted the collection as a reclamation, a rebuttal to the flattening forces of the feed: the apron as a uniform for endurance rather than submission. The show notes framed it simply as “a consideration of the work of women,” a reminder that the invisible economies of effort—paid, unpaid, emotional—still structure daily life.If that sounds unusually explicit for a luxury runway, consider the designer. Prada trained as a mime at Milan’s Piccolo Teatro, earned a PhD in political science, joined the Italian Communist Party, and was active in the women’s rights movement in 1970s Milan. Those facts are not trivia; they are the grammar of her clothes. Decades of “ugly chic” were, essentially, a slow campaign against easy consumption and default beauty. In 2026, the apron becomes the newest dialect. An emblem drawn from leftist feminist history, recoded into a product that still has to sell. That tension—belief versus business—is the Miuccia paradox, and it’s precisely why these aprons read as statements, not trends.The runway narrative traced a journey from function to fetish. Early looks were squarely utilitarian—thick cottons, pocketed bibs—before migrating toward fragility and sparkle. Lace aprons laid transparently over swimmers; crystal-studded aprons slipped across cocktail territory; leather apron-dresses stiffened posture into armor. The sequencing proposed the same silhouette can encode labor, intimacy, and spectacle depending on fabrication. If most brands smuggle “workwear” in as set dressing, Miu Miu forced it onto the body as the central garment and an unmissable reminder that the feminine is often asked to be both shield and display at once.It’s instructive to read this collection against the house’s last mega-viral object: the micro-mini of Spring 2022, a pleated, raw-hem wafer that colonized timelines and magazine covers. That skirt’s thesis was exposure—hip bones and hemlines as post-lockdown spectacle, Y2K nostalgia framed as liberation-lite. The apron, ironically, covers. Where the micro-mini trafficked in the optics of freedom (and the speed of virality), the apron asks about the conditions that make freedom possible: who launders, who cooks, who cares? To move from “look at me” to “who is working here?” is a pivot from optics to ethics, without abandoning desire. (The aprons are, after all, deeply covetable.) In a platform economy that still rewards the shortest hemline with the biggest click-through, this is a sophisticated counter-program.Yet the designer is not romanticizing toil. There’s wit in the ruffles and perversity in the crystals; neither negate labor, they metabolize it. The most striking image is the apron treated as couture-adjacent. Traditionally, an apron protects the precious thing beneath; here, the apron is the precious thing. You could call that hypocrisy—luxurizing the uniform of workers. Or, strategy, insisting that the symbols of care and effort deserve visibility and investment.Of course, none of this exists in a vacuum. The “tradwife” script thrives because it is aesthetically legible and commercially scalable. It packages gender ideology as moodboard. Miu Miu counters with garments whose legibility flickers. The collection’s best looks ask viewers to reconcile tenderness with toughness, convenience with care, which is exactly the mental choreography demanded of women in every context from office to home to online.If you wanted a season-defining “It” item, you’ll still find it. The apron is poised to proliferate across fast-fashion and luxury alike. But the deeper success is structural: Miu Miu re-centered labor as an aesthetic category. That’s rarer than a viral skirt. It’s a reminder that clothes don’t merely decorate life, they describe and negotiate it. In making the apron the subject rather than the prop, Prada turned a garment of service into a platform for agency. It’s precisely the kind of cultural recursion you’d expect from a designer shaped by feminist politics, who never stopped treating fashion as an instrument of thought as much as style.The last image to hold onto is deceptively simple: a woman in an apron, neither fetishized nor infantilized, striding, hands free. Not a costume for nostalgia, not a meme for the feed, but a working uniform reframed, respected, and suddenly, undeniably beautiful. That is Miu Miu’s provocation for Spring 2026: the work behind the work, made visible at last."
}
]
}