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Make No Mistake
White Supremacy at The Noguchi Museum

“Make no mistake, white supremacy exists at The Noguchi Museum!” declared Noguchi Museum Board Co-Chair Spencer Bailey in Spring of 2023 to a room full of staff. In the weeks leading up to this grand statement, the CFO resigned in protest, citing the racist environment of the museum as the main factor in their decision (the CFO’s replacement would also resign in protest a year and a half later). Director Brett Littman was subsequently let go due to the racist environment he created. Deputy Director Jennifer Lorch was installed as the Interim Director despite complaints pointing to her culpability in the racist system. Not only was Lorch given more power by the board, but 990 tax forms show that Lorch received an increase of over $100,000 that year, despite her terrible performance. The hostile, racist environment she created was a significant factor in multiple hospitalizations of staff that year.
Cognitive dissonance, performative allyship, abstract liberalism, ignorance, fear, liberal guilt mischaracterized as a form of anosognosia (according to Wikipedia, a neuropsychiatric disorder that causes a deficit of self-awareness), being fake-as-fuck or simply being liars… What’s the right way to understand the board of The Noguchi Museum?
Senior leadership and the board have tried to avoid controversy largely by ignoring public scrutiny. They never had any interest in addressing systemic racism. In fact, Spencer Bailey was excited to tell the staff that he was aware of the fact that the community was left with leadership hellbent on protecting white supremacy in profound, surprising, and in some cases, unlawful ways. The board’s actions and values were and are not vague.
We have already written exhaustively about the conditions at The Noguchi Museum and why the community is boycotting the institution, which you can learn more about from links in our @noguchirights IG account. Rather than rehashing those details, we want to discuss the motivations of the board and why they are steamrolling past unresolved issues.
The museum is financially secure because as a non-profit, it benefits from a loophole that allows it to have a luxury goods wing that grants it the exclusive rights to sell Noguchi’s Akari lamps to the North American market. The museum and foundation make millions of dollars a year from these sales, and sales have grown 8-fold since pre-lockdown. It’s a revenue source many non-profits could only dream of, not to mention that the museum also owns its property, and the permanent collection is technically all it needs to showcase in its exhibitions. Without any financial repercussions, the museum and the foundation simply have no incentive to care. It is worth taking a moment to reflect on how disgusting and sad this is.
As an exercise, you can address outstanding issues by emailing ahau@noguchi.org, jlorch@nogcuhi.org, and info@nogcuhi.org. For example, you could ask any of these still unanswered questions regarding the keffiyeh ban for staff, implemented last year:
Why has the ban, which was meant to apply to all political attire, only ever been enforced against the keffiyeh?
Why has the museum failed to train staff on how to implement this ban, or clarify what constitutes political attire outside of keffiyehs alone?
In light of this policy, how does the museum justify its director’s statements when she openly discusses her political views to staff regarding President Trump?
Given that the keffiyeh is a cultural garment, meaning it is protected under city and state laws, and is the only thing ever explicitly targeted by this policy, how does the selective enforcement of this policy not discriminate against individuals who would wear a keffiyeh as a cultural item? What is the distinction between cultural and political in this context, and how is that dealt with by museum leadership?
Why were board Co-Chairs Spencer Bailey and Susan Kessler so involved in enforcing the keffiyeh ban, and in what ways does enforcing the ban relate to their responsibilities?
The leadership is not for the community, despite running a community museum founded by an activist artist who would be appalled by the current conditions. While people and organizations have stopped partnering with the museum, Equal Employment Opportunity Commission complaints have been filed, the staff has unionized, and the museum has received terrible press, those in leadership positions have simply crossed their fingers in the hope that the public will forget about it all. The Noguchi Museum is a community non-profit, and as a member of the community, you deserve answers.
For more than a decade, the board has been chasing its own white whale: a capital project that remains unrealized. Disgraced Mayor Eric Adams and Queens Borough President Donovan Richards, both of whom are also anti-Palestinian, dedicated $4.5 million to this project back in 2022. This project will destroy the three houses behind Noguchi’s studio to construct a new building in a residential area of Queens that needs a grocery store more than an expanded museum building. In a city that already has serious issues with housing and affordability, this tone-deaf real estate project is taking priority over everything else. Shortly before one of the to-be-demolished properties was purchased in 2024, Director Amy Hau requested that staff keep the potential acquisition a secret to avoid having to deal with neighbors who might try to prevent the sale from happening. Members of leadership driving this decision are hyper-aware of the upset they are about to cause the community.

Since the staff unanimously unionized in January 2025, senior leadership has only turned the heat up. They continue to attempt to cripple any dissent against an unjust system while they gaslight the staff. Controversy, a boycott, losing programmatic partners, Amy Hau being dropped from boards directly related to her failures at The Noguchi Museum, and complaints from the public haven’t swayed the leaders at all.
The truth needs to be disseminated far and wide through our networks and by word-of-mouth. We ask you to spread the message about our boycott, if not for the staff, if not for Noguchi’s legacy, if not for the neighborhood, then for the principled message that we do not stand for white supremacy as it morphs to absorb anything we could (have) call(ed) our own.

{
"article":
{
"title" : "Make No Mistake: White Supremacy at The Noguchi Museum",
"author" : "Noguchi Rights",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/make-no-mistake-white-supremacy-at-the-noguchi-museum",
"date" : "2025-07-20 17:35:46 -0400",
"img" : "https://everythingispolitical.com/uploads/protest-from-members-of-the-public-during-the-noguchi-gala-2.jpg",
"excerpt" : "",
"content" : "“Make no mistake, white supremacy exists at The Noguchi Museum!” declared Noguchi Museum Board Co-Chair Spencer Bailey in Spring of 2023 to a room full of staff. In the weeks leading up to this grand statement, the CFO resigned in protest, citing the racist environment of the museum as the main factor in their decision (the CFO’s replacement would also resign in protest a year and a half later). Director Brett Littman was subsequently let go due to the racist environment he created. Deputy Director Jennifer Lorch was installed as the Interim Director despite complaints pointing to her culpability in the racist system. Not only was Lorch given more power by the board, but 990 tax forms show that Lorch received an increase of over $100,000 that year, despite her terrible performance. The hostile, racist environment she created was a significant factor in multiple hospitalizations of staff that year.Cognitive dissonance, performative allyship, abstract liberalism, ignorance, fear, liberal guilt mischaracterized as a form of anosognosia (according to Wikipedia, a neuropsychiatric disorder that causes a deficit of self-awareness), being fake-as-fuck or simply being liars… What’s the right way to understand the board of The Noguchi Museum?Senior leadership and the board have tried to avoid controversy largely by ignoring public scrutiny. They never had any interest in addressing systemic racism. In fact, Spencer Bailey was excited to tell the staff that he was aware of the fact that the community was left with leadership hellbent on protecting white supremacy in profound, surprising, and in some cases, unlawful ways. The board’s actions and values were and are not vague.We have already written exhaustively about the conditions at The Noguchi Museum and why the community is boycotting the institution, which you can learn more about from links in our @noguchirights IG account. Rather than rehashing those details, we want to discuss the motivations of the board and why they are steamrolling past unresolved issues.The museum is financially secure because as a non-profit, it benefits from a loophole that allows it to have a luxury goods wing that grants it the exclusive rights to sell Noguchi’s Akari lamps to the North American market. The museum and foundation make millions of dollars a year from these sales, and sales have grown 8-fold since pre-lockdown. It’s a revenue source many non-profits could only dream of, not to mention that the museum also owns its property, and the permanent collection is technically all it needs to showcase in its exhibitions. Without any financial repercussions, the museum and the foundation simply have no incentive to care. It is worth taking a moment to reflect on how disgusting and sad this is.As an exercise, you can address outstanding issues by emailing ahau@noguchi.org, jlorch@nogcuhi.org, and info@nogcuhi.org. For example, you could ask any of these still unanswered questions regarding the keffiyeh ban for staff, implemented last year:Why has the ban, which was meant to apply to all political attire, only ever been enforced against the keffiyeh?Why has the museum failed to train staff on how to implement this ban, or clarify what constitutes political attire outside of keffiyehs alone?In light of this policy, how does the museum justify its director’s statements when she openly discusses her political views to staff regarding President Trump?Given that the keffiyeh is a cultural garment, meaning it is protected under city and state laws, and is the only thing ever explicitly targeted by this policy, how does the selective enforcement of this policy not discriminate against individuals who would wear a keffiyeh as a cultural item? What is the distinction between cultural and political in this context, and how is that dealt with by museum leadership?Why were board Co-Chairs Spencer Bailey and Susan Kessler so involved in enforcing the keffiyeh ban, and in what ways does enforcing the ban relate to their responsibilities?The leadership is not for the community, despite running a community museum founded by an activist artist who would be appalled by the current conditions. While people and organizations have stopped partnering with the museum, Equal Employment Opportunity Commission complaints have been filed, the staff has unionized, and the museum has received terrible press, those in leadership positions have simply crossed their fingers in the hope that the public will forget about it all. The Noguchi Museum is a community non-profit, and as a member of the community, you deserve answers.For more than a decade, the board has been chasing its own white whale: a capital project that remains unrealized. Disgraced Mayor Eric Adams and Queens Borough President Donovan Richards, both of whom are also anti-Palestinian, dedicated $4.5 million to this project back in 2022. This project will destroy the three houses behind Noguchi’s studio to construct a new building in a residential area of Queens that needs a grocery store more than an expanded museum building. In a city that already has serious issues with housing and affordability, this tone-deaf real estate project is taking priority over everything else. Shortly before one of the to-be-demolished properties was purchased in 2024, Director Amy Hau requested that staff keep the potential acquisition a secret to avoid having to deal with neighbors who might try to prevent the sale from happening. Members of leadership driving this decision are hyper-aware of the upset they are about to cause the community.Since the staff unanimously unionized in January 2025, senior leadership has only turned the heat up. They continue to attempt to cripple any dissent against an unjust system while they gaslight the staff. Controversy, a boycott, losing programmatic partners, Amy Hau being dropped from boards directly related to her failures at The Noguchi Museum, and complaints from the public haven’t swayed the leaders at all. The truth needs to be disseminated far and wide through our networks and by word-of-mouth. We ask you to spread the message about our boycott, if not for the staff, if not for Noguchi’s legacy, if not for the neighborhood, then for the principled message that we do not stand for white supremacy as it morphs to absorb anything we could (have) call(ed) our own."
}
,
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{
"title" : "100+ Years of Genocidal Intent in Palestine",
"author" : "Collis Browne",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/100-years-of-genocidal-intent",
"date" : "2025-10-07 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/1920-jerusalem.jpg",
"excerpt" : "Every single Israeli prime minister, president, and major Zionist leader has voiced clear intent to erase the Palestinian people from their lands, either by forced expulsion, or military violence. From Herzl and Chaim Weizmann to Ben-Gurion to Netanyahu, the record is not ambiguous:",
"content" : "Every single Israeli prime minister, president, and major Zionist leader has voiced clear intent to erase the Palestinian people from their lands, either by forced expulsion, or military violence. From Herzl and Chaim Weizmann to Ben-Gurion to Netanyahu, the record is not ambiguous:{% for person in site.data.genocidalquotes %}{{ person.name }}{% if person.title %}<p class=\"title-xs\">{{ person.title }}</p>{% endif %}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
}
,
{
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"author" : "Cheb Gado",
"category" : "",
"url" : "https://everythingispolitical.com/readings/dignity-before-stadiums",
"date" : "2025-10-02 09:08:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover_Morocco_GenZ.jpg",
"excerpt" : "No one expected a generation raised on smartphones and TikTok clips to ignite a spark of protest shaking Morocco’s streets. But Gen Z, the children of the internet and speed, have stepped forward to write a new chapter in the history of uprisings, in their own style.The wave of anger began with everyday struggles that cut deep into young people’s lives: soaring prices, lack of social justice, and the silencing of their voices in politics. They didn’t need traditional leaders or party manifestos; the movement was born out of a single hashtag that spread like wildfire, transforming individual frustration into collective momentum.",
"content" : "No one expected a generation raised on smartphones and TikTok clips to ignite a spark of protest shaking Morocco’s streets. But Gen Z, the children of the internet and speed, have stepped forward to write a new chapter in the history of uprisings, in their own style.The wave of anger began with everyday struggles that cut deep into young people’s lives: soaring prices, lack of social justice, and the silencing of their voices in politics. They didn’t need traditional leaders or party manifestos; the movement was born out of a single hashtag that spread like wildfire, transforming individual frustration into collective momentum.One of the sharpest contradictions fueling the protests was the billions poured into World Cup-related preparations, while ordinary citizens remained marginalized when it came to healthcare and education.This awareness quickly turned into chants and slogans echoing through the streets: “Dignity begins with schools and hospitals, not with putting on a show for the world.”What set this movement apart was not only its presence on the streets, but also the way it reinvented protest itself:Live filming: Phone cameras revealed events moment by moment, exposing abuses instantly.Memes and satire: A powerful weapon to dismantle authority’s aura, turning complex political discourse into viral, shareable content.Decentralized networks: No leader, no party, just small, fast-moving groups connected online, able to appear and disappear with agility.This generation doesn’t believe in grand speeches or delayed promises. They demand change here and now. Moving seamlessly between the physical and digital realms, they turn the street into a stage of revolt, and Instagram Live into an alternative media outlet.What’s happening in Morocco strongly recalls the Arab Spring of 2011, when young people flooded the streets with the same passion and spontaneity, armed only with belief in their power to spark change. But Gen Z added their own twist, digital tools, meme culture, and the pace of a hyper-connected world.Morocco’s Gen Z uprising is not just another protest, but a living experiment in how a digital generation can redefine politics itself. The spark may fade, but the mark it leaves on young people’s collective consciousness cannot be erased.Photo credits: Mosa’ab Elshamy, Zacaria Garcia, Abdel Majid Bizouat, Marouane Beslem"
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{
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"category" : "",
"url" : "https://everythingispolitical.com/readings/a-shutdown-exposes-how-fragile-us-governance-really-is",
"date" : "2025-10-01 22:13:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Cover_Gov_ShutDown.jpg",
"excerpt" : "Each time the federal government shutters its doors, we hear the same reassurances: essential services will continue, Social Security checks will still arrive, planes won’t fall from the sky. This isn’t the first Governmental shutdown, they’ve happened 22 times since 1976, and their toll is real.",
"content" : "Each time the federal government shutters its doors, we hear the same reassurances: essential services will continue, Social Security checks will still arrive, planes won’t fall from the sky. This isn’t the first Governmental shutdown, they’ve happened 22 times since 1976, and their toll is real.Shutdowns don’t mean the government stops functioning. They mean millions of federal workers are asked to keep the system running without pay. Air traffic controllers, border patrol agents, food inspectors — people whose jobs underpin both public safety and economic life — are told their labor matters, but their livelihoods don’t. People have to pay the price of bad bureaucracy in the world’s most powerful country, if governance is stalled, workers must pay with their salaries and their groceries.In 1995 and 1996, clashes between President Bill Clinton and House Speaker Newt Gingrich triggered two shutdowns totaling 27 days. In 2013, a 16-day standoff over the Affordable Care Act furloughed 850,000 workers. And in 2018–2019, the longest shutdown in U.S. history stretched 35 days, as President Trump refused to reopen the government without funding for a border wall. That impasse left 800,000 federal employees without paychecks and cost the U.S. economy an estimated $11 billion — $3 billion of it permanently lost.More troubling is what happens when crises strike during shutdowns. The United States is living in an age of accelerating climate disasters: historic floods in Vermont, wildfire smoke choking New York, hurricanes pounding Florida. These emergencies do not pause while Congress fights over budgets. Yet a shutdown means furloughed NOAA meteorologists, suspended EPA enforcement, and delayed FEMA programs. In the most climate-vulnerable decade of our lifetimes, we are choosing paralysis over preparedness.This vulnerability didn’t emerge overnight. For decades, the American state has been hollowed out under the logic of austerity and privatization, while military spending has remained sacrosanct. That imbalance is why budgets collapse under the weight of endless resources for war abroad, too few for resilience at home.Shutdowns send a dangerous message. They normalize instability. They tell workers they are disposable. They make clear that in our system, climate resilience and public health aren’t pillars of our democracy but rather insignificant in the face of power and greed. And each time the government closes, it becomes easier to imagine a future where this isn’t the exception but the rule.The United States cannot afford to keep running on shutdown politics. The climate crisis, economic inequality, and the challenges of sustaining democracy itself demand continuity, not collapse. We need a politics that treats stability and resilience not as partisan victories, but as basic commitments to one another. Otherwise, the real shutdown isn’t just of the government — it’s of democracy itself."
}
]
}