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The Culture of Liberation
Kweku Mandela & Amanda Seales in Conversation
KWEKU MANDELA: How are you?
AMANDA SEALES: I’m fine. I mean, I’m getting death threats, but it’s fine. I’m like, if y’all aren’t throwing a brick through the window with a note, then what are we really doing?
KWEKU: It’s this digital age. I had people come after me earlier this year. We had a big election in South Africa—30 years of democracy—and it’s always chaotic during that time, but this year was more extreme. Still, it renewed my faith in people.
I’ve always believed that for every group trying to oppress or control us, there are hundreds of millions more fighting against that future. They’re the cooks, the waiters, the cleaners, the pastors—the people most wouldn’t give a second thought to. That’s why I think we still have a chance to change the course of the world. I see it in young people, but also in our generation. I used to think we were done for—like, after Occupy Wall Street, we couldn’t seem to materialize protests into real change. But now, I feel hopeful.
AMANDA: I think we’ve had a long stretch of what we thought were “good times.” When things would bubble up, they’d just be “handled.” We got used to that. Now, in the States, people still think everything can just be “dealt with” and go back to normal. They’re always asking, “What’s the solution?” But I don’t think it’s going to work like that. This isn’t a quick fix; it’s not something that’ll just go away.
KWEKU: Yeah, those of us in our 30s and 40s are realizing we need to take responsibility as leaders in every part of life—whether
that’s in your workplace, your home, or your community. We can’t just keep saying, “There are no good choices, no good leaders.” Well, then get involved and become a leader!
AMANDA: There’s a real issue with how people are trained to think they need to follow someone. They believe leaders have to be a certain kind of person, and if you’re not that, then you can’t lead. People come to me all the time, asking, “So what do we do?” And I’m like, I’m the information sharer—that’s my role in leadership. I’m not the organizer.
I’m trying to encourage people to find the leader within themselves. What part of you can lead, and in what way?
KWEKU: True, but leading to what? In modern society, leaders are equated to celebrities. They’re put on pedestals. I saw this with my grandfather, Nelson Mandela. People would say, “He’s not just an African, he’s Nelson Mandela,” or “He’s not a Black person, he’s Nelson Mandela.” They did that to separate him from who he really was. And then, they’d act like he was the only one who did anything, like it’s a hero’s journey. So young people see that and think, “I can’t ever be like that.” But that’s not true.
He always broke that down by staying connected to the people. He’d randomly tell security, “I’m going to that school,” or “I’m going to speak to this group.” He avoided the bubble and kept interacting with people.
Now, though, with social media and movements, it’s hard to know what’s real and what’s not—even for someone like me, who’s pretty familiar with these things! That’s why organizations like Slow Factory are so important; they’re trusted sources for information.

AMANDA: I’ve gotten to the point where I’m resistant to being seen as the trusted source of information. I’m mostly over that idea. I’ve heard plenty of “stick to acting” or “shut up and dribble” nonsense.
We’re in a time where people are having so many different awakenings all at once. Even the idea of celebrity and what people’s relationships with celebrities are, is changing. Fans are questioning, “Do I want to support this person anymore? Do I want to continue propping up their existence as a Creative?” If their character doesn’t hold up, people are making real decisions about that. We’re heading into a new era.
By the way, I wanted to ask you about the recent elections in South Africa. How do you feel? Was there anything different about them this time?
KWEKU: It was a lot different. South Africa is a young democracy, and it’s one where people were enshrined with the right to vote in 1994 — a very substantial step towards freedom, but not freedom as a whole, because the economic levers that run society were still maintained by a group of people. The international community now really had a way to inject itself into South Africa—and there were good parts of that. There were also really bad parts of it. And then oftentimes, in a country like South Africa that has this extreme disparity of wealth, not dissimilar from the United States, there is this idea that we complain all the time.
All of the major indexes talk about the fact that we’ve been able to double the amount of people that have formal housing and double the amount of access to piped water, electricity, and sanitation. These are all massive things that prior to 1994 did not exist for the majority of the population. Those indexes are all over 80% right now, and it’s only been throughout the last thirty years. You think about countries that have had 100 years and didn’t get there, so there’s lots of progress, there’s a lot to be positive about, but sometimes people can’t see that. They’re so prone to looking at the negative.
Obama’s sister Maya Soetoro-Ng said something very powerful a few weeks ago about positive and negative peace. Negative peace is defined by the simple absence of conflict, and positive peace being the presence of nurturing systems of support. And so for me, that’s one of the things I’ve come to when you talk about divesting from celebrity. I’m looking at not only how I can divest from a lot of the ego traps that exist in our world, but how I can make sure my impact is focused on putting positive into it?
AMANDA: I think the biggest issue is education. There’s a huge gap in understanding what we’re even fighting against, and that gap has been intentionally created. There’s been a lot of effort to keep people ignorant. For example, many Americans don’t even know there’s an election happening in South Africa. Global news isn’t a natural part of our news cycle—you have to seek it out. But in other countries, the news is global by default, not just local. So what do you think is needed on the American side of things? And what’s your perspective on the South African side?
I feel like my role right now is to educate people on multiple levels—through art, spiritually, about history, and about systems. I say this as someone who wasn’t educated on these things for a long time. When I started learning about how systems operate, I had to let go of the lies I believed kept me safe. Americans tell themselves that the government is trying its best, and we find comfort in that. But in many other countries, people don’t trust their governments. They’re like, ‘We never trust the government.’ It feels bittersweet to realize that, but also it’s a beautiful awakening. It shows how much power we actually have to affect change.
KWEKU: I love that. The topic here is ‘everything is political,’ and I see that a lot too. When I try to have conversations, people often say, ‘I don’t talk about politics,’ or ‘I’m too busy with work to follow that.’ They instantly shut down. But I always explain that everything we do is political. In South Africa, people like to complain but then avoid responsibility for how things are and place all the blame on the government. Sure, we can critique the government, but we also have to look at the bigger picture—our reality and history. We can’t look at things in a vacuum.
AMANDA: Right now, I’m encouraging people to ask themselves: What would you need help with if the government didn’t exist? Child care? Food security? Healthcare? Elderly care? Education?
If you get to the end of that list and think, ‘I don’t need any of that,’ then ask: What would happen if others didn’t have access? How would that affect you? There’s leadership in just taking charge of how you build resources, not just for yourself but for your community. We don’t have that mindset here. Leadership here is taught as, ‘How do I get into a position to tell others what to do?’ That’s the only version of leadership pushed in America.
KWEKU: We have a different type of leadership here, which is very community-oriented. People come together often to address issues, and we have one of the highest levels of protest—about 2,000 to 3,000 a year. So, it’s hard for our government to ignore that kind of pressure.
AMANDA: So, it’s part of your culture—protesting, rallying, raising the roof?
KWEKU: Yeah, it’s a key part of our culture, undoubtedly. Amanda: Where do you think that comes from? Is it tribal? From fighting apartheid? How is it upheld?
KWEKU: It’s a mix. Part of it comes from our traditions, the way tribes and villages engage. Then, of course, apartheid played a huge role. It was the most sophisticated system of oppression in the world for nearly 60 years. To dismantle it required a massive amount of energy, ideas, and collaboration—not just in South Africa but worldwide. Hundreds of millions of people rallied behind it. People shared information, educated one another, and most did this voluntarily, without any financial incentive. What came out of that was real change. It was a system being dismantled, and people felt their impact. That momentum has carried through, even though things change when money and other factors come into play. The media and institutions influence that too, but there’s still a strong push-and-pull dynamic, and I think it’ll continue for many decades.
AMANDA: I believe it was part of Black culture by necessity during segregation, and I think that’s where a lot of issues with integration come from: integration created a disconnect among us as we tried to access white spaces. What’s going to be crucial now are global connections, right? Like when you said you connect so much with the things behind me on the wall. For some, this is just pop culture, but for many Black people, pop culture is as powerful as culture itself. For example, Claire Huxtable. Claire isn’t just a TV character—she’s a real person to us, while for white girls, Barbie is just Barbie. We needed these spaces to see ourselves because we were constantly being erased. In my work, I try to weave those threads together, reflecting our unique existence.
Many Black Americans feel strongly that, ‘No, We are African.’ While I believe it’s important to acknowledge our African descent and the beauty and significance of that connection, I also think it’s crucial to recognize that Black American identity is unique. It shouldn’t be overshadowed by the historical violence of America or solely defined by our African ancestry. As someone from the continent, specifically from South Africa, I’m curious to hear your perspective on this.”
KWEKU: “I’ll quote the words of Kwame Nkrumah, who said, ‘I’m not African because I was born in Africa. I’m African because Africa was born in me.’ And I think that sentiment resonates with people around the world. It’s a state of mind, a way to approach life. If you look at Africa, it’s one of the least violent continents that has ever existed and the most resilient. There are many virtues and truths in our continent that are essential to the identity of African Americans, and those can never be taken away. It’s up to African Americans to connect with that if they choose to and to educate themselves on it.
But as you said, that connection shouldn’t detract from who they are as their own people, with their own history and triumphs. It’s important to find that balance. However, I believe it’s also crucial for African Americans to connect with their African heritage. It’s a deep part of who they are, and for too long, it has been muddled, challenged, or treated as if it’s a curse or ridiculed in pop culture, as we’re discussing. That has changed over time, which I find really beautiful.
We’ve also seen leaders from the African diaspora — whether from the Caribbean or Europe — who embody the virtues of what it means to be African. But I don’t think it’s helpful to express that connection in a performative way either.”
AMANDA: “It’s really fascinating because it considers Africa beyond just a geographical context. You’re placing Africa in a spiritual context, within a value system, which, to your point and Kwame Nkrumah’s, means you can be from anywhere and still carry those values within you. And that doesn’t undermine the uniqueness of where you are.
My mother is Grenadian. I am Grenadian. I also know that within my culture as a Grenadian, Africa is very present and very clear, and that presence is not hidden or shunned in any way. But it also doesn’t diminish the distinctiveness of what it means to be Grenadian. I want that for Black America, but I feel like we haven’t been able to fully achieve it because we are still within the context of our oppressor.”
KWEKU: Going back to what I mentioned about politicians in this modern era, especially my grandfather, and the idea of putting him on a pedestal — that happens within African American culture too. How do the leaders of that community ultimately dispel that, and instead, instill the understanding that who we are as a people, as a community, exists beyond just one individual’s success, or even a handful of individuals? It’s about the sum total. And I think that’s so important.
And again, all these things really come down to education. If you can educate yourself, then you’ll often discover the truth that’s out there. And it will surprise most; it will shock most.
AMANDA: “When we talk about ‘Everything is political,’ we understand through education that politics is a word — it’s literally just a word at this point for how we exist within a ‘society’ governed by institutions. But if those governments weren’t there, we would still be figuring out how to exist as a society, and the word ‘politics’ might not be the one we use, but we’d still be trying to solve the same challenges.
That’s why I think it’s great that Slow Factory is starting this initiative, and I believe it’s imperative that we recognize education as the key to liberation on all fronts. And how do you get that education? There are so many ways. Personally, I find that my favorite ways to educate are through ranting, interviewing, and art.
Someone asked me the other day, ‘What are you doing for the movement?’ I try my best to give a platform to voices that people might not know about but should, to new ideas and innovation, and also to reiterate important ideas. I wake up every single day thinking about how we can be better, more okay, than we were yesterday.”
KWEKU: I think we have to challenge our existence every day. I’m interested in this idea, that if we stayed the same as we always were—whether that’s when we were born, whether that’s when we were five years old, 10 years old, or yesterday—that’s not truly living, right? We have to adapt and we have to change, but it starts with us. There’s a constant need to engage and also listen. I think far too many of us just don’t want to listen to anybody else. I have to remind myself each day— because at times I do have an ego— how important it is to take a step back and listen to people so you understand them better, which I think is important in this day and age where it’s so easy to tune people out.
Here, in South Africa, we have our first coalition government since 1994 and it’s a unity of different parties with different opinions and votes, but I remain confident that we can pull it together even on our craziest days.
A lot of my friends who are currently in America are disappointed in what’s unfolded and at a loss for what to do. I would love to hear what you think is the way forward?
AMANDA:To sum up, for me, the biggest issue is that Americans, by and large, have put so much stock in their politicians. This government is built on corporations; it’s not built on any level of public servitude in the federal government, right? So, when the culture of America has been propping up our government versus demanding of our government, we have to start from the root —encouraging people to vote locally and in their state elections first and foremost, while simultaneously identifying the organizations that are doing the work.
In Conversation:
Illustration by:
Kweku Mandela, grandson of the late Nelson Mandela, carries on a legacy of liberation and advocacy that runs deep in his family. In this conversation, he engages with Amanda Seales, an actress and activist known for her outspoken support for Palestine and her dedication to amplifying the voices of the marginalized.
Topics:
Filed under:
Location:
{
"article":
{
"title" : "The Culture of Liberation: Kweku Mandela & Amanda Seales in Conversation",
"author" : "Kweku Mandela, Amanda Seales",
"category" : "interviews",
"tags" : "",
"url" : "https://everythingispolitical.com/readings/amanda-kweku",
"date" : "2024-09-20 00:00:00 -0400",
"img" : "https://everythingispolitical.com/uploads/amanda-kweku-thumb.jpg",
"excerpt" : "KWEKU MANDELA: How are you?",
"content" : "KWEKU MANDELA: How are you?AMANDA SEALES: I’m fine. I mean, I’m getting death threats, but it’s fine. I’m like, if y’all aren’t throwing a brick through the window with a note, then what are we really doing?KWEKU: It’s this digital age. I had people come after me earlier this year. We had a big election in South Africa—30 years of democracy—and it’s always chaotic during that time, but this year was more extreme. Still, it renewed my faith in people.I’ve always believed that for every group trying to oppress or control us, there are hundreds of millions more fighting against that future. They’re the cooks, the waiters, the cleaners, the pastors—the people most wouldn’t give a second thought to. That’s why I think we still have a chance to change the course of the world. I see it in young people, but also in our generation. I used to think we were done for—like, after Occupy Wall Street, we couldn’t seem to materialize protests into real change. But now, I feel hopeful.AMANDA: I think we’ve had a long stretch of what we thought were “good times.” When things would bubble up, they’d just be “handled.” We got used to that. Now, in the States, people still think everything can just be “dealt with” and go back to normal. They’re always asking, “What’s the solution?” But I don’t think it’s going to work like that. This isn’t a quick fix; it’s not something that’ll just go away.KWEKU: Yeah, those of us in our 30s and 40s are realizing we need to take responsibility as leaders in every part of life—whetherthat’s in your workplace, your home, or your community. We can’t just keep saying, “There are no good choices, no good leaders.” Well, then get involved and become a leader!AMANDA: There’s a real issue with how people are trained to think they need to follow someone. They believe leaders have to be a certain kind of person, and if you’re not that, then you can’t lead. People come to me all the time, asking, “So what do we do?” And I’m like, I’m the information sharer—that’s my role in leadership. I’m not the organizer.I’m trying to encourage people to find the leader within themselves. What part of you can lead, and in what way?KWEKU: True, but leading to what? In modern society, leaders are equated to celebrities. They’re put on pedestals. I saw this with my grandfather, Nelson Mandela. People would say, “He’s not just an African, he’s Nelson Mandela,” or “He’s not a Black person, he’s Nelson Mandela.” They did that to separate him from who he really was. And then, they’d act like he was the only one who did anything, like it’s a hero’s journey. So young people see that and think, “I can’t ever be like that.” But that’s not true.He always broke that down by staying connected to the people. He’d randomly tell security, “I’m going to that school,” or “I’m going to speak to this group.” He avoided the bubble and kept interacting with people.Now, though, with social media and movements, it’s hard to know what’s real and what’s not—even for someone like me, who’s pretty familiar with these things! That’s why organizations like Slow Factory are so important; they’re trusted sources for information.AMANDA: I’ve gotten to the point where I’m resistant to being seen as the trusted source of information. I’m mostly over that idea. I’ve heard plenty of “stick to acting” or “shut up and dribble” nonsense.We’re in a time where people are having so many different awakenings all at once. Even the idea of celebrity and what people’s relationships with celebrities are, is changing. Fans are questioning, “Do I want to support this person anymore? Do I want to continue propping up their existence as a Creative?” If their character doesn’t hold up, people are making real decisions about that. We’re heading into a new era.By the way, I wanted to ask you about the recent elections in South Africa. How do you feel? Was there anything different about them this time?KWEKU: It was a lot different. South Africa is a young democracy, and it’s one where people were enshrined with the right to vote in 1994 — a very substantial step towards freedom, but not freedom as a whole, because the economic levers that run society were still maintained by a group of people. The international community now really had a way to inject itself into South Africa—and there were good parts of that. There were also really bad parts of it. And then oftentimes, in a country like South Africa that has this extreme disparity of wealth, not dissimilar from the United States, there is this idea that we complain all the time.All of the major indexes talk about the fact that we’ve been able to double the amount of people that have formal housing and double the amount of access to piped water, electricity, and sanitation. These are all massive things that prior to 1994 did not exist for the majority of the population. Those indexes are all over 80% right now, and it’s only been throughout the last thirty years. You think about countries that have had 100 years and didn’t get there, so there’s lots of progress, there’s a lot to be positive about, but sometimes people can’t see that. They’re so prone to looking at the negative.Obama’s sister Maya Soetoro-Ng said something very powerful a few weeks ago about positive and negative peace. Negative peace is defined by the simple absence of conflict, and positive peace being the presence of nurturing systems of support. And so for me, that’s one of the things I’ve come to when you talk about divesting from celebrity. I’m looking at not only how I can divest from a lot of the ego traps that exist in our world, but how I can make sure my impact is focused on putting positive into it?AMANDA: I think the biggest issue is education. There’s a huge gap in understanding what we’re even fighting against, and that gap has been intentionally created. There’s been a lot of effort to keep people ignorant. For example, many Americans don’t even know there’s an election happening in South Africa. Global news isn’t a natural part of our news cycle—you have to seek it out. But in other countries, the news is global by default, not just local. So what do you think is needed on the American side of things? And what’s your perspective on the South African side?I feel like my role right now is to educate people on multiple levels—through art, spiritually, about history, and about systems. I say this as someone who wasn’t educated on these things for a long time. When I started learning about how systems operate, I had to let go of the lies I believed kept me safe. Americans tell themselves that the government is trying its best, and we find comfort in that. But in many other countries, people don’t trust their governments. They’re like, ‘We never trust the government.’ It feels bittersweet to realize that, but also it’s a beautiful awakening. It shows how much power we actually have to affect change.KWEKU: I love that. The topic here is ‘everything is political,’ and I see that a lot too. When I try to have conversations, people often say, ‘I don’t talk about politics,’ or ‘I’m too busy with work to follow that.’ They instantly shut down. But I always explain that everything we do is political. In South Africa, people like to complain but then avoid responsibility for how things are and place all the blame on the government. Sure, we can critique the government, but we also have to look at the bigger picture—our reality and history. We can’t look at things in a vacuum.AMANDA: Right now, I’m encouraging people to ask themselves: What would you need help with if the government didn’t exist? Child care? Food security? Healthcare? Elderly care? Education?If you get to the end of that list and think, ‘I don’t need any of that,’ then ask: What would happen if others didn’t have access? How would that affect you? There’s leadership in just taking charge of how you build resources, not just for yourself but for your community. We don’t have that mindset here. Leadership here is taught as, ‘How do I get into a position to tell others what to do?’ That’s the only version of leadership pushed in America.KWEKU: We have a different type of leadership here, which is very community-oriented. People come together often to address issues, and we have one of the highest levels of protest—about 2,000 to 3,000 a year. So, it’s hard for our government to ignore that kind of pressure.AMANDA: So, it’s part of your culture—protesting, rallying, raising the roof?KWEKU: Yeah, it’s a key part of our culture, undoubtedly. Amanda: Where do you think that comes from? Is it tribal? From fighting apartheid? How is it upheld?KWEKU: It’s a mix. Part of it comes from our traditions, the way tribes and villages engage. Then, of course, apartheid played a huge role. It was the most sophisticated system of oppression in the world for nearly 60 years. To dismantle it required a massive amount of energy, ideas, and collaboration—not just in South Africa but worldwide. Hundreds of millions of people rallied behind it. People shared information, educated one another, and most did this voluntarily, without any financial incentive. What came out of that was real change. It was a system being dismantled, and people felt their impact. That momentum has carried through, even though things change when money and other factors come into play. The media and institutions influence that too, but there’s still a strong push-and-pull dynamic, and I think it’ll continue for many decades.AMANDA: I believe it was part of Black culture by necessity during segregation, and I think that’s where a lot of issues with integration come from: integration created a disconnect among us as we tried to access white spaces. What’s going to be crucial now are global connections, right? Like when you said you connect so much with the things behind me on the wall. For some, this is just pop culture, but for many Black people, pop culture is as powerful as culture itself. For example, Claire Huxtable. Claire isn’t just a TV character—she’s a real person to us, while for white girls, Barbie is just Barbie. We needed these spaces to see ourselves because we were constantly being erased. In my work, I try to weave those threads together, reflecting our unique existence.Many Black Americans feel strongly that, ‘No, We are African.’ While I believe it’s important to acknowledge our African descent and the beauty and significance of that connection, I also think it’s crucial to recognize that Black American identity is unique. It shouldn’t be overshadowed by the historical violence of America or solely defined by our African ancestry. As someone from the continent, specifically from South Africa, I’m curious to hear your perspective on this.”KWEKU: “I’ll quote the words of Kwame Nkrumah, who said, ‘I’m not African because I was born in Africa. I’m African because Africa was born in me.’ And I think that sentiment resonates with people around the world. It’s a state of mind, a way to approach life. If you look at Africa, it’s one of the least violent continents that has ever existed and the most resilient. There are many virtues and truths in our continent that are essential to the identity of African Americans, and those can never be taken away. It’s up to African Americans to connect with that if they choose to and to educate themselves on it.But as you said, that connection shouldn’t detract from who they are as their own people, with their own history and triumphs. It’s important to find that balance. However, I believe it’s also crucial for African Americans to connect with their African heritage. It’s a deep part of who they are, and for too long, it has been muddled, challenged, or treated as if it’s a curse or ridiculed in pop culture, as we’re discussing. That has changed over time, which I find really beautiful.We’ve also seen leaders from the African diaspora — whether from the Caribbean or Europe — who embody the virtues of what it means to be African. But I don’t think it’s helpful to express that connection in a performative way either.”AMANDA: “It’s really fascinating because it considers Africa beyond just a geographical context. You’re placing Africa in a spiritual context, within a value system, which, to your point and Kwame Nkrumah’s, means you can be from anywhere and still carry those values within you. And that doesn’t undermine the uniqueness of where you are.My mother is Grenadian. I am Grenadian. I also know that within my culture as a Grenadian, Africa is very present and very clear, and that presence is not hidden or shunned in any way. But it also doesn’t diminish the distinctiveness of what it means to be Grenadian. I want that for Black America, but I feel like we haven’t been able to fully achieve it because we are still within the context of our oppressor.”KWEKU: Going back to what I mentioned about politicians in this modern era, especially my grandfather, and the idea of putting him on a pedestal — that happens within African American culture too. How do the leaders of that community ultimately dispel that, and instead, instill the understanding that who we are as a people, as a community, exists beyond just one individual’s success, or even a handful of individuals? It’s about the sum total. And I think that’s so important.And again, all these things really come down to education. If you can educate yourself, then you’ll often discover the truth that’s out there. And it will surprise most; it will shock most.AMANDA: “When we talk about ‘Everything is political,’ we understand through education that politics is a word — it’s literally just a word at this point for how we exist within a ‘society’ governed by institutions. But if those governments weren’t there, we would still be figuring out how to exist as a society, and the word ‘politics’ might not be the one we use, but we’d still be trying to solve the same challenges.That’s why I think it’s great that Slow Factory is starting this initiative, and I believe it’s imperative that we recognize education as the key to liberation on all fronts. And how do you get that education? There are so many ways. Personally, I find that my favorite ways to educate are through ranting, interviewing, and art.Someone asked me the other day, ‘What are you doing for the movement?’ I try my best to give a platform to voices that people might not know about but should, to new ideas and innovation, and also to reiterate important ideas. I wake up every single day thinking about how we can be better, more okay, than we were yesterday.”KWEKU: I think we have to challenge our existence every day. I’m interested in this idea, that if we stayed the same as we always were—whether that’s when we were born, whether that’s when we were five years old, 10 years old, or yesterday—that’s not truly living, right? We have to adapt and we have to change, but it starts with us. There’s a constant need to engage and also listen. I think far too many of us just don’t want to listen to anybody else. I have to remind myself each day— because at times I do have an ego— how important it is to take a step back and listen to people so you understand them better, which I think is important in this day and age where it’s so easy to tune people out.Here, in South Africa, we have our first coalition government since 1994 and it’s a unity of different parties with different opinions and votes, but I remain confident that we can pull it together even on our craziest days.A lot of my friends who are currently in America are disappointed in what’s unfolded and at a loss for what to do. I would love to hear what you think is the way forward?AMANDA:To sum up, for me, the biggest issue is that Americans, by and large, have put so much stock in their politicians. This government is built on corporations; it’s not built on any level of public servitude in the federal government, right? So, when the culture of America has been propping up our government versus demanding of our government, we have to start from the root —encouraging people to vote locally and in their state elections first and foremost, while simultaneously identifying the organizations that are doing the work."
}
,
"relatedposts": [
{
"title" : "Culture Must Be the Moral Compass That Geopolitics and Economics Will Never Be",
"author" : "EIP Editors",
"category" : "essays",
"tags" : "",
"url" : "https://everythingispolitical.com/readings/culture-must-be-the-moral-compass-that-geopolitics-and-economics-will-never-be",
"date" : "2025-07-15 16:14:00 -0400",
"img" : "https://everythingispolitical.com/uploads/2025_7_Opposing_Nazism_1.png",
"excerpt" : "The widespread cultural rejection of Nazism in the West did not emerge spontaneously from humanity’s innate sense of right and wrong. It was not simply that people around the world, and especially in the West, were naturally alert and to the moral horror of fascism.",
"content" : "The widespread cultural rejection of Nazism in the West did not emerge spontaneously from humanity’s innate sense of right and wrong. It was not simply that people around the world, and especially in the West, were naturally alert and to the moral horror of fascism.Rather, the transformation of Nazism from a nationalist ideology admired by many Western elites into the universal symbol of evil was a story of narrative engineering and the deliberate construction of collective memory. It is a story that reveals a larger truth: culture has always been the moral compass that geopolitics and economics cannot, and will not, provide on their own.And at this moment, it is crucial to understand and use the power of culture to shift geopolitics, and not the other way around.Understanding this history matters today more than ever. Because if it was possible to turn Nazism into the ultimate taboo, it is equally possible to reposition other violent ideologies and state projects—such as Israel’s ongoing system of apartheid and settler colonialism—as morally indefensible. But to do so requires acknowledging that cultural reckonings don’t simply arrive; they are made.Pre-War Ambivalence: When Fascism Was FashionableContrary to the comforting myth that the world naturally recoiled from Nazism, in the 1920s and 1930s many influential Americans and Europeans viewed Hitler’s Germany with admiration. American industrialists like Henry Ford openly praised Hitler’s economic management and fierce opposition to communism. Ford even funded antisemitic propaganda through his publication, The Dearborn Independent. British aristocrats, including the Duke of Windsor, flirted with Nazi sympathies, seeing Germany as a model of discipline and order.It was only when Hitler’s ambitions clashed with the strategic interests of other nations that fascism became intolerable. And even then, many major US and UK companies maintained their business interests with the Nazis, including Ford, IBM, GM (Opel), Standard Oil (now ExxonMobil), Chase Bank, and of course Coca-Cola, who famously created the brand Fanta so that it could break the boycott and do business with Nazi Germany.This distinction is critical: condemnation of Nazism began not as a moral imperative, but as a political necessity. Germany’s aggression threatened the European balance of power, British imperial security, and eventually, American economic and military interests. The moral narrative would only come later, after the fighting was over.It is important to learn from the past and see that only culture can shift perception, and to use culture to shift the economic realities that would otherwise wait to be shaped by politics.Wartime Shifts: From Enemy State to Symbol of EvilWorld War II did not instantly transform public opinion. For many Americans, the war in Europe remained remote until the bombing of Pearl Harbor in December 1941. Even then, the decision to fight Nazi Germany was entangled with power politics: Hitler declared war on the United States first, effectively forcing Roosevelt’s hand.Nevertheless, the war provided fertile ground for a reframing of Nazism. Wartime propaganda efforts by the Allies recast the Nazi regime as a brutal, alien threat to civilization itself. Hollywood joined in: The Great Dictator (1940) ridiculed Hitler’s delusions of grandeur, while Casablanca (1942) romanticized resistance. Images of goose-stepping soldiers, swastika flags, and shattered cities circulated widely.As the Allies advanced, they encountered the first concrete evidence of the Holocaust: ghettos, mass graves, and emaciated survivors. Yet even then, much of this evidence remained unknown to the general public. It was only after liberation that the full horror became impossible to ignore.Post-War Revelation: The Holocaust and the Cultural BreakThe turning point came in 1945, with the liberation of the camps and the Nuremberg Trials. The images and testimonies from Auschwitz, Dachau, and Bergen-Belsen revealed the industrial scale of genocide. Millions murdered with chilling efficiency. A systematic attempt to erase an entire people. For the first time, the abstract notion of “Nazi evil” was grounded in visceral, visual evidence.Sociologist Jeffrey Alexander describes this phenomenon as the cultural construction of trauma. Atrocities do not automatically generate collective memory; they must be narrated, documented, and ritualized until they become an inescapable moral reference point. The Nuremberg Trials played this role by broadcasting confessions and evidence to a global audience. Schools, museums, and the press reinforced the narrative: Nazism was not simply defeated; it was unmasked as pure, irredeemable evil.Cold War Myth-Making: The Free World Versus FascismThe Cold War further cemented this narrative. To build legitimacy against the Soviet Union, the United States and its allies positioned themselves as the moral victors of World War II, the saviors of Europe from fascism. In reality, many of the same powers—Britain, France, and the United States—continued their own brutal colonial projects and enforced systems of racial hierarchy at home.But the cultural story was powerful: the West stood for freedom; the Nazis had embodied totalitarian darkness. School textbooks, popular films, and Holocaust memorialization institutionalized this story, forging a shared moral identity that could be contrasted against communist “evil.”This process was neither accidental nor purely altruistic. It was a strategic use of culture to consolidate power, project moral authority, and deflect scrutiny of the West’s own violence. The lesson is clear: collective memory is not a neutral mirror of reality. It is built, contested, and leveraged.The Sociological Core: Why Public Opinion ShiftsTo understand how an ideology once admired by many became the universal emblem of inhumanity, we must look beyond military defeat. Several mechanisms combined:Symbolic Association: Nazism transformed from a nationalist experiment into a symbol of mechanized genocide and racial supremacy.Cultural Trauma: The Holocaust became a shared wound that redefined moral frameworks across the West.Visual Storytelling: Images and films, rather than mere text, anchored the horror in the public imagination.State Rebranding: The Allies used anti-Nazism to build a postwar myth of moral superiority, even as they pursued imperial ambitions elsewhere.These insights are not simply historical trivia. They are a roadmap for how cultural shifts happen—and how they can be deliberately engineered.Israel, Palestine, and the Next Cultural ReckoningToday, Israel’s treatment of Palestinians—systematic dispossession, apartheid laws, and repeated military assaults—remains largely protected in Western discourse. Politicians insist on Israel’s right to defend itself. Media narratives default to framing the violence as a “conflict” rather than an occupation. Solidarity with Palestinians is often smeared as antisemitism.Yet history shows that moral consensus is not fixed. With enough sustained exposure, narrative work, and cultural pressure, the global imagination can be reshaped. Just as Nazism’s legitimacy eroded, so too can the idea of Israel as an unassailable “victim-state.”This is not a call to equate the Holocaust with the Nakba—each is historically distinct. It is, however, an argument that the techniques which made Nazism morally intolerable—trauma visualization, reframing language, relentless storytelling—are tools available to any liberation movement.Here is how such a transformation could unfold:1. Narrative InversionIsrael’s founding story must be contextualized: a state born from the trauma of European antisemitism that, in turn, created the dispossession of another people. Exposing this contradiction—survivors becoming occupiers—breaks the simplistic binary of oppressor and victim.2. Visual Culture and TestimonyJust as photographs of emaciated bodies in camps forced an awakening, so too can images of bombed Gazan neighborhoods, amputee children, and anguished families. Digital archives and survivor testimonies can anchor these experiences in collective memory.3. Linguistic ReframingTerms like “apartheid,” “settler colonialism,” and “ethnic cleansing” shift perception from tragic conflict to structural violence. Legal frameworks—UN reports, ICC filings—can fortify these terms with institutional legitimacy.4. Media SaturationBypassing corporate media gatekeepers requires a multi-platform strategy: TikTok clips, Substack essays, livestreamed trials of Israeli policy, viral documentaries. Saturation is what makes denial unsustainable.5. Global RealignmentPositioning Palestine within global struggles—Black liberation, Indigenous sovereignty, anti-colonial movements—expands solidarity. When the Global South embraces Palestinian liberation as part of its own decolonization, moral isolation will deepen.6. Cultural Institutions and EducationJust as Holocaust education became standard in Western curricula, Nakba education can be mainstreamed. Museums, memorials, and fellowships can institutionalize remembrance and scholarship.7. Policy Pressure and Legal ActionPublic consensus is the soil in which policy change grows. Boycotts, divestment, and sanctions, coupled with legal prosecutions of war crimes, transform moral clarity into material consequences.8. Making Occupation a LiabilityWhen supporting Israel becomes politically and financially risky—akin to defending apartheid South Africa—corporate and governmental alliances will fracture. Reputational risk can be a powerful motivator.Conclusion: Cultural Reckonings Are EngineeredIt was not “natural” for the West to reject Nazism. It took defeat, trauma exposure, and decades of cultural labor to enshrine anti-Nazism as a foundational moral principle. Similarly, it is not inevitable that the world will recognize Israel’s oppression of Palestinians as an urgent moral crisis. It will require strategic, sustained, and courageous cultural work.Culture—more than geopolitics or economics—sets the terms of what is morally acceptable. It is the compass that can point humanity toward justice. But only if we are willing to pick it up and use it."
}
,
{
"title" : "Neptune Frost",
"author" : "Saul Williams, Anisia Uzeyman",
"category" : "screenings",
"tags" : "",
"url" : "https://everythingispolitical.com/readings/eip-screening-neptune-frost",
"date" : "2025-07-12 16:00:00 -0400",
"img" : "https://everythingispolitical.com/uploads/netune-frost-movie-poster.jpg",
"excerpt" : "Thank you for all who joined the special screening of Neptune Frost, with exclusive introduction from writer/director Saul Williams. Stay tuned and become a member for our next edition of our EIP monthly screening series.",
"content" : "Thank you for all who joined the special screening of Neptune Frost, with exclusive introduction from writer/director Saul Williams. Stay tuned and become a member for our next edition of our EIP monthly screening series.Multi-hyphenate, multidisciplinary artist Saul Williams brings his unique dynamism to this Afrofuturist vision, a sci-fi punk musical that’s a visually wondrous amalgamation of themes, ideas, and songs that Williams has explored in his work, notably his 2016 album MartyrLoserKing. Co-directed with the Rwandan-born artist and cinematographer Anisia Uzeyman, the film takes place in the hilltops of Burundi, where a group of escaped coltan miners form an anti-colonialist computer hacker collective. From their camp in an otherworldly e-waste dump, they attempt a takeover of the authoritarian regime exploiting the region’s natural resources – and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Set between states of being – past and present, dream and waking life, colonized and free, male and female, memory and prescience – Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends."
}
,
{
"title" : "Uranus & The Cycle of Liberation",
"author" : "Céline Semaan",
"category" : "",
"tags" : "",
"url" : "https://everythingispolitical.com/readings/uranus-and-the-cycle-of-liberation",
"date" : "2025-07-11 16:25:00 -0400",
"img" : "https://everythingispolitical.com/uploads/EIP_Uranus.jpg",
"excerpt" : "I’m definitely not an astrologer. I don’t even know where Uranus is in my chart. But I do know how to read systems and translate them to the public. What I’ve learned, through years of designing for social and environmental justice, is that history doesn’t just unfold. It cycles upwards. And if we learn to pay attention to those cycles, we can prepare—not just to resist collapse, but to shape what comes after.",
"content" : "I’m definitely not an astrologer. I don’t even know where Uranus is in my chart. But I do know how to read systems and translate them to the public. What I’ve learned, through years of designing for social and environmental justice, is that history doesn’t just unfold. It cycles upwards. And if we learn to pay attention to those cycles, we can prepare—not just to resist collapse, but to shape what comes after.Even if you don’t care about astrology, the timing of these celestial movements provides us a way to examine macro trends that we can learn from. History may not exactly repeat itself, but it does echo.Uranus—the planet astrologers associated with upheaval, rebellion, and technological transformation—entered Aries in May 2010 and stayed there until 2018. That cycle coincided with a surge in political uprisings, many of which redefined our understanding of mass resistance in the 21st century.The Arab Spring began in late 2010, starting in Tunisia and erupting across the Middle East. It wasn’t just about corrupt regimes—it was about reclaiming voice, land, and dignity after decades of foreign interference, neoliberal decay, and post-colonial repression. From Tahrir Square to Pearl Roundabout, these movements were leaderless, fast, and media-savvy.Occupy Wall Street followed in 2011, challenging the violent inequality embedded in late capitalism. In 2013, Black Lives Matter emerged after the murder of Trayvon Martin, later exploding into a global uprising in 2014 and again in 2020. Standing Rock (2016) reminded the world that Indigenous resistance was not only alive but visionary. #MeToo (2017) became an international reckoning with patriarchy and sexual violence, a reminder that personal testimony is political terrain.Across these years, protests were decentralized, digitized, and visual. Social media moved from a personal tool to a frontline of collective witnessing. Livestreams replaced press conferences. Memes became political language. Design itself became a protest, and Slow Factory built the visual language for it.This was not coincidental but archetypal, because Uranus in Aries, even symbolically, tells the story of radical ignition, collective fire, visionary unrest.And yet, none of it was sustained. What followed was a backlash: fascist resurgence, climate denial, propaganda wars, and intensified state surveillance. We saw mass demobilization, media fatigue, and widespread disinformation. Many of the movements that sparked global hope were either crushed, co-opted, or burned out.So now, as Uranus moves through Taurus (2018–2026), the terrain has shifted. Taurus is about materiality, land, value, and stability. It demands we not only rise up, which is crucial, but to build. We are asked to not only critique systems, but replace them. Not just “burn it all down”, but radically imagine what’s next.This is the political and spiritual context I hold as I continue my work.At Slow Factory, we spent the past decade offering free education, cultural strategy, and ecological design rooted in climate justice and human rights. And with Everything is Political, we’re building an independent media platform not beholden to corporate donors or foundation filters—a place where movement memory, critical analysis, and cultural clarity live. If we don’t design the next phase of liberation, someone else will design it for us.This work isn’t about virality. It’s about continuity. We are here to hold political memory. To protect the intellectual commons. To ensure that the next generation doesn’t forget who stood for truth—and who profited from silence.The ask is to build the very systems we are all looking for, and for that we deserve the time, energy and support to imagine, design and co-create as a community. We can’t delegate our liberation to politicians, and we certainly won’t see startups capitalizing on the changes our society needs. Perhaps we will witness the hyper privatization of every single service our communities need, but we must strategize for during and after collapse. Funding structures will have to be challenged, as they are designed to sustain themselves and uphold status quo. However, we are witnessing the collapse of every industry: media, education, banking, all industries we rely on, will be challenged. We are going to need to rely on our creative skills and our ability to build true solidarity across our communities towards a common goal outside of dogma and division. It’s a cultural moment, and we are here for it.Resistance isn’t just about protest. It’s about imagination. And imagination requires discipline, community, and space.We are creating that space right here. And together we can co-create together if everybody puts in effort and care. For now, we are imagining what systems of mitigation amidst systems collapse will look like. Will we outsource our infrastructure to highly funded Silicon Valley funded platforms feeding off of public data feeding ads markets and Ai learning in real time from our work? Or are we truly invested in building sovereign media? I personally invest in the latter, and hope you all join us. Because we are the majority, and truly if we align we are unstoppable."
}
]
}