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Hike Clerb: The Earth Belongs to ALL Of Us
From Hike Clerb’s inception as an impromptu hike with friends in 2017, Founder and Executive Director Evelynn Escobar has been led by her intuition, passion for the outdoors, and relationship with nature. In eight years, Hike Clerb has grown from a 10-person Meetup to a 501(C)(3) non-profit with over 45,000 members in Los Angeles and New York City.
On a beautiful sunny Saturday, I met up with Evelynn at Hike Clerb’s Earth Day hike in Malibu, California, to see firsthand how the Clerb has fostered such a close-knit, thriving outdoor community. As Evelynn gathered the hike attendees around a concrete picnic table, she announced that this would be her first and last hike of the season. Far along in her pregnancy with her second child, she joked about how long she’d be able to keep up with the group.
Keeping the group together is part of the Clerb’s “no one left behind policy.” We were to wait for anyone who fell behind the larger group and help round up stragglers at stops along the way, where we gathered to learn about the different plants and wildlife we saw on the trail. Before our Clerb hike got underway, Evelynn asked attendees to take a moment to practice gratitude for the land and set an intention for the day.
Before meeting Evelynn for the first time at the hike, I’d read her most recent newsletter in which she shared that she’d opted to have no contact with her mother. With her daughter growing inside her, Evelynn went through her own reparenting journey as she prepared to enter motherhood herself. She realized that she was never truly without a mother. It just wasn’t the one who’d birthed her. We shared a short but touching moment where I confided that I, too, was on my own reparenting journey. I let her know how her reflections had deeply resonated and inspired me.

Tiffanie Woods: How has developing your relationship with the outdoors, with Mother Nature, helped in your reparenting journey of your younger self? How has it impacted you as a mother?
Evelynn Escobar: I think just essentially awakening to the fact that I have to do the reparenting work. Especially during my first pregnancy, knowing I was going to bring someone into this world, and then not having the traditional support of a mother.
Then I had this big realization that I’ve always been supported by a mother. Not in the traditional way… and that mother has been nature. Mother Earth is always holding me, and she’s helping me move through this moment. I am being held. I am being nurtured, I am being carried, but it’s not by the mother who gave birth to me. It’s our primordial mother who holds all of us.
That really transformed the way I found solace in nature. I then integrated that into not only re-parenting myself but also parenting my daughter.
Tiffanie: Did becoming a mom change the way you thought about your mission or Hike Clerb’s mission?
Evelynn: It just actually made it make more sense if that makes sense. It was like, ‘Oh, this is primed and aligned for this reason, and now those reasons are being shown to me.’ Also, this is like a matriarchal journey. It’s not just a mother’s journey, and that really cemented that.
Tiffanie: Sprouts is your initiative for children and families that you launched in 2024. Can you share the importance of this programming being incorporated into Hike Clerb?
Evelynn: Historically, we have had a mentorship program. Our Building Inclusivity Outdoors (BIO) program, in which we partner with organizations that serve under-resourced youth and bring them out into nature for the day. Take them hiking, give them shoes, get lunch with them, just spend a day out in nature.
Sprouts is a way to create a public-facing program in which kids, ages 2 – 10, in our community and their families could be a part of Hike Clerb. We created programming tailored to them that connects the outdoors with culture and the arts. We want them to experience and connect with nature in a new way.

Tiffanie: How do you see that initiative tying into your mission of decolonizing the outdoors?
Evelynn: It aligns with our mission to welcome people into the outdoors in a way that also decolonizes the way they think about the outdoors. We’re teaching them that they are inherently connected to nature, and we’re allowing them to explore their curiosities through different modules that speak to their interests and allow them to find their entry point. It’s setting them up with the ability to be the drivers of their own narratives, versus being filled with ideas of what it is to be outdoors and what those people who go hiking or exploring in nature look like.

Tiffanie: Hike Clerb’s focus is on Black and Brown women decolonizing the outdoors. I saw that you guys lost a grant for Sprouts due to the current anti-DEI movement being pushed by Trump. How are you thinking about Hike Clerb now and in the future, and how are you going to move forward?
Evelynn: I think there’s always a silver lining… it’s given me a chance to take a step back and really assess how we’re currently operating and what is feasible moving forward. And the truth of the matter is that we haven’t been operating sustainably, in the sense that we are making sure that we’re providing care for everyone, but at our own expense. We’re providing so much and making the impossible possible with the bare minimum when it comes to resources. When you think about the way Black mothers give so much… that is sadly normalized and becomes the standard, and it’s given me the chance to say enough of that! Moving forward, we are operating in a way that works for us. We’re taking our time and giving ourselves space to assess what we can accomplish with what we have, that is not coming at our own sacrifice or expense.
Tiffanie: Has your vision for Sprouts changed? Is it a different iteration given that it lost funding?
Evelynn: No, the vision is still the same. We are going to continue to engage families from this intergenerational approach. The first year, we did six programs. It culminated with a beach campout, and I feel like it was just a beautiful example of the power of what we’re doing. Especially seeing how empowered all the families were out there. The vision is to take this from LA, bring it to New York, bring it to the Bay Area, and continue to engage more families in this way. This is something we can bring to schools. We are rolling with the punches, but the mission remains. We will continue to serve families and connect with families, and open the minds of families in new ways.

Tiffanie: Hike Clerb has been around since 2017. How do you feel the outdoor community has changed since?
Evelynn: Well, the beautiful thing is that Hike Clerb was a cultural shift in the outdoors because it connected so much more than just the outdoors.
When I think about my work, I know that I am an expander. I live in the visionary space, and it’s to expand people’s perspectives. And once you connect the dots, then people’s imaginations can run wild. Hike Clerb connects so many different worlds.
Tiffanie: Where do you still see change needed in the outdoor community?
Evelynn: Everything is political. It’s not enough to go out in your cute outfit and have a beautiful campout.
If the land is something you love, then you also need to go deeper and take care of that land, and protect that land, and learn about that land, and have reverence and respect not only for it, but for every other living and non-living thing.
That disconnection is still something that we see. It’s why we’re in the state that we’re currently in. It’s really hard for people to connect because we’ve been disconnected by design.
There is still a lot of work to be done. I am grateful for people like Brittany Leavitt of Brown Girls Climb, Feminist Bird Club, and Molly Adams, who leads that. They are also doing the work to connect and be like, ‘We may be birders, we may be climbers, but also… free Palestine!’ And you know, we can help with initiatives or just even talk about things like immigration and things like that. There’s hope. There are people who do get it, but it’s definitely still a work in progress.

Tiffanie: Do you feel like, because you decided to take these stances of decolonizing the outdoors and making Black and Brown women your focal point, that you’ve felt resistance to you and your work?
Evelynn: Absolutely. All the time. Even when it comes to working with brands and other organizations. Because we have a very specific point of view and we are not afraid to use our voice, because we have this platform and it’s meant to be used, I go into these conversations, and if we’re doing a brand activation or whatever, I’m very clear about our mission and that it centers Black and Brown people. So the people that we’re going to be working for or creating this for are going to be Black and Brown people. We’re going to have to invite Black and Brown people. And I see the discomfort. I see that I’m also stretching people’s comfort zones.
Tiffanie: As a Black Indigenous Latinx woman, the creator and Executive Director, you’re doing it all. It’s almost as if you never get a break from pushing the work forward. How are you taking care of yourself, especially as a mom?
Evelynn: I am not willing to continue to sacrifice myself. Because at the end of the day, we talk about self-care, we talk about community care, but you have to take care of yourself to take care of the community. And I have been juggling that fine line of focusing on community care, but again, at the expense of my own self-care. And like I said, that’s just not something I’m willing to sacrifice anymore. The work I’m doing is expansive work. Visionary work. And if we don’t have the resources to support said vision, I’m not going to kill myself over executing it.
This is a new phase of truly caring for ourselves first, and again, creating the worlds we want to live in. I want to live in a world where I can rest and have time for myself. Be present as a mother, while also being the mother of this community.

{
"article":
{
"title" : "Hike Clerb: The Earth Belongs to ALL Of Us",
"author" : "Tiffanie Woods, Evelynn Escobar",
"category" : "interviews",
"url" : "https://everythingispolitical.com/readings/hike-clerb-the-earth-belongs-to-all-of-us",
"date" : "2025-05-08 17:06:00 -0400",
"img" : "https://everythingispolitical.com/uploads/DSC05768-group-vista.jpg",
"excerpt" : "From Hike Clerb’s inception as an impromptu hike with friends in 2017, Founder and Executive Director Evelynn Escobar has been led by her intuition, passion for the outdoors, and relationship with nature. In eight years, Hike Clerb has grown from a 10-person Meetup to a 501(C)(3) non-profit with over 45,000 members in Los Angeles and New York City.",
"content" : "From Hike Clerb’s inception as an impromptu hike with friends in 2017, Founder and Executive Director Evelynn Escobar has been led by her intuition, passion for the outdoors, and relationship with nature. In eight years, Hike Clerb has grown from a 10-person Meetup to a 501(C)(3) non-profit with over 45,000 members in Los Angeles and New York City.On a beautiful sunny Saturday, I met up with Evelynn at Hike Clerb’s Earth Day hike in Malibu, California, to see firsthand how the Clerb has fostered such a close-knit, thriving outdoor community. As Evelynn gathered the hike attendees around a concrete picnic table, she announced that this would be her first and last hike of the season. Far along in her pregnancy with her second child, she joked about how long she’d be able to keep up with the group.Keeping the group together is part of the Clerb’s “no one left behind policy.” We were to wait for anyone who fell behind the larger group and help round up stragglers at stops along the way, where we gathered to learn about the different plants and wildlife we saw on the trail. Before our Clerb hike got underway, Evelynn asked attendees to take a moment to practice gratitude for the land and set an intention for the day.Before meeting Evelynn for the first time at the hike, I’d read her most recent newsletter in which she shared that she’d opted to have no contact with her mother. With her daughter growing inside her, Evelynn went through her own reparenting journey as she prepared to enter motherhood herself. She realized that she was never truly without a mother. It just wasn’t the one who’d birthed her. We shared a short but touching moment where I confided that I, too, was on my own reparenting journey. I let her know how her reflections had deeply resonated and inspired me.Tiffanie Woods: How has developing your relationship with the outdoors, with Mother Nature, helped in your reparenting journey of your younger self? How has it impacted you as a mother?Evelynn Escobar: I think just essentially awakening to the fact that I have to do the reparenting work. Especially during my first pregnancy, knowing I was going to bring someone into this world, and then not having the traditional support of a mother. Then I had this big realization that I’ve always been supported by a mother. Not in the traditional way… and that mother has been nature. Mother Earth is always holding me, and she’s helping me move through this moment. I am being held. I am being nurtured, I am being carried, but it’s not by the mother who gave birth to me. It’s our primordial mother who holds all of us.That really transformed the way I found solace in nature. I then integrated that into not only re-parenting myself but also parenting my daughter.Tiffanie: Did becoming a mom change the way you thought about your mission or Hike Clerb’s mission?Evelynn: It just actually made it make more sense if that makes sense. It was like, ‘Oh, this is primed and aligned for this reason, and now those reasons are being shown to me.’ Also, this is like a matriarchal journey. It’s not just a mother’s journey, and that really cemented that.Tiffanie: Sprouts is your initiative for children and families that you launched in 2024. Can you share the importance of this programming being incorporated into Hike Clerb?Evelynn: Historically, we have had a mentorship program. Our Building Inclusivity Outdoors (BIO) program, in which we partner with organizations that serve under-resourced youth and bring them out into nature for the day. Take them hiking, give them shoes, get lunch with them, just spend a day out in nature.Sprouts is a way to create a public-facing program in which kids, ages 2 – 10, in our community and their families could be a part of Hike Clerb. We created programming tailored to them that connects the outdoors with culture and the arts. We want them to experience and connect with nature in a new way.Tiffanie: How do you see that initiative tying into your mission of decolonizing the outdoors?Evelynn: It aligns with our mission to welcome people into the outdoors in a way that also decolonizes the way they think about the outdoors. We’re teaching them that they are inherently connected to nature, and we’re allowing them to explore their curiosities through different modules that speak to their interests and allow them to find their entry point. It’s setting them up with the ability to be the drivers of their own narratives, versus being filled with ideas of what it is to be outdoors and what those people who go hiking or exploring in nature look like.Tiffanie: Hike Clerb’s focus is on Black and Brown women decolonizing the outdoors. I saw that you guys lost a grant for Sprouts due to the current anti-DEI movement being pushed by Trump. How are you thinking about Hike Clerb now and in the future, and how are you going to move forward?Evelynn: I think there’s always a silver lining… it’s given me a chance to take a step back and really assess how we’re currently operating and what is feasible moving forward. And the truth of the matter is that we haven’t been operating sustainably, in the sense that we are making sure that we’re providing care for everyone, but at our own expense. We’re providing so much and making the impossible possible with the bare minimum when it comes to resources. When you think about the way Black mothers give so much… that is sadly normalized and becomes the standard, and it’s given me the chance to say enough of that! Moving forward, we are operating in a way that works for us. We’re taking our time and giving ourselves space to assess what we can accomplish with what we have, that is not coming at our own sacrifice or expense.Tiffanie: Has your vision for Sprouts changed? Is it a different iteration given that it lost funding?Evelynn: No, the vision is still the same. We are going to continue to engage families from this intergenerational approach. The first year, we did six programs. It culminated with a beach campout, and I feel like it was just a beautiful example of the power of what we’re doing. Especially seeing how empowered all the families were out there. The vision is to take this from LA, bring it to New York, bring it to the Bay Area, and continue to engage more families in this way. This is something we can bring to schools. We are rolling with the punches, but the mission remains. We will continue to serve families and connect with families, and open the minds of families in new ways.Tiffanie: Hike Clerb has been around since 2017. How do you feel the outdoor community has changed since?Evelynn: Well, the beautiful thing is that Hike Clerb was a cultural shift in the outdoors because it connected so much more than just the outdoors. When I think about my work, I know that I am an expander. I live in the visionary space, and it’s to expand people’s perspectives. And once you connect the dots, then people’s imaginations can run wild. Hike Clerb connects so many different worlds.Tiffanie: Where do you still see change needed in the outdoor community?Evelynn: Everything is political. It’s not enough to go out in your cute outfit and have a beautiful campout. If the land is something you love, then you also need to go deeper and take care of that land, and protect that land, and learn about that land, and have reverence and respect not only for it, but for every other living and non-living thing.That disconnection is still something that we see. It’s why we’re in the state that we’re currently in. It’s really hard for people to connect because we’ve been disconnected by design.There is still a lot of work to be done. I am grateful for people like Brittany Leavitt of Brown Girls Climb, Feminist Bird Club, and Molly Adams, who leads that. They are also doing the work to connect and be like, ‘We may be birders, we may be climbers, but also… free Palestine!’ And you know, we can help with initiatives or just even talk about things like immigration and things like that. There’s hope. There are people who do get it, but it’s definitely still a work in progress.Tiffanie: Do you feel like, because you decided to take these stances of decolonizing the outdoors and making Black and Brown women your focal point, that you’ve felt resistance to you and your work?Evelynn: Absolutely. All the time. Even when it comes to working with brands and other organizations. Because we have a very specific point of view and we are not afraid to use our voice, because we have this platform and it’s meant to be used, I go into these conversations, and if we’re doing a brand activation or whatever, I’m very clear about our mission and that it centers Black and Brown people. So the people that we’re going to be working for or creating this for are going to be Black and Brown people. We’re going to have to invite Black and Brown people. And I see the discomfort. I see that I’m also stretching people’s comfort zones.Tiffanie: As a Black Indigenous Latinx woman, the creator and Executive Director, you’re doing it all. It’s almost as if you never get a break from pushing the work forward. How are you taking care of yourself, especially as a mom?Evelynn: I am not willing to continue to sacrifice myself. Because at the end of the day, we talk about self-care, we talk about community care, but you have to take care of yourself to take care of the community. And I have been juggling that fine line of focusing on community care, but again, at the expense of my own self-care. And like I said, that’s just not something I’m willing to sacrifice anymore. The work I’m doing is expansive work. Visionary work. And if we don’t have the resources to support said vision, I’m not going to kill myself over executing it.This is a new phase of truly caring for ourselves first, and again, creating the worlds we want to live in. I want to live in a world where I can rest and have time for myself. Be present as a mother, while also being the mother of this community."
}
,
"relatedposts": [
{
"title" : "Black Liberation Views on Palestine",
"author" : "EIP Editors",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/black-liberation-on-palestine",
"date" : "2025-10-17 09:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/mandela-keffiyeh.jpg",
"excerpt" : "",
"content" : "In understanding global politics, it is important to look at Black liberation struggles as one important source of moral perspective. So, when looking at Palestine, we look to Black leaders to see how they perceived the Palestinian struggle in relation to theirs, from the 1960’s to today.Why must we understand where the injustice lies? Because, as Desmond Tutu famously said, “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”{% for person in site.data.quotes-black-liberation-palestine %}{{ person.name }}{% for quote in person.quotes %}“{{ quote.text }}”{% if quote.source %}— {{ quote.source }}{% endif %}{% endfor %}{% endfor %}"
}
,
{
"title" : "First Anniversary Celebration of EIP",
"author" : "EIP Editors",
"category" : "events",
"url" : "https://everythingispolitical.com/readings/1st-anniversary-of-eip",
"date" : "2025-10-14 18:01:00 -0400",
"img" : "https://everythingispolitical.com/uploads/WSA_EIP_Launch_Cover.jpg",
"excerpt" : "Celebrating One Year of Independent Publishing",
"content" : "Celebrating One Year of Independent PublishingJoin Everything is Political on November 21st for the launch of our End-of-Year Special Edition Magazine.This members-only evening will feature a benefit dinner, cocktails, and live performances in celebration of a year of independent media, critical voices, and collective resistance.The EventNovember 21, 2025, 7-11pmLower Manhattan, New YorkLaunching our End-of-Year Special Edition MagazineSpecial appearances and performancesFood & Drink includedTickets are extremely limited, reserve yours now!Become an annual print member: get x back issues of EIP, receive the End-of-Year Special Edition Magazine, and come to the Anniversary Celebration.$470Already a member? Sign in to get your special offer. Buy Ticket $150 Just $50 ! and get the End-of-Year Special Edition Magazine Buy ticket $150 and get the End-of-Year Special Edition Magazine "
}
,
{
"title" : "Miu Miu Transforms the Apron From Trad Wife to Boss Lady: The sexiest thing in Paris was a work garment",
"author" : "Khaoula Ghanem",
"category" : "",
"url" : "https://everythingispolitical.com/readings/miu-miu-transforms-the-apron-from-trad-wife-to-boss-lady",
"date" : "2025-10-14 13:05:00 -0400",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_MiuMiu_Apron.jpg",
"excerpt" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.",
"content" : "Miuccia Prada has a habit of taking the least “fashion” thing in the room and making it the argument. For Spring 2026 at Miu Miu, the argument is the apron; staged not as a coy retro flourish but as a total system. The show’s mise-en-scène read like a canteen or factory floor with melamine-like tables, rationalist severity, a whiff of cleaning fluid. In other words, a runway designed to force a conversation about labor before any sparkle could distract us.From the opening look—German actress Sandra Hüller in a utilitarian deep-blue apron layered over a barn jacket and neat blue shirting—the thesis was loud: the “cover” becomes the thing itself. As silhouettes marched on, aprons multiplied and mutated—industrial drill cotton with front pockets, raw canvas, taffeta and cloqué silk, lace-edged versions that flirted with lingerie, even black leather and crystal-studded incarnations that reframed function as ornament. What the apron traditionally shields (clothes, bodies, “the good dress”) was inverted; the protection became the prized surface. Prada herself spelled it out: “The apron is my favorite piece of clothing… it symbolizes women, from factories through to serving to the home.”Miu Miu Spring 2026 Ready-to-Wear. SuppliedThis inversion matters historically. The apron’s earliest fashion-adjacent life was industrial. It served as a barrier against grease, heat, stain. It was a token of paid and unpaid care. Miu Miu tapped that lineage directly (canvas, work belts, D-ring hardware), then sliced it against domestic codes (florals, ruffles, crochet), and finally pushed into nightlife with bejeweled and leather bibs. The garment’s migration across materials made its social migrations visible. It is a kitchen apron, yes, but also one for labs, hospitals, and factories; the set and styling insisted on that plurality.What makes the apron such a loaded emblem is not just what it covers, but what it reveals about who has always been working. Before industrialization formalized labor into factory shifts and wages, women were already performing invisible labour, the kind that doesn’t exist on payrolls but sits at the foundation of every functioning society. They were cooking, cleaning, raising children, nursing the ill. These tasks were foundational to every economy and yet absent from every ledger. Even when women entered the industrial workforce, from textile plants to wartime assembly lines, their domestic responsibilities did not disappear, they doubled. In that context, the apron here is a quiet manifesto for the strength that goes unrecorded, unthanked, and yet keeps civilization running.The algorithmic rise of the “tradwife,” the influencer economy that packages domesticity as soft power, is the contemporary cultural shadow here. Miu Miu’s apron refuses that rehearsal. In fact, it’s intentionally awkward—oversized, undone, worn over bikinis or with sturdy shoes—so the viewer can’t flatten it into Pinterest-ready nostalgia. Critics noted the collection as a reclamation, a rebuttal to the flattening forces of the feed: the apron as a uniform for endurance rather than submission. The show notes framed it simply as “a consideration of the work of women,” a reminder that the invisible economies of effort—paid, unpaid, emotional—still structure daily life.If that sounds unusually explicit for a luxury runway, consider the designer. Prada trained as a mime at Milan’s Piccolo Teatro, earned a PhD in political science, joined the Italian Communist Party, and was active in the women’s rights movement in 1970s Milan. Those facts are not trivia; they are the grammar of her clothes. Decades of “ugly chic” were, essentially, a slow campaign against easy consumption and default beauty. In 2026, the apron becomes the newest dialect. An emblem drawn from leftist feminist history, recoded into a product that still has to sell. That tension—belief versus business—is the Miuccia paradox, and it’s precisely why these aprons read as statements, not trends.The runway narrative traced a journey from function to fetish. Early looks were squarely utilitarian—thick cottons, pocketed bibs—before migrating toward fragility and sparkle. Lace aprons laid transparently over swimmers; crystal-studded aprons slipped across cocktail territory; leather apron-dresses stiffened posture into armor. The sequencing proposed the same silhouette can encode labor, intimacy, and spectacle depending on fabrication. If most brands smuggle “workwear” in as set dressing, Miu Miu forced it onto the body as the central garment and an unmissable reminder that the feminine is often asked to be both shield and display at once.It’s instructive to read this collection against the house’s last mega-viral object: the micro-mini of Spring 2022, a pleated, raw-hem wafer that colonized timelines and magazine covers. That skirt’s thesis was exposure—hip bones and hemlines as post-lockdown spectacle, Y2K nostalgia framed as liberation-lite. The apron, ironically, covers. Where the micro-mini trafficked in the optics of freedom (and the speed of virality), the apron asks about the conditions that make freedom possible: who launders, who cooks, who cares? To move from “look at me” to “who is working here?” is a pivot from optics to ethics, without abandoning desire. (The aprons are, after all, deeply covetable.) In a platform economy that still rewards the shortest hemline with the biggest click-through, this is a sophisticated counter-program.Yet the designer is not romanticizing toil. There’s wit in the ruffles and perversity in the crystals; neither negate labor, they metabolize it. The most striking image is the apron treated as couture-adjacent. Traditionally, an apron protects the precious thing beneath; here, the apron is the precious thing. You could call that hypocrisy—luxurizing the uniform of workers. Or, strategy, insisting that the symbols of care and effort deserve visibility and investment.Of course, none of this exists in a vacuum. The “tradwife” script thrives because it is aesthetically legible and commercially scalable. It packages gender ideology as moodboard. Miu Miu counters with garments whose legibility flickers. The collection’s best looks ask viewers to reconcile tenderness with toughness, convenience with care, which is exactly the mental choreography demanded of women in every context from office to home to online.If you wanted a season-defining “It” item, you’ll still find it. The apron is poised to proliferate across fast-fashion and luxury alike. But the deeper success is structural: Miu Miu re-centered labor as an aesthetic category. That’s rarer than a viral skirt. It’s a reminder that clothes don’t merely decorate life, they describe and negotiate it. In making the apron the subject rather than the prop, Prada turned a garment of service into a platform for agency. It’s precisely the kind of cultural recursion you’d expect from a designer shaped by feminist politics, who never stopped treating fashion as an instrument of thought as much as style.The last image to hold onto is deceptively simple: a woman in an apron, neither fetishized nor infantilized, striding, hands free. Not a costume for nostalgia, not a meme for the feed, but a working uniform reframed, respected, and suddenly, undeniably beautiful. That is Miu Miu’s provocation for Spring 2026: the work behind the work, made visible at last."
}
]
}