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Education for Our Liberation
Reflections on the 60th Anniversary of the Summer 1964 SNCC Freedom School Program in Mississippi
“So that the question stands as to what we are willing to do,
how we are willing to say ‘no’ to withdraw from that system
and begin within our community to start to function
and to build new institutions that will speak to our needs.”
— Kwame Ture aka Stokely Carmichael, “Black Power” Speech, 1966
Throughout the history of Black freedom struggles—both in the United States and globally—questions of self-determination have remained constant. Whether the battle was against Jim Crow segregation or the cultural remnants of colonialism, visions for new institutions that center the needs of marginalized communities have been extensive. These visions have radically imagined alternatives to socioeconomic disenfranchisement: pinpointing community-based, consciousness-raising education as a key tool for freedom.
In December 1963, Student Nonviolent Coordinating Committee (SNCC) field secretary Charlie Cobb penned a proposal for a summer Freedom School program in Mississippi to the SNCC executive committee, noting the need for some educational program that would supplement the lackluster and racist education Black high school students were receiving in the education system. Due to decades of racialized and gendered poverty, Black people in Mississippi had extreme barriers to educational opportunities. For instance, in the early 1960s, less than five percent of Black Mississippians were high school graduates (Strukey 2016). The SNCC executive committee approved the proposal, and a Freedom School was developed by members of SNCC (Chilcoat & Ligon 1995:24).
While racialized violence and discrimination continue into the twenty-first century, it would be remiss of us all not to acknowledge the extensive work done by organizations like SNCC to combat anti-Black racism in their communities.
Context, Curriculum, and Elements
Centering the lived experiences of Black students in Mississippi, the Freedom School curriculum was created by a collective of educators and activists over the course of a two-day conference. In addition to providing the students with extensive academic and intellectual support, the Freedom School was first and foremost proposed to nurture students’ political consciousness and give them the tools to organize against racial injustice themselves (Chilcoat & Ligon 1995:25). The curriculum contained a multitude of interdisciplinary elements:
- an academic component focused on developing reading, writing, and math skills,
- a citizenship component to encourage students to think critically about their community and draw connections between their personal experiences and the greater climate of white supremacy in the United States, and
- a ‘Guide to Negro History’ that explored the socio-political activism of Black people around the globe (SNCC Digital Gateway 2016).
By dedicating a large part of the curriculum to Black history, the SNCC Freedom Schools opened the path to a consciousness-raising model that stressed a connection with the greater African diaspora and affirmed notions of Black transnational identity for students. The schools themselves were attended by students voluntarily; Freedom School teachers knocked on doors in the community they taught in to explain the purpose of the school and invite students to attend. By relying on word of mouth, the Freedom School classes across Mississippi gained popularity among community members. By the end of the Summer of 1964, over fifty Freedom Schools had been created, reaching over 2,100 Mississippians both young and adult (Watson 2014).
SNCC’s leadership and teaching model was largely influenced by mentor Ella Baker, an organizer in the Civil Rights Movement who developed the educational pedagogy of ‘democratic education’ which aims to teach students “…about the emancipatory nature of learning and schooling” (Watson 2014). Due to this, the Freedom School curriculum was deliberately developed to invest in the leadership potential of all students and create a learning environment in which teachers and students were both co-creators of knowledge. SNCC recognized that the educational institutions in Mississippi were failing Black students in a multitude of ways, so the curriculum needed to be flexible enough to accommodate various student needs: as they studied the curriculum, teachers were told to discard it and to create, on the spot if necessary, activities and questions that responded to the needs of the students in front of them. The curriculum’s central premise, the importance of questioning, challenged the concept of a written curriculum. The Freedom School curriculum encouraged—in fact, mandated—that teachers improvise (Emery et al. 2004).
Although the majority of Freedom Schools started their day off with singing, each school differed in terms of its daily schedule and classroom content. While some Freedom School students wanted to spend the bulk of their day learning deeply about Black historical figures and events such as the Haitian Revolution or Harriet Tubman, other Freedom School students were concerned with improving reading/writing skills or learning French. Many Freedom School classrooms even focused on the Civil Rights Struggle waging across the nation and internationally at the time. Freedom School teachers pushed students to discuss among themselves organizing tactics and strategies for, for example, Black voter registration (Sturkey 2004). In addition to the use of discussion, Freedom Schools in Mississippi utilized a diverse range of artistic and literary methods to give students the tools needed to both push back on dominant white supremacist societal narratives and take pride in their identity as Black people.
Using poetry, plays, academic essays, roleplaying, and short stories, the 1964 Freedom Schools worked to reconstitute and refigure a Southern Black identity outside of the racism that historically marginalized and defined the life of a Black person in Mississippi. The Freedom School curriculum challenged the reductive 1960s imaginations of the so-called Southern United States as simply a poverty-stricken area and recognized (through art, performance, literature, etc.) that the censuring of Black history in standard textbooks minimized the traumatic history of enslavement and the Black experience in Mississippi. Moreover, many Freedom Schools published newsletters that included the art and writing of Freedom School students as well as news from the Freedom Summer voting registration organizing work (Emery et al. 2004). These newsletters voiced political consciousness and activism to an audience that went beyond the Black students and SNCC volunteers involved in the Freedom Summer campaign.
Funding
Teachers were not paid, so they had to arrange their own room and board in the (typically) small, rural town they’d be teaching in. The budgets of the Freedom Schools were nearly non-existent, so Freedom School teachers were also expected to crowdfund supplies for the classrooms themselves. For example, before the start of the Freedom Summer Campaign, all volunteers were expected to ask companies to contribute books and equipment. Freedom School teachers relied heavily on the communities they lived and worked in for support. While a small budget was calculated for each town, the communities themselves generally provided a place for the classes—e.g., in a church basement—and donated equipment like tape recorders or projectors (Emery et al. 2014).
The Legacy of the 1964 Freedom Summer Schools
The Freedom School program started in 1964 summer was explicitly designed to develop the power of Black Mississippians: the schools pushed to deconstruct the U.S. public educational system that operated (and continues to operate) by maintaining elitist, eurocentric standards of intellect. Through its cultural and educational work, the Freedom Schools created spaces that supported and empowered Black people in a society that did not readily supply that knowledge. For many students, the Freedom Schools served as an entirely new opportunity to dream and envision a future beyond the constraints of exploitative sharecropping or racial terror.
The Freedom School educational model, of providing alternative education as a means of pushing back on dominant narratives and unapologetically claiming the human right to decent education, continued to influence activists beyond just the sociohistorical moment of Freedom Summer. After the summer ended, some Freedom School volunteer teachers decided to stay in Mississippi and continued to facilitate classes into the fall of 1964. Depending on the community, Freedom Schools served as community hubs for tutoring young Black people after school, held nighttime classes for Black adults and the voter registration effort, or continued classes for “children whose regular public school classes had been suspended for cotton-picking” (Emery et al. 2004).
As the Black Freedom Struggle continued, notions of ‘democratic education’ remained present in the ideological framework of the Black Power era institution-building (Carmichael 1966:53) and contemporary freedom projects such as the Children’s Defense Fund Freedom School Program which “…serve[s] children and youth in grades K–12 in communities where quality academic enrichment programming is limited, too expensive, or non-existent” (Children’s Defense Fund New York) or the Gaza solidarity encampments on college campuses globally throughout the Spring of 2024 that offered public, political education programming. Although institutional racism and race-based school segregation remain a serious problem (Hale 2014), dozens of freedom schools in the United States today identify the 1964 SNCC Freedom Schools as an influence. Liberation struggles across the globe, from Turtle Island to Palestine, continue to push for change by employing similar educational strategies to inspire others to fight for collective liberation.
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{
"article":
{
"title" : "Education for Our Liberation: Reflections on the 60th Anniversary of the Summer 1964 SNCC Freedom School Program in Mississippi",
"author" : "maya finoh",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/education-for-our-liberation-reflections-on-the-60th-anniversary-of-the-summer-1964-sncc-freedom-school-program-in-mississippi",
"date" : "2024-09-05 21:47:00 -0400",
"img" : "https://everythingispolitical.com/uploads/sncc-thumb.jpg",
"excerpt" : "“So that the question stands as to what we are willing to do,how we are willing to say ‘no’ to withdraw from that systemand begin within our community to start to functionand to build new institutions that will speak to our needs.”— Kwame Ture aka Stokely Carmichael, “Black Power” Speech, 19661 Carmichael, Stokely. “Black Power.” Voices of Democracy, University of California at Berkeley, Oct. 29, 1966, www.voicesofdemocracy.umd.edu/carmichael-black-power-speech-text. ↩ ",
"content" : "“So that the question stands as to what we are willing to do,how we are willing to say ‘no’ to withdraw from that systemand begin within our community to start to functionand to build new institutions that will speak to our needs.”— Kwame Ture aka Stokely Carmichael, “Black Power” Speech, 19661Throughout the history of Black freedom struggles—both in the United States and globally—questions of self-determination have remained constant. Whether the battle was against Jim Crow segregation or the cultural remnants of colonialism, visions for new institutions that center the needs of marginalized communities have been extensive. These visions have radically imagined alternatives to socioeconomic disenfranchisement: pinpointing community-based, consciousness-raising education as a key tool for freedom.In December 1963, Student Nonviolent Coordinating Committee (SNCC) field secretary Charlie Cobb penned a proposal for a summer Freedom School program in Mississippi to the SNCC executive committee2, noting the need for some educational program that would supplement the lackluster and racist education Black high school students were receiving in the education system. Due to decades of racialized and gendered poverty, Black people in Mississippi had extreme barriers to educational opportunities. For instance, in the early 1960s, less than five percent of Black Mississippians were high school graduates (Strukey 2016)3. The SNCC executive committee approved the proposal, and a Freedom School was developed by members of SNCC (Chilcoat & Ligon 1995:24)4. While racialized violence and discrimination continue into the twenty-first century, it would be remiss of us all not to acknowledge the extensive work done by organizations like SNCC to combat anti-Black racism in their communities.Context, Curriculum, and ElementsCentering the lived experiences of Black students in Mississippi, the Freedom School curriculum was created by a collective of educators and activists over the course of a two-day conference. In addition to providing the students with extensive academic and intellectual support, the Freedom School was first and foremost proposed to nurture students’ political consciousness and give them the tools to organize against racial injustice themselves (Chilcoat & Ligon 1995:25)4. The curriculum contained a multitude of interdisciplinary elements: an academic component focused on developing reading, writing, and math skills, a citizenship component to encourage students to think critically about their community and draw connections between their personal experiences and the greater climate of white supremacy in the United States, and a ‘Guide to Negro History’ that explored the socio-political activism of Black people around the globe (SNCC Digital Gateway 2016)5.By dedicating a large part of the curriculum to Black history, the SNCC Freedom Schools opened the path to a consciousness-raising model that stressed a connection with the greater African diaspora and affirmed notions of Black transnational identity for students. The schools themselves were attended by students voluntarily; Freedom School teachers knocked on doors in the community they taught in to explain the purpose of the school and invite students to attend. By relying on word of mouth, the Freedom School classes across Mississippi gained popularity among community members. By the end of the Summer of 1964, over fifty Freedom Schools had been created, reaching over 2,100 Mississippians both young and adult (Watson 2014)6.SNCC’s leadership and teaching model was largely influenced by mentor Ella Baker, an organizer in the Civil Rights Movement who developed the educational pedagogy of ‘democratic education’ which aims to teach students “…about the emancipatory nature of learning and schooling” (Watson 2014)6. Due to this, the Freedom School curriculum was deliberately developed to invest in the leadership potential of all students and create a learning environment in which teachers and students were both co-creators of knowledge. SNCC recognized that the educational institutions in Mississippi were failing Black students in a multitude of ways, so the curriculum needed to be flexible enough to accommodate various student needs: as they studied the curriculum, teachers were told to discard it and to create, on the spot if necessary, activities and questions that responded to the needs of the students in front of them. The curriculum’s central premise, the importance of questioning, challenged the concept of a written curriculum. The Freedom School curriculum encouraged—in fact, mandated—that teachers improvise (Emery et al. 2004)7.Although the majority of Freedom Schools started their day off with singing, each school differed in terms of its daily schedule and classroom content. While some Freedom School students wanted to spend the bulk of their day learning deeply about Black historical figures and events such as the Haitian Revolution or Harriet Tubman, other Freedom School students were concerned with improving reading/writing skills or learning French. Many Freedom School classrooms even focused on the Civil Rights Struggle waging across the nation and internationally at the time. Freedom School teachers pushed students to discuss among themselves organizing tactics and strategies for, for example, Black voter registration (Sturkey 2004)3. In addition to the use of discussion, Freedom Schools in Mississippi utilized a diverse range of artistic and literary methods to give students the tools needed to both push back on dominant white supremacist societal narratives and take pride in their identity as Black people.Using poetry, plays, academic essays, roleplaying, and short stories, the 1964 Freedom Schools worked to reconstitute and refigure a Southern Black identity outside of the racism that historically marginalized and defined the life of a Black person in Mississippi. The Freedom School curriculum challenged the reductive 1960s imaginations of the so-called Southern United States as simply a poverty-stricken area and recognized (through art, performance, literature, etc.) that the censuring of Black history in standard textbooks minimized the traumatic history of enslavement and the Black experience in Mississippi. Moreover, many Freedom Schools published newsletters that included the art and writing of Freedom School students as well as news from the Freedom Summer voting registration organizing work (Emery et al. 2004)7. These newsletters voiced political consciousness and activism to an audience that went beyond the Black students and SNCC volunteers involved in the Freedom Summer campaign.FundingTeachers were not paid, so they had to arrange their own room and board in the (typically) small, rural town they’d be teaching in. The budgets of the Freedom Schools were nearly non-existent, so Freedom School teachers were also expected to crowdfund supplies for the classrooms themselves. For example, before the start of the Freedom Summer Campaign, all volunteers were expected to ask companies to contribute books and equipment. Freedom School teachers relied heavily on the communities they lived and worked in for support. While a small budget was calculated for each town, the communities themselves generally provided a place for the classes—e.g., in a church basement—and donated equipment like tape recorders or projectors (Emery et al. 2014)7.The Legacy of the 1964 Freedom Summer SchoolsThe Freedom School program started in 1964 summer was explicitly designed to develop the power of Black Mississippians: the schools pushed to deconstruct the U.S. public educational system that operated (and continues to operate) by maintaining elitist, eurocentric standards of intellect. Through its cultural and educational work, the Freedom Schools created spaces that supported and empowered Black people in a society that did not readily supply that knowledge. For many students, the Freedom Schools served as an entirely new opportunity to dream and envision a future beyond the constraints of exploitative sharecropping or racial terror.The Freedom School educational model, of providing alternative education as a means of pushing back on dominant narratives and unapologetically claiming the human right to decent education, continued to influence activists beyond just the sociohistorical moment of Freedom Summer. After the summer ended, some Freedom School volunteer teachers decided to stay in Mississippi and continued to facilitate classes into the fall of 1964. Depending on the community, Freedom Schools served as community hubs for tutoring young Black people after school, held nighttime classes for Black adults and the voter registration effort, or continued classes for “children whose regular public school classes had been suspended for cotton-picking” (Emery et al. 2004)7.As the Black Freedom Struggle continued, notions of ‘democratic education’ remained present in the ideological framework of the Black Power era institution-building (Carmichael 1966:53)1 and contemporary freedom projects such as the Children’s Defense Fund Freedom School Program which “…serve[s] children and youth in grades K–12 in communities where quality academic enrichment programming is limited, too expensive, or non-existent” (Children’s Defense Fund New York)8 or the Gaza solidarity encampments on college campuses globally throughout the Spring of 2024 that offered public, political education programming. Although institutional racism and race-based school segregation remain a serious problem (Hale 2014)9, dozens of freedom schools in the United States today identify the 1964 SNCC Freedom Schools as an influence. Liberation struggles across the globe, from Turtle Island to Palestine, continue to push for change by employing similar educational strategies to inspire others to fight for collective liberation.References Carmichael, Stokely. “Black Power.” Voices of Democracy, University of California at Berkeley, Oct. 29, 1966, www.voicesofdemocracy.umd.edu/carmichael-black-power-speech-text. ↩ ↩2 Charles Cobb, “Prospectus for a Summer Freedom School Program in Mississippi (Excerpt).” HERB: Resources for Teachers, www.herb.ashp.cuny.edu/items/show/1158. ↩ Sturkey, William. “The 1964 Mississippi Freedom Schools.” Mississippi History Now, Mississippi Historical Society, May 2016, mshistorynow.mdah.ms.gov/articles/403/The-1964-Mississippi-Freedom-Schools. ↩ ↩2 Chilcoat, George W., and Jerry A. Ligon. “‘We Will Teach What Democracy Really Means By Living Democratically Within Our Own Schools’ Lessons From the Personal Experience of Teachers Who Taught in the Mississippi Freedom Schools.” Education and Culture 12, no. 1 (1995): 24-42. ↩ ↩2 “Freedom Schools.” SNCC Digital Gateway, SNCC Legacy Project and Duke University, Dec. 2016, www.snccdigital.org/inside-sncc/culture-education/freedom-schools. ↩ Watson, Marcia. “Beyond Slavery And The Civil Rights Movement: Freedom Schools And Transformative Education.” African American Intellectual History Society. Oct. 16, 2014, www.aaihs.org/beyond-slavery-and-the-civil-rights-movement-freedom-schools-and-transformative-education. ↩ ↩2 Emery, Kathy, Sylvia Braselmann, and Linda Reid Gold. “Introduction: Freedom Summer and the Freedom Schools.” Education and Democracy, The San Francisco Freedom School, 2004, www.educationanddemocracy.org/FSCfiles/A_02_Introduction.htm#_edn16. ↩ ↩2 ↩3 ↩4 “New York Freedom Schools.” Children’s Defense Fund New York. Children’s Defense Fund, www.cdfny.org/programs/cdf-freedom-schools/new-york-freedom-schools. ↩ Hale, Jon N. “The Forgotten Story of the Freedom Schools.” The Atlantic, Atlantic Media Company, Jun. 26, 2014, www.theatlantic.com/education/archive/2014/06/the-depressing-legacy-of-freedom-schools/373490. ↩ "
}
,
"relatedposts": [
{
"title" : "Skims, Shapewear, and the Shape of Power: When a Brand Expands Into Occupied Territory",
"author" : "Louis Pisano",
"category" : "",
"url" : "https://everythingispolitical.com/readings/skims-shapewear-and-the-shape-of-power",
"date" : "2025-11-17 07:13:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_Skims_Israel.jpg",
"excerpt" : "On the evening of November 11, Kris Jenner celebrated her 70th birthday inside the fortified sprawl of Jeff Bezos’s $175 million Beverly Hills compound, hidden behind hedges so tall they violate city regulations, a rule he bypasses with a monthly $1,000 fine that functions more like a subscription fee than a penalty. The theme was James Bond, black tie and martini glasses, a winking acknowledgment of Amazon’s new ownership of the 007 franchise. Guests surrendered their phones upon arrival, a formality as unremarkable as valet check-in. Whatever managed to slip beyond the gates came in stray fragments: a long-lens photograph of Oprah Winfrey stepping out of a black SUV, Mariah Carey caught mid-laugh on the curb, Kylie Jenner offering a middle finger through the window of a chauffeured car. The rest appeared hours later in the form of carefully curated photos released by an official photographer, images softened and perfected until they resembled an ad campaign more than documentation. Nothing inside was witnessed on anyone’s own terms.",
"content" : "On the evening of November 11, Kris Jenner celebrated her 70th birthday inside the fortified sprawl of Jeff Bezos’s $175 million Beverly Hills compound, hidden behind hedges so tall they violate city regulations, a rule he bypasses with a monthly $1,000 fine that functions more like a subscription fee than a penalty. The theme was James Bond, black tie and martini glasses, a winking acknowledgment of Amazon’s new ownership of the 007 franchise. Guests surrendered their phones upon arrival, a formality as unremarkable as valet check-in. Whatever managed to slip beyond the gates came in stray fragments: a long-lens photograph of Oprah Winfrey stepping out of a black SUV, Mariah Carey caught mid-laugh on the curb, Kylie Jenner offering a middle finger through the window of a chauffeured car. The rest appeared hours later in the form of carefully curated photos released by an official photographer, images softened and perfected until they resembled an ad campaign more than documentation. Nothing inside was witnessed on anyone’s own terms.The guest list felt less like a party roster and more like an index of contemporary American power. Tyler Perry arrived early, Snoop Dogg later in the evening, Paris Hilton shimmering in a silver column that clung like liquid metal. Hailey Bieber drifted past in a slinky black dress, while Prince Harry and Meghan Sussex appeared in images that were quietly scrubbed from the family grid a day later. Nine billionaires circulated among the luminaries, their combined wealth brushing toward $600 billion. Mark Zuckerberg and Priscilla Chan joined Bill Gates at the poker table, while Bezos himself wandered through the party with Lauren Sánchez, doing the kind of effortless hosting that comes with having $245B in the bank.Jenner, dressed in red vintage Givenchy by Alexander McQueen, floated from conversation to conversation. She paused for a warm embrace with Perry, raised a glass with Hilton, and eventually made her way to the dance floor with Justin Bieber. At 70, she remains the family’s central command center, equal parts mother, manager, strategist, and brand steward. The celebration functioned as a kind of coronation, a reaffirmation that the Kardashian-Jenner empire is not stagnating but expanding, stretching itself into new sectors and new narratives with the same relentless ease that has defined its last decade.Just two weeks earlier, on a bright Monday in late October, a very different scene unfolded at the SKIMS flagship on the Sunset Strip. 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The Hagiborim visit, girls only, modest branding, no Kim in sight, served as a small preemptive gesture, a way to soften potential critique before the Israel launch rolled out. While the party dominated the feed, the expansion passed unnoticed and the charity event remained strictly confined to the margins, a calculated sequence, not chaos, the kind of PR mastery we’ve come to expect from Kris Jenner.The same instinct shapes their political signaling. On Inauguration Day 2025, as Donald Trump took the oath of office for a second term, Kim posted a silent Instagram Story of Melania Trump stepping out in a navy ensemble and wide-brimmed hat. She offered no caption, no endorsement, no framing. The image disappeared within 24 hours, but not before sparking a brief firestorm. 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}
,
{
"title" : "Unpublished, Erased, Unarchived: Why Arab-Led Publishing Matters More Than Ever",
"author" : "Céline Semaan",
"category" : "",
"url" : "https://everythingispolitical.com/readings/unpublished-erased-unarchived",
"date" : "2025-11-13 10:25:00 -0500",
"img" : "https://everythingispolitical.com/uploads/Cover_EIP_Unpublished.jpg",
"excerpt" : "At a moment when news of Gaza, West Bank, South Lebanon, and Beirut are slowly disappearing from the headlines—and from public consciousness—Arab writers face a singular burden: We must write the stories that no one else will print. We live in a media landscape that refuses to see us as fully human. A recent analysis from Giving Compass suggests that traditional media skews Palestinian news: seven major U.S. news outlets found that Palestinian stories were 13.6% to 38.9% less likely to be individualized than Israeli ones. Meaning, Palestinians appear as abstractions—statistics, masses, “civilians”—not as people with names, losses, or lives. Meanwhile, reports from the Centre for Media Monitoring (CfMM) show that UK outlets had a fourfold increase in coverage only when Gaza was framed through the lens of “criticism of Israel,” not Palestinian experience itself.",
"content" : "At a moment when news of Gaza, West Bank, South Lebanon, and Beirut are slowly disappearing from the headlines—and from public consciousness—Arab writers face a singular burden: We must write the stories that no one else will print. We live in a media landscape that refuses to see us as fully human. A recent analysis from Giving Compass suggests that traditional media skews Palestinian news: seven major U.S. news outlets found that Palestinian stories were 13.6% to 38.9% less likely to be individualized than Israeli ones. Meaning, Palestinians appear as abstractions—statistics, masses, “civilians”—not as people with names, losses, or lives. Meanwhile, reports from the Centre for Media Monitoring (CfMM) show that UK outlets had a fourfold increase in coverage only when Gaza was framed through the lens of “criticism of Israel,” not Palestinian experience itself.Against this backdrop of erasure, the scarcity of Arab women’s voices in publishing is even more alarming. A bibliometric study spanning 1.7 million publications across the Middle East and North Africa shows that men publish 11% to 51% more than women. What’s more, women’s authorship is less persistent, and men reach senior authorship far faster. Arab women are not only under-published but also systematically written out of the global record.This is why Slow Factory has founded Books for Collective Liberation, an Arab-led, independent imprint committed to telling Arab stories the way they should be told: authentically, empathetically, and wholly. We publish work that would never survive the filters of legacy publishing: the political hesitation, the “market concerns,” the fear of touching Arab grief, joy, or its future. Independence is not an aesthetic choice; it is the only way to protect our stories from being softened, sanitized, or structurally erased.Our forthcoming title, On the Zero Line, created in partnership with Isolarii, is a testament to that mission. It stands on the knife’s edge where memory is threatened with extinction—a book that documents what official archives will not. It is a testimony that refuses to disappear.But books alone are not enough. Stories need a home that is alive, responsive, and politically unafraid. That is the work of Everything is Political (EIP), our independent media platform and growing archive of essays, investigations, and first-person journalism. In an era where Big Tech throttles dissenting voices and newsrooms avoid political risk, EIP protects the creative freedom of Arab writers and journalists. We publish what mainstream outlets won’t—because our lives, our histories, and our communities, dead or alive, should not depend on editorial courage elsewhere.Together, Books for Collective Liberation and Everything is Political form an ecosystem of resistance: literature and journalism that feed each other, strengthening each other, building memory as infrastructure—a new archive. We refuse the fragmentation imposed on us: that books are separate from news, that culture is separate from politics, that our narratives exist only within Western frameworks. This archive is not static; it is a living, breathing record of a people determined to write themselves into the future.When stories from Gaza, Beirut, and the broader Levant fail to make the news—or make it only as geopolitical abstractions—the result breeds distortion and public consent to eliminate us. It is a wound to historical truth. It erases whole worlds. We will not let that happen.Independent, Arab-led publishing is how we repair that wound. It is how we record what happened, in our own voice. It is how we ensure that no empire, no newsroom, and no algorithm gets to decide which of our stories survive.Tonight, we gather at Palestine House to celebrate the launch of On the Zero Line, a collection of stories, essays, and poems from Gaza, translated in English for the first time. This evening, we are centering the lived experiences of Palestinians from Gaza who have been displaced in London. I have the honor of interviewing journalist Yara Eid and Ahmed Alnaouq, project manager of the platform “We are not Just Numbers.” Here, we will discuss how mainstream literature and journalism have censored us—and how we can keep our stories alive in response."
}
,
{
"title" : "The British Museum Gala and the Deep Echoes of Colonialism",
"author" : "Ana Beatriz Reitz do Valle Gameiro",
"category" : "essays",
"url" : "https://everythingispolitical.com/readings/the-british-museum-gala-and-the-deep-echoes-of-colonialism",
"date" : "2025-11-11 11:59:00 -0500",
"img" : "https://everythingispolitical.com/uploads/the-younger-memnon-statue-british-museum%20copy.jpg",
"excerpt" : "When it comes to fashion, few things are as overblown, overanalyzed, and utterly irresistible as a gala. For instance: hear the name “Met Gala”, and any fashionista’s spine will tingle while every publicist in New York breaks into a cold sweat. While New York has been hosting the original event at the Metropolitan Museum since 1948 and Paris had its Louvre moment in 2024, London finally decided to answer with an event at the British Museum on 18 October this year.",
"content" : "When it comes to fashion, few things are as overblown, overanalyzed, and utterly irresistible as a gala. For instance: hear the name “Met Gala”, and any fashionista’s spine will tingle while every publicist in New York breaks into a cold sweat. While New York has been hosting the original event at the Metropolitan Museum since 1948 and Paris had its Louvre moment in 2024, London finally decided to answer with an event at the British Museum on 18 October this year.The invitation-only event drew high-profile guests such as Naomi Campbell, Mick Jagger, Edward Enninful, Janet Jackson, Alexa Chung, and James Norton. With a theme of ‘Pink Ball,’ the night drew inspiration from the vibrant colors of India and walked hand-in-hand with the museum’s ‘Ancient India: Living Traditions’ exhibition, adding a touch of colonial irony à la British tradition.Unlike its always-talked-about New York counterpart, or Paris’s star-studded affair last year that reunited figures like Doechii, Tyra Banks, Gigi Hadid, and Victoria Beckham, London’s event felt less memorable fashion-wise. With little buzz surrounding it - whether due to a less star-studded guest list, unremarkable fashion, or its clash with the Academy Museum Gala - it ultimately felt more like an ordinary night than a headline-making affair.But the event was not entirely irrelevant. In fact, it prompted reflections rarely discussed in mainstream media. Notably, because in spite of the museum’s sprawling collection of objects from other marginalized countries, the event ‘‘celebrated’’ Indian artifacts looted during colonial rule. Equally noteworthy is the institution’s partnership with BP - the British oil giant whose exports reach Israel, a state that, in the twenty-first century, stands as a symbol of colonialism and the ongoing genocide of Palestinians. And, of course, every penny raised went to the museum’s international initiatives, including an excavation project in Benin City, Nigeria, and other archaeological digs in Iraq.Although excavation is often portrayed as a means of preserving the past, archaeologists acknowledge that it is inherently destructive - albeit justifiable if it provides people with a deeper understanding of the human past. As Geoffrey Scarre discusses in Ethics of Digging, a chapter in Cultural Heritage Ethics: Between Theory and Practice, it matters who has the authority to decide what is removed from the ground, how it is treated, whether it should be retained or reburied, and who ultimately controls it. Something that feels especially relevant when discussing the objects of marginalized communities and the legacies of countries shaped by European colonialism, now just laid bare as trophies to embellish the gilded halls of Euro-American institutions.That the British Museum’s collections were built on the wealth of its nation imperialism is hardly news. Yet the institution, like so many others, from the Louvre to the Met, continues to thrive on those very foundations. As Robert J. C. Young observes in Postcolonial Remains, “the desire to pronounce postcolonial theory dead on both sides of the Atlantic suggests that its presence continues to disturb and provoke anxiety: the real problem lies in the fact that the postcolonial remains.”Although postcolonialism is often mistakenly associated with the period after a country gained independence from colonial rule, academics like Young, Edward Said, Gayatri Chakravorty Spivak, and Frantz Fanon acknowledge that our world is still a postcolonial one, with cultural, political, and economic issues reflecting the lasting effects of colonization. Its aftermath extends beyond labels like “Third World” or the lingering sense of superiority that still marks the Global North; it also fuels a persistent entitlement to our art, culture, and legacy.This entitlement can be seen in the halls of many museums worldwide. And though looting may not always be illegal - as in how these institutions acquire those objects - it is certainly unethical. For decades, scholars and activists have debated that these institutions should restitute the legacies taken from other lands, objects stolen through wars of aggression and exploitation. Still, these museums deliberately choose to hold them, artifacts that bear little cultural resonance for their current keepers, but profound meaning for the people from whom they were taken.But these debates are no longer confined to academic circles. Take Egypt, for instance. Its long-awaited Grand Museum finally opened its doors three decades after its initial proposal in 1992 and nearly twenty years since construction began in 2005. Now fully operational, breathing fresh life into Egypt’s storied past through showcasing Tutankhamun’s tomb among other relics of the country, it is demanding the return of its legacy. Egypt’s former and famously outspoken Minister of Tourism and Antiquities, Dr. Zahi Hawass, for instance, recently told the BBC: “Now I want two things, number one, museums to stop buying stolen artefacts, and number two, I need three objects to come back: the Rosetta Stone from the British Museum, the Zodiac from the Louvre, and the Bust of Nefertiti from Berlin.” Beyond the direct call-out, Dr. Hawass has initiated online petitions demanding the return of the artifacts, amassing hundreds of thousands of signatures. Nevertheless, the world’s great museums remain silent, and the precious Egyptian treasures are still very much on display.With African, Asian, and Latin American legacies still held captive within Euro-American institutions, the echoes of colonialism linger well into the 21st century, keeping the postcolonial order intact. Even fashion, an industry that loves to believe it exists beyond politics, proves such. Whether through events that claim to celebrate certain things but end up being meaningless, the current Eurocentrism that still dominates the industry, or how many labels still profit from the aesthetics of marginalized nations without acknowledgment, fashion, much like museums, reproduces the very hierarchies postcolonial theory seeks to expose.Ultimately, the British Museum’s latest event does not celebrate Indian culture or Nigerian history through its excavation in Benin City. Like so many Euro-American institutions, it reinforces imperial power - masquerading cultural theft as preservation.In fashion as in museums, spectacle too often conceals empire - and beauty, unexamined, can become complicity."
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