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Gaza’s Very Own Hind Khoudary

CÉLINE SEMAAN: Before you became a journalist working with Al Jazeera, what did you study? What were your interests?
HIND KHOUDARY: I started working in journalism in 2017. I used to work as a translator before I became a journalist. My interest was always writing. This is how I discovered myself. I used to write diaries; I would spend hours every day writing when I was a child. I would hide what I wrote underneath my clothes in my closet. The first time I published something I wrote, I felt exposed. Fortunately, I always get very nice feedback from editors. Covering the Great March of Return in 2017 and 2018 kick- started my career.
CÉLINE:Where are your diaries from childhood now?
HIND: They’re all gone. I never thought our house would be bombed. Every time I go to the house I search for stuff, but I have never found any of my journals. I can’t write anymore, and it’s something that’s suffocating me… even writing a caption for a story or a post, I can’t do that anymore. It’s fucking hurting me; it’s breaking my heart. I used writing as a tool to help myself, to express myself, to document everything, and I’m not able to do it. I got new pens and new notebooks. They’re all blank. I can’t write anymore.
I’m taking pictures of stuff… when I want to write something, I’ll go to the pictures and remember what I wanted to write. I’m a Cancer, and Cancer is a water sign. My house was a street away from the beach when I was a kid. I used to see the beach from my windows. It’s the only place where I find peace, because all I hear are the waves and the water. I look at the sky, I don’t hear drones, I don’t hear explosions. The sea is my best friend. I love it. It’s my escape.
CÉLINE: How has it been now that Israel is bombing Gaza more intensely? It’s something we can’t even wrap our heads around, because it was already so awful. How is it now? Give us a little update… what is going on right now in Gaza?
HIND: I think this period is the worst since the war started. People returned to their houses after the ceasefire. They tried to fix whatever they could fix, build their houses, despite the rubble, despite the destruction, despite everything. Some people pitched their tents on top of their bombed house. It was very hopeful. For a couple of months, we were very hopeful, and everyone was like, we’re not going to leave again. Whatever happens, we want to die here… until everything started once again. The massive bombardment started again. They’re bombing in a very crazy way. My friends are telling me that they find quadcopters (military drones) inside their houses. So most of the Palestinians were forced to flee again.
We’re living the same exact story once again; we’ve lived through the famine and then the displacement, and then the ground invasion… and there’s going to be another famine in the next couple of months. It suffocates you. We’re not Supermen or Batmen. If you stay, you’re going to either die and get buried in a mass grave or get arrested. There’s no other option. It’s very traumatizing. It’s very hard. Documenting this over and over again is hitting me hard because I can’t do anything about it. There’s nothing we can do. We’re in this cycle of violence, and nothing else can happen. And the worst thing is those explosive robots. They destroy entire houses. It’s this new technology where there’s no body left or anything. So all of this makes this the worst period ever.
CÉLINE: It’s terrible. The news coming from Gaza is being censored, so it’s very hard for us to follow what’s going on. How is it to document this while it’s happening? It must be very difficult. Are there any protocols you guys follow? How do you make sure that you are at least able to record something?
HIND: Every single day, when we wake up, we start counting the people who were recorded as deceased by the hospitals. Dozens are killed every day. No civil defense team, no crew can reach them, no one knows about them. So my reporting is not accurate, because we are not able to reach all the people. There are 1000s of Palestinians buried under rubble, and no one knows anything about where they are or how many are buried. I met dozens of families that were searching every single day for one bone of their family member, a bone, anything, just anything from whatever is left of them. There is nothing to say goodbye to, no body. So, yes, we try to document as much as possible, but our numbers are totally inaccurate.
CÉLINE: And even the cemeteries are being bombed. You are in a place that is being actively erased.
HIND: I went to the burial of a friend, and all of the graves were bombed. Why would you destroy someone’s grave? What is the point of doing something like that? It literally made me feel like: is this real? Why is this happening? Even after you die, come on… there’s nothing left to destroy.
CÉLINE: I’m sure the word resilience sounds more like an insult at this point, because I feel that as well. I myself am struggling to stay strong. I renew my strength by witnessing you every day. You’re holding the world on your shoulders at this moment, yet you remain soft. I’m sure people ask you: How do you find hope? But I want to ask you if you feel closer to God in this experience?
HIND: Losing everything, your beloved ones, your family members, your house, your future, your city; it’s a lot to handle. I always pray: God, give me the strength to continue. God, give me the strength to finish this till the end. The only thing I want to do is to reach the end. That’s what I want. And without God, I could never do this. We need strength, we need hope. But at the same time, we are very disappointed. I was sitting with a group of journalists, and a correspondent looked at the sky and said, “God, do something. Do something right now!” We all started screaming and shouting, “Do something. Please, do something.” It’s a love- hate relationship. It’s not knowing what to do, and at the same time, calling Him all the time, talking to Him all the time, asking Him to intervene.
CÉLINE: Do people ask you why you aren’t escaping? How do you keep in touch with your family abroad? I’m sure they must be worried.
HIND: I remember the fights I had with my family during the first weeks and months of the war when I decided not to leave. I want to be here because I want to experience everything. I would never walk away and leave my people. I send my family a message every now and then; that’s how I maintain my relationship with them. I have a lot of friends who are very worried, and they’re always texting. It’s not that I don’t want to text back or call back, but I don’t have anything to say. I don’t want to tell you I’m not okay because I don’t want to talk about it. Of course, I want to share everything, but I don’t have the capacity right now. I’m mentally exhausted. Everyone has been very understanding. Even if I don’t reply, they still send emojis. My brother always sends me videos laughing or singing. It was a very tough decision to stay. However, I do not regret it.
CÉLINE: I completely understand. I wanted to go to Gaza at the start of the war, but I couldn’t because I’m Lebanese. I was obsessed. I really wanted to be there. It’s very hard to watch it, but I know it’s harder to live it… I was reading your tweets yesterday night before bed. I feel you’re talking to somebody. I wondered if that person read your tweets?
HIND: Every app has a different part of me. Twitter is my diary; I love tweeting what I feel on that app. The heart of me is posting on Instagram. I love posting my feelings, but I also like to share stuff. I share what I see, what I feel, everything. I don’t post what I post on Facebook on Instagram or on Twitter. My feelings are very complicated. I was feeling neglected, as if someone had given up on me. I didn’t want to go through that onmyown.Yes,Ichosetobeonmyown.I thought I would be okay, but at the end of the day, you need someone to cry to, you need someone to hug, you need someone to express yourself to. You need someone to lean on.
CÉLINE: You’re going through a heartbreak, and you’re going through the destruction of your city, and you’re going through displacement… it’s beyond human. And as you said, we are not superheroes. I watch you, and I send you prayers and so much love. I was happy when I saw you dressed in a cute outfit the other day…
HIND: I try. I’m still picky about what I drink and eat, despite the fact that there are no options. I’m trying to save this part of myself. I am the person I am, and I’m happy that nothing has changed me.
CÉLINE: Again, I was reading your Twitter, and I felt like this experience is pushing a lot of people to their limits. Nonetheless, many people here are romanticizing the situation. They’re like, “Oh, it’s so inspiring. People are coming together and helping one another…” When, in reality, people are suffering. How do you describe the situation? Are people able to remain in solidarity? Or is it breaking people apart?
HIND: It’s breaking people apart. Imagine losing everything you have and then being thrown on the streets. Your family is in danger, or you’ve lost your family. You’ve lost everything you have, you’re starved, you don’t have an income. Everything that would make you stay the human you are is gone. For example, there are people who jump on the trucks to grab a bag of flour before anyone else can get it. Do you think these people ever thought they would end up here one day? People are starving, like literally, people are starving and if they do not do this, their family will not eat that day. They are forced to be the worst version of themselves.
Before the war, I never felt afraid in Gaza. I felt like these are my people. This is my home. I’ve never felt scared at home, but for the first time, I am scared when I’m home. Who are these people? I feel as if I’m living with zombies. When I’m working, I am always scared of people. I never felt like this before. I worked in all parts of Gaza. I went to houses, I protested. I never felt afraid that someone would harm me. But now I feel afraid when I’m on camera. I try to build a connection with people, but at the same time, I know that the person who was cursing at me or threatening me would never curse if he had not just walked for seven hours, barefoot and under fire from his house to where I am reporting… He doesn’t know where to go. The social fabric is literally destroyed.
Everyone knows the people of Gaza for their generosity and their kindness… and I’ve found some people who are still like this, even at this point. I’ll go into a tent to cover a story, and the people there insist on collecting wood, lighting a fire, and boiling water just so they can offer me tea. Gazans are still Gazans, but at the same time, the situation and the toll it’s taking is stronger than the people.
CÉLINE: It feels that collective action has taken on a whole other meaning for most people in the West, because here they are very individualistic. They don’t really do collective action. But we’ve seen a big, big change. But still, it’s not enough.
HIND: We in Gaza feel like it’s not the same effort anymore. We used to see more stuff. We’re not seeing any. The killing of at least 270 journalists is not shaking the world. People in mass graves is not shaking the world. Nothing is shaking the world. Nothing is stopping this. What people need to understand is, people do not have internet in Gaza. They do not know. We’re under fire. We’re surrounded by Israeli tanks and soldiers. People don’t have water, they don’t have food, they don’t have electricity, they don’t have internet. They have nothing, literally nothing.
I’m telling you about the regular people, not journalists and people who are connected. People are busy surviving in Gaza. People in Gaza line up for four hours for 10 liters of water. This is for a whole family to drink, to cook with, and to shower with. Ten liters of water for the whole family, and they wait four to five hours every single day to get it. I totally appreciate everyone’s efforts. I would not say anything other than that, but Gaza needs more. It definitely needs more action.
CÉLINE: I know you said that you’re holding on to not being changed, but ultimately, this experience has changed you. How has it changed you?
HIND: I’ve become more patient. I’m more peaceful. I was always a revolutionary. But after losing a lot, I’ve become very patient, very quiet. I wasn’t this quiet. I was always crazy. But the heartbreaks make you very sad. You become a person who doesn’t ask for anything.
CÉLINE: What message would you like to send to the people of the world?
HIND: I want to tell the world that Gaza still needs them. We still need you guys to do something.
In Conversation:
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{
"article":
{
"title" : "Gaza’s Very Own Hind Khoudary",
"author" : "Hind Khoudary, Céline Semaan",
"category" : "interviews",
"url" : "https://everythingispolitical.com/readings/hind-khoudary-gazas-very-own",
"date" : "2025-11-21 09:01:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Hind-Khoudairy-Nourie-Flayhan.jpg",
"excerpt" : "",
"content" : "CÉLINE SEMAAN: Before you became a journalist working with Al Jazeera, what did you study? What were your interests?HIND KHOUDARY: I started working in journalism in 2017. I used to work as a translator before I became a journalist. My interest was always writing. This is how I discovered myself. I used to write diaries; I would spend hours every day writing when I was a child. I would hide what I wrote underneath my clothes in my closet. The first time I published something I wrote, I felt exposed. Fortunately, I always get very nice feedback from editors. Covering the Great March of Return in 2017 and 2018 kick- started my career. CÉLINE:Where are your diaries from childhood now?HIND: They’re all gone. I never thought our house would be bombed. Every time I go to the house I search for stuff, but I have never found any of my journals. I can’t write anymore, and it’s something that’s suffocating me… even writing a caption for a story or a post, I can’t do that anymore. It’s fucking hurting me; it’s breaking my heart. I used writing as a tool to help myself, to express myself, to document everything, and I’m not able to do it. I got new pens and new notebooks. They’re all blank. I can’t write anymore. I’m taking pictures of stuff… when I want to write something, I’ll go to the pictures and remember what I wanted to write. I’m a Cancer, and Cancer is a water sign. My house was a street away from the beach when I was a kid. I used to see the beach from my windows. It’s the only place where I find peace, because all I hear are the waves and the water. I look at the sky, I don’t hear drones, I don’t hear explosions. The sea is my best friend. I love it. It’s my escape. CÉLINE: How has it been now that Israel is bombing Gaza more intensely? It’s something we can’t even wrap our heads around, because it was already so awful. How is it now? Give us a little update… what is going on right now in Gaza?HIND: I think this period is the worst since the war started. People returned to their houses after the ceasefire. They tried to fix whatever they could fix, build their houses, despite the rubble, despite the destruction, despite everything. Some people pitched their tents on top of their bombed house. It was very hopeful. For a couple of months, we were very hopeful, and everyone was like, we’re not going to leave again. Whatever happens, we want to die here… until everything started once again. The massive bombardment started again. They’re bombing in a very crazy way. My friends are telling me that they find quadcopters (military drones) inside their houses. So most of the Palestinians were forced to flee again. We’re living the same exact story once again; we’ve lived through the famine and then the displacement, and then the ground invasion… and there’s going to be another famine in the next couple of months. It suffocates you. We’re not Supermen or Batmen. If you stay, you’re going to either die and get buried in a mass grave or get arrested. There’s no other option. It’s very traumatizing. It’s very hard. Documenting this over and over again is hitting me hard because I can’t do anything about it. There’s nothing we can do. We’re in this cycle of violence, and nothing else can happen. And the worst thing is those explosive robots. They destroy entire houses. It’s this new technology where there’s no body left or anything. So all of this makes this the worst period ever. CÉLINE: It’s terrible. The news coming from Gaza is being censored, so it’s very hard for us to follow what’s going on. How is it to document this while it’s happening? It must be very difficult. Are there any protocols you guys follow? How do you make sure that you are at least able to record something?HIND: Every single day, when we wake up, we start counting the people who were recorded as deceased by the hospitals. Dozens are killed every day. No civil defense team, no crew can reach them, no one knows about them. So my reporting is not accurate, because we are not able to reach all the people. There are 1000s of Palestinians buried under rubble, and no one knows anything about where they are or how many are buried. I met dozens of families that were searching every single day for one bone of their family member, a bone, anything, just anything from whatever is left of them. There is nothing to say goodbye to, no body. So, yes, we try to document as much as possible, but our numbers are totally inaccurate. CÉLINE: And even the cemeteries are being bombed. You are in a place that is being actively erased. HIND: I went to the burial of a friend, and all of the graves were bombed. Why would you destroy someone’s grave? What is the point of doing something like that? It literally made me feel like: is this real? Why is this happening? Even after you die, come on… there’s nothing left to destroy. CÉLINE: I’m sure the word resilience sounds more like an insult at this point, because I feel that as well. I myself am struggling to stay strong. I renew my strength by witnessing you every day. You’re holding the world on your shoulders at this moment, yet you remain soft. I’m sure people ask you: How do you find hope? But I want to ask you if you feel closer to God in this experience?HIND: Losing everything, your beloved ones, your family members, your house, your future, your city; it’s a lot to handle. I always pray: God, give me the strength to continue. God, give me the strength to finish this till the end. The only thing I want to do is to reach the end. That’s what I want. And without God, I could never do this. We need strength, we need hope. But at the same time, we are very disappointed. I was sitting with a group of journalists, and a correspondent looked at the sky and said, “God, do something. Do something right now!” We all started screaming and shouting, “Do something. Please, do something. ” It’s a love- hate relationship. It’s not knowing what to do, and at the same time, calling Him all the time, talking to Him all the time, asking Him to intervene. CÉLINE: Do people ask you why you aren’t escaping? How do you keep in touch with your family abroad? I’m sure they must be worried. HIND: I remember the fights I had with my family during the first weeks and months of the war when I decided not to leave. I want to be here because I want to experience everything. I would never walk away and leave my people. I send my family a message every now and then; that’s how I maintain my relationship with them. I have a lot of friends who are very worried, and they’re always texting. It’s not that I don’t want to text back or call back, but I don’t have anything to say. I don’t want to tell you I’m not okay because I don’t want to talk about it. Of course, I want to share everything, but I don’t have the capacity right now. I’m mentally exhausted. Everyone has been very understanding. Even if I don’t reply, they still send emojis. My brother always sends me videos laughing or singing. It was a very tough decision to stay. However, I do not regret it. CÉLINE: I completely understand. I wanted to go to Gaza at the start of the war, but I couldn’t because I’m Lebanese. I was obsessed. I really wanted to be there. It’s very hard to watch it, but I know it’s harder to live it… I was reading your tweets yesterday night before bed. I feel you’re talking to somebody. I wondered if that person read your tweets?HIND: Every app has a different part of me. Twitter is my diary; I love tweeting what I feel on that app. The heart of me is posting on Instagram. I love posting my feelings, but I also like to share stuff. I share what I see, what I feel, everything. I don’t post what I post on Facebook on Instagram or on Twitter. My feelings are very complicated. I was feeling neglected, as if someone had given up on me. I didn’t want to go through that onmyown. Yes,Ichosetobeonmyown. I thought I would be okay, but at the end of the day, you need someone to cry to, you need someone to hug, you need someone to express yourself to. You need someone to lean on. CÉLINE: You’re going through a heartbreak, and you’re going through the destruction of your city, and you’re going through displacement… it’s beyond human. And as you said, we are not superheroes. I watch you, and I send you prayers and so much love. I was happy when I saw you dressed in a cute outfit the other day…HIND: I try. I’m still picky about what I drink and eat, despite the fact that there are no options. I’m trying to save this part of myself. I am the person I am, and I’m happy that nothing has changed me. CÉLINE: Again, I was reading your Twitter, and I felt like this experience is pushing a lot of people to their limits. Nonetheless, many people here are romanticizing the situation. They’re like, “Oh, it’s so inspiring. People are coming together and helping one another…” When, in reality, people are suffering. How do you describe the situation? Are people able to remain in solidarity? Or is it breaking people apart?HIND: It’s breaking people apart. Imagine losing everything you have and then being thrown on the streets. Your family is in danger, or you’ve lost your family. You’ve lost everything you have, you’re starved, you don’t have an income. Everything that would make you stay the human you are is gone. For example, there are people who jump on the trucks to grab a bag of flour before anyone else can get it. Do you think these people ever thought they would end up here one day? People are starving, like literally, people are starving and if they do not do this, their family will not eat that day. They are forced to be the worst version of themselves. Before the war, I never felt afraid in Gaza. I felt like these are my people. This is my home. I’ve never felt scared at home, but for the first time, I am scared when I’m home. Who are these people? I feel as if I’m living with zombies. When I’m working, I am always scared of people. I never felt like this before. I worked in all parts of Gaza. I went to houses, I protested. I never felt afraid that someone would harm me. But now I feel afraid when I’m on camera. I try to build a connection with people, but at the same time, I know that the person who was cursing at me or threatening me would never curse if he had not just walked for seven hours, barefoot and under fire from his house to where I am reporting… He doesn’t know where to go. The social fabric is literally destroyed. Everyone knows the people of Gaza for their generosity and their kindness… and I’ve found some people who are still like this, even at this point. I’ll go into a tent to cover a story, and the people there insist on collecting wood, lighting a fire, and boiling water just so they can offer me tea. Gazans are still Gazans, but at the same time, the situation and the toll it’s taking is stronger than the people. CÉLINE: It feels that collective action has taken on a whole other meaning for most people in the West, because here they are very individualistic. They don’t really do collective action. But we’ve seen a big, big change. But still, it’s not enough. HIND: We in Gaza feel like it’s not the same effort anymore. We used to see more stuff. We’re not seeing any. The killing of at least 270 journalists is not shaking the world. People in mass graves is not shaking the world. Nothing is shaking the world. Nothing is stopping this. What people need to understand is, people do not have internet in Gaza. They do not know. We’re under fire. We’re surrounded by Israeli tanks and soldiers. People don’t have water, they don’t have food, they don’t have electricity, they don’t have internet. They have nothing, literally nothing. I’m telling you about the regular people, not journalists and people who are connected. People are busy surviving in Gaza. People in Gaza line up for four hours for 10 liters of water. This is for a whole family to drink, to cook with, and to shower with. Ten liters of water for the whole family, and they wait four to five hours every single day to get it. I totally appreciate everyone’s efforts. I would not say anything other than that, but Gaza needs more. It definitely needs more action. CÉLINE: I know you said that you’re holding on to not being changed, but ultimately, this experience has changed you. How has it changed you?HIND: I’ve become more patient. I’m more peaceful. I was always a revolutionary. But after losing a lot, I’ve become very patient, very quiet. I wasn’t this quiet. I was always crazy. But the heartbreaks make you very sad. You become a person who doesn’t ask for anything. CÉLINE: What message would you like to send to the people of the world?HIND: I want to tell the world that Gaza still needs them. We still need you guys to do something. "
}
,
"relatedposts": [
{
"title" : "Mark Zuckerberg Went to the Prada Show In Milan. It Wasn’t For Fashion",
"author" : "Louis Pisano",
"category" : "essay",
"url" : "https://everythingispolitical.com/readings/mark-zuckerberg-prada-meta-glasses",
"date" : "2026-03-06 09:07:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Pisano_Meta_glasses.jpeg",
"excerpt" : "When Mark Zuckerberg and Priscilla Chan took their seats in the front row at Prada’s Milan runway show on February 26, the photographs circulated quickly—the Meta CEO in his now-familiar uniform of expensive basics, watching models move down the runway in Miuccia Prada and Raf Simons’ latest vision of intellectual austerity.",
"content" : "When Mark Zuckerberg and Priscilla Chan took their seats in the front row at Prada’s Milan runway show on February 26, the photographs circulated quickly—the Meta CEO in his now-familiar uniform of expensive basics, watching models move down the runway in Miuccia Prada and Raf Simons’ latest vision of intellectual austerity. He was there because Meta is in active discussions with Prada to develop a line of branded AI smart glasses, a logical next step for a company whose Ray-Ban partnership has become one of the more surprising consumer electronics stories of the decade. Sales more than tripled in 2025, and on Meta’s January earnings call, Zuckerberg described them as “some of the fastest-growing consumer electronics in history. ” The Oakley deal followed. Prada, if negotiations close, would be the latest luxury house recruited to solve a stubborn distribution problem: how to get people to wear a computer on their face without making them feel like they’re wearing a computer on their face. The answer, apparently, is to put it in a frame that costs as much as a car payment. The Meta Oakley Vanguards can be yours for the low cost of $549. Zuckerberg is not executing this pivot alone. Over the past year, tech’s richest men have staged a quiet, coordinated rebrand away from the founder-in-a-hoodie archetype toward something more deliberately cultured. Jeff Bezos has become a fixture in the fashion press, his aesthetic transformation carefully managed, his public image now signaling cultural seriousness alongside the financial kind. The underlying message from both men is consistent: that they are not the problem, but rather represent the future. And that the future can be beautiful and luxurious. This is what elite legitimacy looks like in our era of late-stage capitalism. When your industry faces sustained scrutiny across antitrust proceedings, data privacy legislation, and the slow erosion of public trust, you don’t just deploy lobbyists and communications teams. You acquire taste. You sit front row at shows with a century of cultural prestige behind them. You let the associations do work that no PR campaign could. Cultural capital operates differently from paid media; it feels earned, and its effects are harder to trace. Which is why the timing of Zuckerberg’s Milan appearance is worth examining more closely. At the same time that Zuckerberg was cementing a potential partnership with one of fashion’s most storied feminist houses, his company’s flagship wearable product was generating very different press coverage. In January 2026, BBC News investigated a pattern of male content creators using Ray-Ban Meta glasses to secretly film women during staged pickup encounters on the street, then uploading the footage to TikTok and Instagram as dating advice content. Dilara, a 21-year-old from London filmed on her lunch break, found her phone number visible in footage that had accumulated 1. 3 million views, leading to a night of abusive calls and messages. Kim, a 56-year-old filmed on a beach in West Sussex, received thousands of inappropriate messages after her video reached 6. 9 million views, and was still receiving them six months later. None of the women had seen any recording indicator. The BBC separately found YouTube tutorials demonstrating how to cover or disable the small LED light that Meta claims signals when the glasses are filming. The problem has spread internationally. In early 2026, a Russian vlogger traveled through Ghana and Kenya filming covert encounters with women using smart glasses (though it has not been confirmed that they were Meta-brand glasses) and posting footage to TikTok, YouTube, and a private Telegram channel where more explicit content was available by paid subscription. Some women were filmed in intimate situations without any knowledge that they were being recorded, let alone distributed to a global audience. Ghana’s Gender Minister confirmed that some victims were receiving psychological support, noting that exposure of this kind carries severe social consequences in conservative communities. Kenya’s Gender Minister called it a serious case of gender-based violence. Meta’s response, when asked for comment, was to point to the LED indicator light and its terms of service, a response that privacy advocates have consistently noted is equivalent to putting a “do not steal” sign on an unlocked car. Hundreds of similar accounts exist across TikTok alone, and the women who appear in them have had no recourse beyond reporting content that has already been viewed millions of times. These cases sit alongside The New York Times’ recent revelation of internal Meta plans for a feature called “Name Tag,” which would allow wearers to identify strangers in real-time by pulling data from Meta’s ecosystem of Instagram and Facebook profiles. Refuge and Women’s Aid told The Independent that this capability would pose a direct and serious risk to domestic abuse survivors, women who have rebuilt their lives at new addresses, hoping that distance and anonymity might be enough. Refuge reported a 62%rise in referrals to its technology-facilitated abuse specialist team in 2025, driven in part by wearable tech being used by abusers to monitor and control partners. Real-time facial recognition running on glasses indistinguishable from any other pair does not care about restraining orders. Into this landscape walks a potential Prada co-branded version of the same device. And there is something worth sitting with in the specific choice of Prada as Meta’s luxury target. Miuccia Prada has spent decades articulating, through her collections and in her public statements, a sustained engagement with feminist thought, grappling explicitly with how women are perceived, constrained, and resist the codes that govern their visibility in public and private life. The Prada woman, as a cultural figure, has never been decorative, according to Miuccia. She is thinking—and she is often acutely aware of being watched. Whether Miuccia Prada or the Prada Group’s leadership has genuinely reckoned with what women’s safety advocates have documented about the device they are being asked to co-brand is a question the company has not yet been asked loudly enough to their consumers. A Prada-branded pair of AI glasses would not simply be a licensing deal; it would be an aesthetic endorsement of the technology inside the frame, lending the cultural authority of a house that has built its identity around the intelligence and autonomy of women to Meta’s surveillance hardware. There is a term for what happens when corporations facing public scrutiny attach themselves to respected cultural institutions, when they fund museum wings, sponsor literary prizes, or plant themselves in the front rows of fashion weeks historically associated with progressive values. The association is meant to transfer accountability and even responsibility. The institution’s credibility flows toward the brand, and the brand’s controversies recede into the background noise of cultural life. Zuckerberg’s Milan appearance fits this pattern. A Prada partnership would give Meta’s smart glasses access to a female luxury consumer demographic they have struggled to reach, while simultaneously borrowing the feminist credibility of a house that has spent decades earning it, at the exact moment when critics, charities, and regulators are arguing most loudly that the product threatens women’s safety. The front row seat was not incidental to the pitch. It was the pitch. But the women who have had their faces filmed without consent, their phone numbers exposed to millions of strangers, their locations potentially traceable by the men who mean them harm, don’t get to sit front row or get a rebrand. What they get is a company whose products have been repeatedly documented and enabled their harassment, now aligning itself with a symbol of female empowerment, hoping the association does its work before the reckoning catches up. Miuccia Prada has built her career on the argument that what we put on our bodies makes an argument about the world. If she signs off on this, the argument she’ll be making won’t be the one she intended. "
}
,
{
"title" : "Freezing Time with Matthew Johnson",
"author" : "Matthew Johnson",
"category" : "visual",
"url" : "https://everythingispolitical.com/readings/matthew-johnson",
"date" : "2026-03-05 21:00:00 -0500",
"img" : "https://everythingispolitical.com/uploads/MJxSF_Iran_1.jpg",
"excerpt" : "What we are witnessing is beyond what words, analysis, or hot takes can capture. It is an impossible tragedy.",
"content" : "What we are witnessing is beyond what words, analysis, or hot takes can capture. It is an impossible tragedy. Through his photographic series “Screen Time”, Johnson uses long-exposure techniques to capture moving TV broadcasts, creating images to hold the intensity of these atrocious moments. Praying for the bombs to stop. Israeli intercepter missilesBeirutTehranDisplacement from the SouthRiyadh embassey attack (unconfirmed)Iranian drone strike on high rise in BahrainDubaiIranian missile launch"
}
,
{
"title" : "How to unpack and resist a pedophilic beauty standard: In a post-Epstein file world",
"author" : "Emma Cieslik",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/how-to-unpack-and-resist-a-pedophilic-beauty-standard",
"date" : "2026-03-05 13:58:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Justice_Store_13594585535.jpg",
"excerpt" : "In January, the Department of Justice released a 3,000,000-document drop of Epstein files which mentioned among others Les Wexner, the billionaire behind Victoria’s Secret and Abercrombie & Fitch among other brands. Although Wexner was already labelled a co-conspirator with Epstein by the FBI, this newest file drop raises questions about how Wexner–and by connection Epstein–were connected to clothing marketed towards young girls. In the aftermath, a whole generation of women are deconstructing how a pedophile was actively part of the marketing that eroticized and idealized prepubescent girls’ bodies as the ideal.",
"content" : "In January, the Department of Justice released a 3,000,000-document drop of Epstein files which mentioned among others Les Wexner, the billionaire behind Victoria’s Secret and Abercrombie & Fitch among other brands. Although Wexner was already labelled a co-conspirator with Epstein by the FBI, this newest file drop raises questions about how Wexner–and by connection Epstein–were connected to clothing marketed towards young girls. In the aftermath, a whole generation of women are deconstructing how a pedophile was actively part of the marketing that eroticized and idealized prepubescent girls’ bodies as the ideal. It is a reckoning with how American girlhood was shaped by men like Wexner and Epstein that informed not only the clothing that was marketed and sold to us but also the body shame that came with it, along with purity culture enforced by the very Christian leaders whose writings Epstein sent to his own victims. Birthday letter to Jeffrey Epstein attributed to Donald Trump. The text is censored due to potential copyright concerns (authorship of this work is disputed), though the rest of the piece is composed of simple shape and thus falls into the public domain. Wexner was the creator of L Brands, the retail company behind Victoria’s Secret, Bath & Body Works, and Abercrombie & Fitch, and owned TOO, Inc. , the parent company of Justice and other brands marketed directly towards young girls. This past Friday, Wexner participated in a deposition to House Democrats about revelations from this latest file drop, claiming that he was “duped by a world-class con man. ”Wexner notes that Epstein became his financial advisor back in the 1980s and at one point, served as his power of attorney. In this same deposition, Wexner revealed that he cut ties with Epstein after he discovered that Epstein stole over $100 million from him. Wexner called the accusations that he was part of Epstein’s sex trafficking “outrageous untrue statements and hurtful rumor, innuendo, and speculation,” claiming that his relationship with Epstein was strictly business. He also denied Epstein victim Virginia Giuffre’s claim that he was one of the men that Epstein trafficked her to. Wexner similarly denied knowing Maria Farmer, who accused Epstein of sexually assaulting her in 1996. Farmer claimed that after she was assaulted, Wexner’s security staff kept her on the property until a parent could pick her up, but Wexner said that “I never met her, didn’t know she was here, didn’t know she was abused. ”But House Democrats repeatedly questioned how Wexner could not have known that this sex trafficking was happening and that it was fueled by his own money. The Democrats cast doubt on his story, arguing that “there would be no Epstein Island, no plane, no money to traffic women and girls without the support of Les Wexner. ”While Victoria’s Secret sexualization of infantilized women is not new–we have known for years that the modelling industry behind Victoria’s Secret not only targeted children but sold people an ideal of beauty conflated with girlhood, this new file drop reveals that this was intentional by Wexner and others that sold us a form of girlhood that enabled predators. It’s no mistake that President Trump, another person mentioned over 38,000 times in the Epstein files, also owned Miss Teen USA pageants. In fact, in the deposition, Wexner said the only time that Jeffrey Epstein and Donald Trump would have interacted would have been at a Victoria’s Secret fashion show. Both attended fashion shows. But this latest Epstein file release is a wide scale realization that Wexner wasn’t the only one grooming a generation–think of what came out about producer Dan Schneider (who was also named in the Epstein files) after the release of the 2024 docuseries Quiet on Set: The Dark Side of Kids TV. Schneider oversaw the rampant, calculated sexualization of young actors. As children who watched Schneider shows and wore Wexner’s clothes, we are reckoning with the ways that many of us were exploited as children within a system marketing sexualized girlhood to us. Artist Sam Rueter put words to many people’s emotions following the latest Epstein file drop: “women in America are in deep grieving. Not because we are surprised or overcome with disbelief … but because we have to reckon with the cruel proof of our entire lives being a commodified, fetishized version of girlhood: and we are meeting, all at once, the children we were and could not protect. ”In the aftermath, how can you reckon with and reject pedophilic beauty standards in the aftermath of the Epstein file drop?1. Do not spend money or support brands that sexualize children or infantilized models. While at first glance, this includes for many of us Victoria’s Secret, Abercrombie & Fitch, and other brands owned by Wexner, this also includes brands that market sexualized clothing or content to children. This month, the babycare brand Frida Baby came under fire for using phrases suggesting sexual innuendo on their baby products. The packaging had the phrases “I get turned on quickly,” “How about a quickie,” and “This is the closest your husband’s gonna get to a threesome. ” Other brands like Balenciaga and Fashion Nova have also come under fire, but a number of other brands and fashion corporations are to blame–according to a 2011 study, ⅓ of all children’s clothing for girls is sexualized; “tween” stores like Abercrombie Kids, the study finds, are most to blame. In a capitalist society, sadly our most powerful tool is choosing where we spend our money, so it’s important to boycott and call out brands that sexualize children and market infantilized models. 2. Do not consume and boycott any media sensualizing or sexualizing children by avoiding AI, social media platforms, and other content. Sadly in the age of AI, a number of digital platforms have been shown to generate and share sexualized images of minors, and according to the National Center on Sexual Exploitation (NCOSE), a number of online platforms including Instagram, Roblox, GitHub, eBay, Discord, X, Reddit, Spotify, and Snapchat fail to protect children from sexual content, putting them at risk for grooming and sexual exploitation. Avoid AI for this reason (among many others, including environmental impact) but also if you can, boycott social media platforms and call your representatives to urge the government to require these platforms to take actionable steps to protect children. This also applies to what may be some of your favorite Classic movies, television shows, or music, but know that by watching the movie, show, or consuming the content, you not only give your consent but also support its continued existence on streaming platforms. This is also a timely reflection given what has come out in the past three years about children on Nickelodeon; what once seemed innocent, at most odd, is revealed to be intimately connected to abusive behavior and sexualizing children. This also goes for new content, like the new season of America’s Next Top Model. 3. Do not dress up as sexy babies, or sexualized children. While the Spirit Halloween costume section was full of sexy babies in the early 2000s, I hope it’s clear that any costumes that sexualizes children or infantilized adults contribute to the perception that sexualizing children is acceptable or funny. This is a simple step that you and others can take next Halloween when choosing your costume, or when engaging in kink and BDSM cultures. And if you are buying clothing for your children or those of friends and family, do not buy them clothing that sexualizes them. This includes snarky sayings like “lady’s man” on a baby’s smock or “heartbreaker” on a baby’s bib. While some people may brush it off, especially if the child can’t read, studies have shown. ) that children may begin to view their bodies as sexual objects and may be treated differently, including being targeted by sexual predators. 4. Do not police other people’s bodies, period. This may be harder for people who were raised in systems where unshaved armpits or unplucked eyebrows are seen as unkempt (spoiler alert, this is connected to transphobic, racist beauty standards), but pedophilic beauty standards are built not only on a beauty standard that idealizes not just a hairless body but also a small, underdeveloped one. Commenting on other’s bodies, even if it’s not meant to criticize their appearance, can contribute to body image issues, and at the root of pedophilic beauty standards are the very eating disorders glorified in the early 2000s. This beauty ideal (perpetuated not only by companies like Victoria’s Secret but by magazines, music corporations, and media companies that glorified baby-ified women) not only aided and abetted the development of eating disorders but also severe body dysphoria that persists to this day. I distinctly remember friends of mine that experienced amenorrhea, or the absence of regular periods, because of eating disorders. Without vital nutrients, their periods stopped coming regularly, and with it, the development of their bodies—stunting their growth. Many of them remain small or underdeveloped because of childhood eating disorders. The same marketing and cultural influencers that encouraged us that skinniness was not acceptable but necessary also enabled young girls to stop getting their periods, the one thing that many cultures identify as their transition to womanhood. To be clear, a child getting a period does not make them an adult. 5. Start with your own beauty routine. Do you dislike shaving or waxing your legs, armpits or other parts of your body? Do you dread expensive, medically unnecessary skincare routines and Botox meant to glorify perpetually young bodies? Good news–you don’t have to do these things. While our American beauty standards are rooted in the model of a young girl, they are not absolute and they only change when people pressure corporations that have marketed these standards to us in order to sell their products. If you can (for cultural and sensory reasons, not everyone is able to), take the first step and reject the urge to shave, wax, pluck, or inject. As someone with autism, I admit that shaving my legs and armpits is a sensory issue informed by pedophilic beauty standards, but it’s still a practice that helps me feel at home in my body. None of these suggestions are asking you to reject what makes you feel at home in your body. Some of the body care processes that pedophilic culture has coopted are ones that help to affirm our genders–practices that affirm who we are and how we feel at home in our bodies should never be challenged, but these steps encourage us to think about what has informed not only our view of what is an attractive woman (often modelled after young girls) but also what a woman is. 6. Reject transphobic, racist beauty standards. Consume brands that showcase models of diverse body and beauty types. Because the urge to wax, shave, and pluck our hair is not only rooted in pedophilia, it’s also rooted in White supremacist transphobia that essentializes the beautiful body as inherently thin, White and visually binary. Pedophilic culture is sexist culture is purity culture is racist culture is transphobic culture. Gender essentialism is the bedrock of sexist beauty standards that seek to make adult women feel bad about our bodies. Fighting transphobia goes hand in hand with fighting gender essentialist beauty standards and by extension, pedophilic ones too!In a capitalist economy, much of our power is defined by money. Use that to your advantage! Along with not supporting brands that sexualize children and infantilize adults, seek out brands that showcase and celebrate adult bodies. Some great ones include WRAY, SmartGlamour, Lucy & Yak, and Modcloth that purposefully create clothing for and highlight models of diverse body types. 7. Encourage and embody body neutrality. In this same vein, embody body neutrality by refusing to assign value judgement to your body and others’ bodies. Body positivity is great, but it still assigns a value judgement to bodies–for many fat people like me, celebrating our bodies much less feeling beautiful in them is rare because of thinness culture (especially in the age of Ozempic), but assigning our bodies value judgements still exacerbates the problem. Bodies are bodies that help us to stay alive. Need helpful starting steps? Check out Jessi Kneeland’s 2022 book Body Neutrality: A Revolution to Overcoming Body Image Issues. 8. Finally, reject new-age purity culture. Although the Purity Culture Movement of the late 1990s and early 2000s is already facing a public reckoning, other Christian groups are trying to rebrand purity culture for the next generation. Back in 2022, I wrote about how modern social media influencers like Girl Defined are rebranding purity culture for a new generation, and I have even argued that modern anti-trans legislation is a new form of purity culture policing queer bodies. Take note of where purity culture continues to exist and call it out!And importantly, fight school districts, religious institutions, and public spaces that enforce sexist clothing rules like the ones we all remember from childhood. The fact that young girls were told that we would distract not just our male classmates but also teachers is deeply upsetting and shifts blame onto children and victims rather than adults and predators. This is a deeply upsetting reckoning but one that we have to undertake personally and communally. I hope that these recommendations are helpful first steps to move towards unpacking the very beauty standards and sexualization that groomed a whole generation of girls and women. "
}
]
}